Laid back electronic soundscapes rooted in experimental and ambient sensibilities.

Refractions

TL
Leoni Leoni - Go shine, lighwave, reason
Kaleidophone - Calux
Rafael Kasma - Meme Doomer
Speedy J - Fill 17
Aril Brikha - Forward Motion
Boozoo Bajou - Jan Mayen
Leoni Leoni - Easyjet
256 Recordings - Pure Bond
ro70 - Alma
|||||||||||||||||||| - Outlook Remains Untouched
Kuniyuki Takahashi - The Big Wall
Circlesquare - Music For Satellites
Intelligent Chaos - Untitled #1
DJ IBON - Sorgpad
Radioactive Man - Hector's Blues
DJ 3000 - My Sunday Afternoon
Technova - Waiting
Rafael Kasma - Ghost Vessle
Closer Musik - One Two Three (No Gravity)
Paul van Dyk - For an Angel (Escape Mix)
Leoni Leoni - Langsam Müed

outlook remains untouched

Large Magellanic Cloud Ep - 06 Fygon Isk

Buy Projections Double LP vinyl / Stream / Download: https://ffm.to/projections

Respected producer, DJ and sound designer Alex Banks presents his third studio album ‘Projections’, returning to Max Cooper’s Mesh imprint. The work follows up critically acclaimed releases on Modeselektor’s Monkeytown, Ninja Tune, where he remixed Bonobo, and his sublime sophomore album ‘Beneath the Surface’ from 2019.

Produced in his studio in Brighton, UK, the album is an immersive nine-track masterstroke covering the gamut of electronica, techno, breakbeat, bass and IDM, fit for clubs and home-listening alike. The project was born in the early stages of 2021. With little outside stimulation to draw inspiration from, Banks
invested in new gear including a Moog Matriarch, DFAM and a host of Eurorack Modules - and set about immersing himself in the possibilities of his new semi-modular synths. In terms of sonic reference points, he found himself in new territory, too. “Usually going to a club night, or concert, or even the
simple things in life that you take for granted all feed into a melting pot of things that inspire me to create. But without these, I instead found myself drawing on memories of experiences, and imagining new ones for the future to come. I began to feel like these were projections, almost like memories of experiences I had been projecting via the music I was creating,” he shares, adding that memories of clubbing trips to Berlin, London and Brighton fuelled his vision for the album.

Furthermore, the seclusion we collectively experienced allowed Banks to philosophise on the nature of human connection, which fed into the album concept: “I started to think about how during our period of relative isolation, we are all projecting into the digital ether, searching for a connection in an increasingly virtual world where shared human contact and experiences have
become scarce.”

Before The End

06. Ekkehard Ehlers Plays John Cassavetes (Pt. 2).mp3

The ED

wishes

Othona

Found & Lost

from the LP Sharing Waves out World Wide June 1st

VINYL WAVES NOW SHIPPING:
www.stonesthrow.com/store/album/coo…e/sharing-waves
RIDE THE MARITIME BANDCAMP:
coolmaritime.bandcamp.com/album/sharing-waves

Sean Hellfritsch returns to Leaving Records with his second outing for the label as Cool Maritime. Sean is an active mixed-media visual artist, and modern modular electronic composer living and working in North East Los Angeles with his wife Kaitlyn Aurelia Smith. 

Sharing Waves is all-expansive environments, and fully-realized worlds to explore and get lost in. A persistent sense of adventure and excitement is practically baked into the songs, many of them having been recorded in inspiring and remote outdoor locations using a nomadic studio including a "lunchbox" modular system. The narrative flair of this instrumental music comes naturally to Hellfritsch, who is also an accomplished filmmaker. What you hear is musical ideas captured in moments of awe, happiness and inspiration. Although the sounds are largely electronic, the feeling is organic, with lush arrangements that breathe and breaststroke their way gracefully through the open air. Illustrative song titles like "Forest Bathing" and "Secret Caves" evoke inviting landscapes of reflection and resonance. Pristine and glassy droplets of sound pitter over damp and mossy beds of emotional chords and feelings, as escape turns inwards. 

In an interesting contrast to the nature-heavy motif, a number of the tracks on Sharing Waves were the result of a commission to create pieces for a large outdoor plaza in downtown Los Angeles. This dichotomy of nature versus development makes for an interesting fold in these fully realized compositions. As for the album's title, Hellfritsch, who is an inveterate surfer, explains: "Sometimes surfing can be a competitive environment with crowded breaks and not enough waves to go around. The 'right of way' rule is that the first person to catch the wave closest to where it’s breaking gets it. It’s a known rule and everyone expects you to respect it – but the exception to that rule is that friends love to share waves. It’s a joyful experience to be riding this big undulating ripple of water with a pal alongside you. Such a unique moment of fun and connection and excitement that always sticks with me."

Be it in a beautiful natural environment like those of the albums' creation or shut away indoors, Hellfritsch says he'd love for people to experiment with different ways of listening. "My favorite way to listen is laying on the floor in a dark space with some nice speakers. The tape deck in my 1987 Toyota van while driving very slowly along windy, foggy coastal road would be runner up." This idyllic image of a reliable old ride propelling through an endlessly unfolding seaboard perfectly captures the magic and mystery waiting to be found on Sharing Waves. Hellfritsch says, "the biggest thing i learned on this album was to trust my intuition when making music and not spend too much time second guessing myself. Just go for it and have fun!" Tune in with an open mind, and dare to share a wave.

Tangente

Pole

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