Great song, I really  get lost listening to this!

A poem about this political internet climate , long gone love, friendship, forgiveness and of course musical collaboration, The beautiful body of this song is an ambient work from Wilfried Hanrath.. I have added a bassline from a Roland bass machine, lyrics and vocals, and a complimentary musical background made with a Fender strat and Melotron..  Fyi, Wlifried has done another version of this song with an added intrumental verse in the middle that is very beautiful and well worth a listen that can be found on his page..!!

Lyrics:
Insular depravity, and  narratives so Bizarre and Brazen, stuffed full in cavities with hand grenades, chocolate bars, and mason jars full of unfamlliar items.
Please sit a spell and help me with the truth, it's hard to tell sometimes, and it can hurt like hell.
You gave me water from that spring that filled the tank, it was the sweetest coldest, cleanest, clearest water that i ever drank, But now i have to let it go and not a moment waste on life long gone and lived in reckless haste.

LONGINGS***Take 2  ( A collaboration with W:I:L-o' the-wisp. WILFRIED HANRATH..)

Marco Lucchi : piano, synthesizer and tape

alt version of the previous track "L'uomo che cammina"
https://soundcloud.com/marcolucchi/luomo-che-cammina

field recordings from
https://freesound.org/people/felix.blume/sounds/612651/

1 febbraio 2022

L'uomo che cammina (di notte)

Over the Waves (The Gannets)

Filmstadt Underground

I'm Nebel (Frid Mars extended version) - Filmstadt Underground (Atze187 & PENTALOOPS)

Feel free to add something or warp it...or anything :D
Artwork by Richard Whadcock: https://northcotegallery.com/artists/richard-whadcock/2013

Its Not At All

Great fun again with the wonderful Stephan Lipinski on guitar and Sergio Parraga on congas.   Rose to #8 on SoundCloud's Hot & New playlist in the Jazz & Blues category

Three Four  - Stephan Lipinski / Sergio Parraga / Jamie Rhind

At the time when there is a fire or a famine or plague, a fire-red calf has been roaming the so-called Ochsengasse in Mergentheim with a terrible roar for ages. It is said that it was often seen and heard in Mergentheim in the past.


Recorded with an Arturia Microfreak in Reaper. I used two excellent reverb plugins by Airwindows in this track:

Galactic: https://www.airwindows.com/galactic/
Verbity: https://www.airwindows.com/verbity/

Wuotis (and other ghost stories)

Summoning the red calf

10.2022. introduction track for "venus transit"

optical Intro

Windos 1≠1
The piece is based on a simple harmonic modulation whose chords are stretched over the entire length of the piece. The individual chord tones, however, are not even but broken up into manifold glissando movements and meet only at a few points. The result is a constant oscillation between harmony and disharmony. So a layer of constant of sound was created that runs silently in the background, so to speak, and only becomes audible in a few places. Like when you open and close windows and let sounds in for moments. I froze some of these moments (with the IRCAM verb), which also leads to these magical noisy sounds that might remind you of orchestral sounds. Some of these sounds are doubled and then processed differently, so that they take different developments from an identical starting point: 1≠1. The sound material is entirely made of sawtooth waves that have been heavily processed.
The artwork has been made by Thomas Müller. See also www.flickr.com/photos/txmx-2/albums

Windwos 1≠1

Until We Meet Again

Last month my friend Jeff/Stonerjazz sent me a preview of this song he was about to release (https://soundcloud.com/user-911083679/01-i-still), and he was so kind to ask me if I wanted to add anything to it. We had been planning a collaboration for months, so I happily started to work on it, recording a few instrumental tracks. I got inspired from Jeff's amazing lyrics and vocal harmonies, and we're both happy about the way this tune turned out to sound.
A wonderful collaboration that we'd like to dedicate to all of you SoundCloud maestros, wishing everyone a happy new year. Peace, love and happiness...

LYRICS:

captured in the eddy of the river bright, the still life painted with the colors of the soul, the dead-eyed and the damaged wander through the landscape of the misty light without compassion for our plight.
even in the darkest night there’s drops of paint, notes from my guitar, and tiny light that usher in such lush delights, though worthless in the merchants eye, the maestro has the wings to fly…
it’s a big mess, got a hole in my chest, taken down and crushed like apples in a press, i confess to everything i’ve ever done. every single one of us… on the run.
when minds are quiet, the stink of revolution floats in the air, and the overlords they waste away in deep despair… slippin in the deep end not so quietly. fantastic sights!!
tin can rattle in the back, living in a tiny shack, standing in the middle of a two lane blacktop gazing at a cloud i saw some thirty years ago.

Stonerjazz : vocals
Teth Sin : electric & acoustic guitars, bass, samplers (mellotron, drums, piano)

Original composition, arrangement, mix, mastering & cover artwork design by Teth Sin
Lyrics by Stonerjazz

The Maestro

The Maestro | feat. Stonerjazz

PolarNine is a dynamic duo that draws inspiration from a range of genres, including 90s dance music and the melodic stylings of Zero 7. Though the duo officially formed just two years ago, the members have been playing together on and off for almost 20 years. Based in Sweden, PolarNine delivers a unique sound that showcases the diverse musical backgrounds of each member.

What sets PolarNine apart from other bands in their genre is their ability to seamlessly blend different styles and influences into a cohesive sound that is all their own. Whether it's the pulsing beat of a dance track or the lush harmonies of a downtempo ballad, PolarNine delivers a unique and engaging listening experience that keeps fans coming back for more.

Until We Meet Again

PolarNine

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