Ma version de la musique du film The Foundling (Barney Cokeliss, 2010) dans le cadre de la 10e édition du concours international de musique de films de Zurich (2022)

Here's my score for the short movie The Foundling (Barney Cokeliss, 2010) for the Zurich's 10th International Film Music Competition (2022)

01 Title Screen

MaRLo - Live At A State Of Trance Festival Utrecht 21 - 02 - 2015 

Closing Tech-Energy Set

01 - Giuseppe Ottaviani & Aly & Fila - Brilliant People (Mark Sherry Remix) [ARMADA]
02 - MaRLo feat. Christina Novelli - Hold It Together (MaRLo's Tech-Energy Remix) [ASOT (ARMADA)]
03 - Marcel Woods - Advanced (MaRLo Remix) [HIGH CONTRAST (BE YOURSELF)]
04 - Jordan Suckley - Access [VANDIT]
05 - Bobina & Betsie Larkin vs. MaRLo - You Belong To Megalodon (Xabi Only Mashup) [MAELSTROM (NEWSTATE)​/​ASOT (ARMADA)]
06 - Dash Berlin feat. Jonathan Mendelsohn - World Falls Apart (Jorn Van Deynhoven Remix) [AROPA (ARMADA)]
w/ 
Faruk Sabanci & Mark Sixma - Tripod [ARMADA CAPTIVATING]
07 - Armin van Buuren - Ping Pong [ARMIND (ARMADA)]
w/ 
Fisherman & Hawkins - Apache [COLDHARBOUR](W&W Edit)
08 - Hennes & Cold - The Second Trip (Scot Project Remix) [TRACID TRAXXX]
09 - MaRLo - BOOM [ASOT (ARMADA)]
10 - Tiësto - Traffic (ID Remix) [MAGIK MUZIK (BLACK HOLE)]
11 - Airscape - Sosei (F&W Remix) [ID&T]
12 - Kutski & Audiofreq - Outlaw (MaRLo Edit)
13 - Derb - Derb (Richie Romano Remix)
14 - Vincent De Moor - Fly Away (Sean Tyas Remix) [COMBINED FORCERS]
15 - MaRLo vs. Cara Dillon - Black Is The Visions (Sandro Vanniel Mashup) [ASOT (ARMADA)]
16 - Jurgen Vries - The Theme (ID Remix) [DIRECTION]
17 - Amir Hussain & Allen Watts - Step Into My World [WHO'S AFRAID OF 138 (ARMADA)]
18 - Lost Tribe - Gamemaster (ID Remix) [HOOJ CHOONS]
19 - Pinkque - Reborn [EXTREMA GLOBAL]
20 - Craig Connelly & Christina Novelli - Black Hole [GARUDA]
21 - Paul van Dyk feat. Plumb - I Don't Deserve You (Giuseppe Ottaviani Remix) [VANDIT]


MaRLo Live At A State Of Trance - ASOT 700 Utrecht [Tech-Energy Closing Set]

This is the third project I submitted for a music composition course with Jason Graves. The assignment was to create a one-minute "Atmospheric Horror" cue using both electronic and organic elements, incorporating foley and sound design.

I was pretty nervous about this one since it was my first time tackling horror, but I was excited to finally put my UK Bass library to work. Because this was an atmospheric piece, we were instructed to avoid melodic themes and instead focus on crafting tension and ambience. For the foley, I had to record myself making a bunch of embarrassing noises—then used distortion and various effects to warp them into something unsettling.

To help with inspiration, my partner wrote an entire space horror backstory for me: You’re sent to investigate a remote research station conducting top-secret experiments—something has gone horribly wrong, and the government lost contact three days ago.

Let me know what you think! :)

Atmospheric Horror

A change of scenery for this new track: a composition with more classical vibes, while still keeping a hint of cinematic music.

The idea was born from just noodling around on the piano, as usual… A melody slowly took shape, evolved, and eventually became, hopefully, a haunting waltz that builds in intensity as it unfolds.

Our Last Waltz

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Our Last Waltz

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