I started working on this song it year and a half ago in Vietnam and somehow I got it tucked away in the drawer. Luckily, I have a 'voice of reason' in my life a.k.a. my dearest friend Dory who after listening to it persuaded me to not give up on the song and finish it. We often forget how much support we get from our closest people and how big of an impact their opinions and care have on our lives. 

That’s why I want to dedicate this song to the lovely Dory. Thank you for being such an inspiration!

  I would also like to thank the loveliest Anna Semerová and Sophia Stoltz which brilliant voices I borrowed for this song from some old recordings we had made!

@CYPER SOUND and @Pepis Kočí did an amazing job with the mixing and mastering. A big shout out to all of them and thank you, guys!   

Also, a big thank you to the talented Marie Urbánková who accepted to help me out with my last-minute idea and brilliantly spiced this single up by creating such an appealing visual for it!   <3 

I hope you guys enjoy the song! Thanks to everyone who supported me and was involved in the process!

La Frase (ft. Sophia and Anna)

Pre-order now :
Agogo Records http://bit.ly/16A1oKJ
Juno Records http://bit.ly/H3OD4D
OYE Record Store http://bit.ly/1apnYdE
HHV.DE Selected Store http://bit.ly/H6BEPO

iTunes : http://bit.ly/18OJxRb

Mop Mop follow up their surprise smash album “Isle Of Magic” with a special 3 song remix ep on a limited 12′Vinyl edition.

A1 – Let I Go Feat. Anthony Joseph (Mr Raoul K’s version)
B1 – Kamakumba (Simbad Dub)
B2 – Kamakumba (iZem remix)

first remix was done by Mr Raoul K who is well known for his productions that mixes original African instruments with Techno and Deep House. His releases spreaded his unique sound over the world with great acclaim from Gilles Peterson, Joe Claussel and many other DJs.
His 12 min epic rework is full of psychedelic elements, hypnotic grooves and african percussions. Gilles Peterson already supported this one on his Worldwide show.

Young prodigy of good music, DJ & producer Simbad has become – while making 3 albums and more than 200 productions & remixes – one of the most demanded beatmakers in today’s electronic scene.
Simbad brings Mop Mop’s “Kamakumba” into a killer dancefloor tune full of dub elements and tight beats. The original version of “Kamakumba” has been “Today’s Top Tune” on the legendary “KCRW” radio.

French producer and DJ iZem started writing music during a 6 year-long musical adventure through Brazil, Spain, Argentina and Ireland. Now based in Lisbon, his unique hybrid sound joins the dots between cutting-edge beatmaking and post-tropical influences. His remix is a mid tempo funk pearl with refined Jazz and Hip-Hop elements.

mastering and cut @ Dubplates & Mastering / Berlin

Credits :

Mop Mop – Let I Go Feat. Anthony Joseph (Mr Raoul K’s Version) 12:29
Additional Keys and Synth by Alex Trebo
Mixed by Mo Stern and Andrea Benini @ Mo Stern Studio, Berlin

Mop Mop – Kamakumba (Simbad Dub) 5:32
Remix & Additional Production by Simbad for Key Recordings
Mixed @ Gio’s Cosy Studios, Amsterdam
Twitter.com/djsimbad

Mop Mop – Kamakumba (iZem Remix) 4:45
Mixed @ Al Usbuna Studios, Lisbon
@soundcloud.com/dj_izem

p&c 2013 Agogo Records

Let I Go Ft. Anthony Joseph (Mr Raoul K's Version)(low res 96kbps)

Buy / Stream here: https://fanlink.to/moonbaton_v1

Italian producer Populous makes his long awaited return to Wonderwheel with the first volume of his 2 part “Moonbaton” series - a collection of darker, instrumental reggaeton & moombahton cuts inspired by the zodiac, magic, and mystery of the universe. Things kick off with "Flauta Magica," focusing around the clave and a brooding synth line and a dembow style beat interweaving itself with the flute & a little bit of acid vibes for good measure. Next up is "Sapo," a distant, foreboding track with a monster of a beat & bassline complimenting a childlike fairy tale melody on top.

