Earthbound

Released 12/08/13
Pre-order:

R&S - bit.ly/12hI8Q4
iTunes - http://bit.ly/18W4n6x
Juno - http://bit.ly/1b0LkoT
Boomkat - http://bit.ly/16dPWVC

Move Way - https://soundcloud.com/r-srecords/dbridge-skeptical-move-way

dBridge - Death Of A Drum Machine

stuck in texture
no spaced place
frozen structures
erased face
]+[-

Dissident - Stuck In Texture [cut] [Pinecone Moonshine 12" PCMSV016]

The first in a series of tracks reincarnated from In The Spirit Of Diaspora.

Released on Whadjuk Noongar Country. Sovereignty has never been ceded.

Reincarnate:
From Latin: re-, again + incarnare, to make flesh.

Here, we use our divination board to peer into the future. On that board we find Quincy Raw reincarnate, taking those shiny, clairvoyant bells to make a flesh we have yet to embody.

There is a longing here, unanswered. Maybe to be forever unanswered. But let us divine, and have our spirits be guided.

Longing

2 / 09 / 22
At 12:29 AM

I have this
Very deep ,
Resounding sense of
Longing ,
That becomes too
Abstract the more I
Try to explain
How I long for
Things and people and
Places and people and
Places and things .
But through these pages ,
Through the music ,
Through those
Indescribable phenomena
That dwell beyond
Language , beyond
Space-time , beyond
Wisdom ,
I feel like I can find
Peace and panache
In an otherwise turbulent world .


credits
released September 23, 2023
Infinite love and gratitude to dear friend Quincy Raw for this reincarnation.


Composition, Mixing and Mastering: Quincy Raw
Vocals: Polyharmony

© all rights reserved

Divination (Quincy Raw reincarnate mix)

Verification Loop (Slow Mix)

Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


***************************************************************************************
A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
***************************************************************************************

Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

º portishead flip/dub
º made late 2023 in berlin
º .wav format

free download :: https://quincyraw.bandcamp.com/track/it-could-be-sweet

it could be sweet

@pocketmoth

After a brief hiatus from releasing music, Pocketmoth is proud to present its first release of 2024, courtesy of Brisbane/Meanjin-based producer, Phresh.

Co-founder of label and party series Dialogue, Phresh is one of the city's most respected live-electronic performers - a craft that audibly translates into his club-ready releases and sporadic edits. 

Queen in Focus, the producer's debut EP on Pocketmoth, represents a new elevation of Phresh's immediate jam-orientated sound, featuring 3 extended club applications. Touching elements of speed garage, IDM and functional left-field electronica, the EP effortlessly balances DJ-able grooves with innovative sound design and ASMR work.
EP Release Date: April, 2024

[PREMIERE] Run The Gun - Phresh | Pocketmoth [2024]

Artist: Phresh
Title: Queen In Focus
Track Title: Hazeye (VU Finder)
Label: Pocketmoth
Cat #: PKM015
Release date: 26.04.2024
Format: digital

@pocketmoth
@phr_sh

They say an arch won’t stand without the keystone.

Similarly, garage won’t stand without the groove. Fear not! Spin-ya-head grooves are plentiful across Phresh’s debut EP on Pocketmoth, taking the discreet producer’s sound to dizzying new heights. 

The Queen In Focus EP features 3 extended applications in sound, adorned with functional rhythms, orbital sequences, blooming pads and ASMR sound-work.

Artwork by Phresh.
Mastered by Chris McCormack (Blacklisted Mastering).
Pocketmoth 2024

Bandcamp

Premiere | Phresh - Hazeye (VU Finder) (PKM015)

Ciao tutti,
For this month’s episode on NTS radio I’m delighted to invite sonic shaper and connaisseur @arthurrieger 
A la carte 💌
🌕🌟 Summer solstice, cancer season and double Capricorn full moon up in the cosmic dimensions +
🎧🌅 @arthurrieger crafted mix capturing the solstice's frequencies, filled with the vibes of endless light and refreshing dancing energies. Straight in with 2 premieres from forthcoming Pretty Sneaky & dubplate exclusive by Tapes! 
@arthurrieger recorded the mix at his second home, and yet the best sound system ever experienced by human ears Open Ground ~
I hope you enjoy the show ❣️
Art by Moi 
See you next month !
❤️
~ with love & gratitude ~
GiGi 🧜‍♀️

NTS GIGI FM PRESENT ARTHUR (SUMMER SOLSTICE SPECIAL)

* Subscribe for more premieres: bit.ly/2igyosu
* Read more: https://boltingbits.com/scalymoth-humble-rumble-early-reflex
* Listen on Youtube: https://youtu.be/4sRWINlqaII
* Pre-order: https://earlyreflex.bandcamp.com/album/lush-humble-rumble

EYX018 brings Scalymoth's debut EP, the two-tracker titled "Lush / Humble Rumble” marks a new milestone in the rapidly rising career of the DJ from Brisbane (Australia).

Scalymoth, has emerged as rising talent in the electronic music world, quietly making waves with her unique sound and innovative production techniques. Drawing inspiration from diverse experiences and the vibrant
energy of different locales, the Australian producer’s music is a blend of i intricate production, atmospheric textures, and powerful beats.

The EP offers two contrasting yet complementary tracks that highlight his versatile production skills and deep understanding of the dancefloor. "Lush" opens the EP with a cascade of ethereal textures that transport listeners into a dreamlike state. The track's layered synths and gentle beats create an atmosphere of tranquility and introspection, making it perfect for both chilled-out listening sessions and early morning festival sets. In stark contrast, "Humble Rumble" brings the energy up with a pulsating bassline and fierce beats that are sure to ignite dancefloors. The track is a testament to Scalymoth's prowess in creating high-energy, bassheavy anthems that resonate with electronic music enthusiasts.

