Celia

● CD01_SPLIT : Humbros / R​.​I​.​P. ●

❊ Composé et mixé par Humbros
❊ Masterisé par Ernest Bergez (Sourdure)
❊ Artwork par Josué Confort ©
❊ Sortie le 9 juillet 2021
❊ Cassette, 80 exemplaires, papier recyclé

→ champdoner.bandcamp.com/album/cd01-split-humbros-r-i-p

Sumac

A1 - Humbros - Sumac

Frío

re /0

Zoomachia Disc 1 - Excerpt - Side A

enjoy the vibes //
DOWNLOAD:
https://sinnersclub.bandcamp.com/album/i-think-they-don-t-exist
FOLLOW:
https://www.instagram.com/sinnersclub_bandcamp/
https://sinnersclub.bandcamp.com
*i do not own this music nor am i affiliated with Sinners Club*

i think they don´t exist

Sinners Club - 精神的な浪費 / mental waste

New Force

Super Natural is a spell spun by the inner guides: sometimes they have your best interests in mind but other times....you're wanting it to go this way...

Jonnine’s songs swim in part-spoken, part-sung suspension, sophisticated wordplay amid languorous instruments and devotional invocations with allegorical weight. Imagined as a soundtrack to the surreal Venice-set feature film she and @Zebrablood (Blazer Sound System / Psychic 9-5 Club) are destined to one day make together, it is a testament to eight years of friendship and musical / visual collaboration. Super Natural has a chimeric quality – fleeting and, like any good thriller, pulsing with potential but paced with restraint (as Jonnine says, "it’s what you don’t see that keeps you imagining").

Jonnine’s first solitary offering carries the refinement of her work in the Australian band HTRK. With this EP, a creative block was overcome after years of being urged by her therapist to forge a solo musical identity. It began with a first attempt to play her brother’s broken stringed guitar, unused since 2001, and became these four songs. Written and recorded in Puerto Maldonado, Peru, Big Island, Hawaii and Dandenong Ranges, Australia

Starless and clandestine, the spoken-word delivery of “You’re Wanting It To Go This Way” is streaked with discordant guitar, tripped rhythm and sanguine, fluttering melodic ornament. A rapt rendering of self-sabotage, but patient and alluring, this introduction is reminiscent of Leslie Winer’s Witch.

“I Don’t Seem Myself Tonight” confesses ethereal harmonies with waveless vocals, earthy strums and keyboard sceneries (in Sceneries Not Songs likeness). A tribute to love at first sight as a little death. Subconscious gong in whale tones from Mona Ruijs (Sound Interventions).

The penultimate “You Can Leave The Vampires” is fettered by guitar from HTRK bandmate Nigel Yang against a moody, cautionary libretto. This collaboration yields ritualistic results as the object of the spell is appealed to break with an addictive game of chance by the overlapping mantras “If I can leave you / you can leave too” and “Please, you can be free”

The playful “Scorpio Rises Again” simmers with Audrey Horne cheek; bass guitar, finger clicks and a whistle from Conrad Standish (CS + Kreme) in beguiling denouement.

With stories unlocked by the interior dreaming of Super Natural, Jonnine and Nigel’s collaboration as HTRK opened up and new material (their 2019 album, Venus in Leo) sprang forth immediately after. The inner guides may delude when kept quiet: their expression is a way towards healing, even their most haunted song.

Written by Jonnine 
Produced by Jonnine and Nathan Corbin
Mixed by Nathan Corbin

GMV03 Jonnine - Super Natural 12" (Snippets)

cy c/u

double cassette case (C30+C40) including "A CASA E OS CÃES" OST out now via Holuzam.
video: https://youtu.be/iQ6g0RtQvKo
digital/streaming: https://holuzam.bandcamp.com/album/sabor-a-terra

Throwing Out A Line ['SABOR A TERRA', 2x Cassette, Holuzam] (https://youtu.be/iQ6g0RtQvKo)

'Rounded' from 'Wound Without A Tear' by Kazumichi Grime

https://daisart.bandcamp.com/album/wound-without-a-tear

"Wound Without A Tear is a compilation of “Australian” Ambient and Experimental Music; an area so often overlooked and misunderstood because it does not easily fall into historical context. However, the fifteen years (1993-2008) the collection cites–a period of early 90s post-rave ethereality defined by pleasure-centred spaces (chill-out rooms) and the personal computer’s emergence as a popular tool for file-sharing and secondary-living in the 00s–is befitting of closer examination.

The recordings were sourced from artists, labels, corrupted disk drives, CD-Rs, the WWW and archives of Melbourne’s 3RRR community radio station.

During the 1990s, as new technologies emerged and mass digital culture flourished, artists explored the emergent possibilities of the Internet with a utopian fervour, viewing the web and its plethora of images and information as a site of boundless potential. In the 2000s, file sharing connected people around the world directly to one another, and this incorporation of online experience into material objects, meant there was an increasingly porous border between the online and offline worlds–if there remained a border, at all."

Throwing Out A Line ['SABOR A TERRA', 2x Cassette, Holuzam] (https://youtu.be/iQ6g0RtQvKo)

polido

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