The release of "Lush / Humble Rumble" is accompanied by a series of live performances and DJ sets across Brisbane and other major Australian cities. Fans can expect an unforgettable experience as Scalymoth brings his unique sound to the stage, blending live instrumentation with electronic elements.

Ultimately “Lush / Humble Rumble” explores the duality of sound and emotion of Scalymoth’s music, while ’Lush' captures the serene, introspective side of my production, 'Humble Rumble' is all about raw energy and movement.

Scalymoth said:
“This debut EP is the culmination of a few years of making, listening and learning. It is designed to make you move in whichever way and wherever makes you feel comfortable. All tracks were created on drum machines,
inspired by random occurrences over the last year. I'm also excited I got to weave in some field recordings I took in India.

‘Lush / Humble Rumble’ is available across all platforms on Friday 26th of July 2024.

Lush / Humble Rumble

Humble Rumble

PREMIERE: Scalymoth - Humble Rumble

Nak’s sound is immersive, otherworldly, psychedelic; all grounded in a love for storytelling through music.

Originally (and always) a fan of Melbourne's underground scene, Isabel is drawn to DJ sets that take the listener on a journey - whether that be through mood, genre or tempo - to create something beautiful and entirely anew. This is a quality she explores in her own sets, weaving together intricate, spiraling blends of IDM, techno and bass to create a dreamy, glistening tapestry of sound.

@isabel-nak

Mirrors 019 - Nak

Artist: Iti 
Title: Don't Play 
Label: Pocketmoth 
Cat #: PKM016A 
Release date: 18.07.2025 
Format: Digital 

Don’t Play is a percussive 120bpm number, low-slung and unhurried. Its drum programming is crisp and minimal, offering space for saturated pads to bloom, and hooky RnB vocals to shine. Deliberate and unforced: a track that trades maximalism for depth; mood-driven dance music, engineered for immersive moments. 

Produced and mixed by Itrat Memon (Iti).
Artwork photography by Rafet Grima.
Mastering by Chris McCormack of Blacklisted Mastering.
Pocketmoth 2025.

Premiere | Iti  - Don't Play  (PKM016A)

From opens MOTH02 with Draw Me In, a blissful breakbeat journey at breakneck speed.

https://soundcloud.com/fr0m

From - Draw Me In [MOTH02]

London Grammar - If You Wait (Calibre Alternate Remix)

The clouds passed by slowly on a dreamy summer afternoon, the leaves began to flutter in the trees as the wind picked up. Down by the canal, people watched the water roll on down the stream towards the central river. The canal was like the veins of the city, passing life between the cells of the system which was swarmed and swamped by people in towerblocks and on high streets. This place was special, it was an escape from the struggle and strife of city living. A chance for something new...

Cong Burn is a record label perhaps underestimated, it has been an outlet for intricate experimentation and has been responsible for the release of music by the likes of Lanark Artefax, BFTT, Howes, Chekov and more. The latest EP features four indirect, forward thinking club tracks with a nod towards IDM. Listen to Lack's "Flutter" below:

PREMIERE: Lack - Flutter [Cong Burn]

pre-order : https://www.juno.co.uk/products/kuniyuki-marcus-henriksson-jakam-the-dna-sessions/764776-01/

In 2017-2018 Japanese musician Kuniyuki Takahashi joined forces with his Swedish friend Marcus Henriksson (half of Son Kite / Minilogue) for a few jam sessions that were recorded in Tokyo in late 2017 and later digitally released by the artists themselves.
The sessions were as they called it “an improvised live recordings..” And out of them came the d-N-A Sessions. Being friends of both musicians, the mysterious J.A.K.A.M. (with 2 releases already on MT) decided to edit and rework 2 of the jam-session tracks… Using his unique sonic aesthetics, playing a lot of percussion rhythms and overlaying them on existing acid parts and drum machines, the result is breath-taking…Two tribal house Big Room cuts, for peak time club or festival set... Nothing like you’ve ever heard before...

LISTEN ON YOUTUBE

PREMIERE : Kuniyuki & Marcus Henriksson - Shinkei (J.A.K.A.M. Rework)

record label ~ infinite twist 
contact@pocketmoth.com

curated by @iti_mqn and @quincy_raw

===========================

Phresh - Queen In Focus [PKM015]
sss - Lost Future [PKM014]
V/A [POCKET2]
Iti - Curvework Vol. 2: Saffron [PKM013]
V/A [POCKET1]
Iti - Curvework Vol. 1: As Time Passes [PKM012]
Quincy Raw - Big Fermion [PKM011]
George - Strange Ways [PKM010]
Gabriel Magdelani & Niran Mantin - Physical Desires [PKM009]
Olympic Pool Maintenance League - The Calming Cloud [PKM008]
Black Mannequin - Zero/Sum [PKM007]
Eran Ben-Zeev - Adult Dreams [PKM006]
V/A - Skies [MOTH02]
Sam Stosuur - Seeds [PKM005]
Bcharre - Malik [PKM004]
RDGR [PKMTAPE01]
Gábriel Magdelani - One For Mary Ann [PKM003]
G. Magdelani, C. Brooks - Mary Ann [PKM002]
Quincy Raw - timesweeper [PKM001]
V/A - Infinite Twist [MOTH01]

From - Draw Me In [MOTH02]

pocketmoth

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