Moonbaton Vol. 1

Sapo

Buy / Stream

Populous - Sapo

Wonderwheel mainstay Chancha Via Circuito (aka Pedro Canale) introduces his fifth full-length with its first single, “El pavo real,” featuring the Meridian Brothers (aka Eblis Álvarez). Cutting his teeth early at Buenos Aires’s legendary ZZK digital cumbia parties, Chancha became known worldwide as the originator of the cumbia-inspired electronic music that takes cues from environmental sounds and South American folkloric traditions. Pedro’s musical progeny include names such as Nicola Cruz, El Búho, Dengue Dengue Dengue, King Coya and more.

“El pavo real” (or “the peacock” in English) is rooted in the now-familiar chug-chug of a dembow beat, made increasingly complex with the addition of further polyrhythmic percussion; the main melodic motif is initially played on a buzzy synth - a sonic prelude to the accompanying strings that join later in the song - adding yet another layer. It’s in this layering that Pedro’s true mastery shines: If one tries to isolate the individual sounds and rhythms, the incredible complexity is apparent, and yet, taken as a whole, everything melts together in a seamless sway of movement and melody. 

Providing vocals is Eblis Álvarez, the academy-trained Colombian singer-songwriter & multi-instrumentalist of the acclaimed Meridian Brothers (really more of a solo project than a band, as the moniker might suggest). Alvarez, recently hailed in a longform article by the New York Times, sings about the titular peacock in lilting Spanish, at times stretching out the vowels in question. It’s the perfect addition to an already great song, and the collaboration of two of Latin America’s foremost innovative artists places “El pavo real” in rarified air.

“El pavo real” is out on Brooklyn’s Wonderwheel Recordings September 30th, 2022, with an album to follow later in the Fall.

Pre - Order Album Here

Chancha Via Circuito - El pavo real (feat. Meridian Brothers)

Out Tuesday, September 23rd
Pre-Order the LP, CD or Digital: http://wonderwheelrecordings.bandcamp.com/album/amansara

Argentian producer Pedro Canale aka Chancha Via Circuito returns from a three-year sojourn with his long awaited third album, Amansara.  Originally coming out of Buenos Aires's famed digital cumbia scene, Chancha has notoriously broken way outside those boundaries to forge unprecedented mergers between Brazilian rhythms, Paraguayan harp, Andean mysticism and the solitude of Argentinian folklore - all processed through his own futuristic style of post-dubstep.  Chancha's sound is without question truly unique and instantly recognizable to the point he has become a key reference point for an entire crop of artists that have begun to carry his genes.
 
Hailed by the Washington Post, The New York Times, Pitchfork, NPR and countless others, Chancha Via Circuito defies even the shrewdest of marketing geniuses.  On one hand, he is something of a cult artist within micro-circles of electronic music, having been invited to perform at Montreal's MUTEK as well as the Roskilde and Vive Latino Festivals. At the same time, Chancha's music has found broad appeal outside of the avant-garde, most notably his magnificent remix of José Larralde's "Quimey Neuquén" which was heavily featured in 2013 as part of the final season of the critically acclaimed television series Breaking Bad. Fans of the show undoubtedly remember Walter White burying his millions in the desert, soundtracked by the wide and gentle grooves of Chancha Via Circuito.
 
Amansara is a natural progressing of Chancha's special strain of electronic South America. Lead single "Coplita" features the haunting vocals of previous collaborator Miram Garcia, while "Sueno En Paraguay" merges Andean folklore sounds with bleeps and blips and pounding drums in a way that sounds completely natural and ordained. "Jardines" features the driving vocals of Lido Pimienta merging with heavy synths, percussion and bells into an unforgettable track, while both "Tarocchi" and "Guajaca" ramp things up into deep, electronic dancefloor inna rainforest territory.
 
Art for Amansara comes from Argentinian psychedelic folklore painter Paula Duro who has crafted the look of all of Chancha’s previous releases.
 
Amansara is out on September 23rd CD, digital and LP in North America and Australasia through Wonderwheel Recordings.


Amansara

Coroico

Cumbia libertad se trata de un compilado de la nueva era de la cumbia, El sello @HawaiBonsaï desde Suiza quiso hacerse responsable en reunir cerebros al rededor del mundo y crear este hermoso vinilo con trabajo con mas de 20 artistas. Me toco ser uno de los últimos en la lista hahaha así que tube que componer un track de 3 min solamente para poder alcanzar a aparecer en este compilado, un trabajo que hice con mucho amor, inspirado en ella y sus rayos de luz de luna que tanto amo ...
La canción la compuse en USA, en Reno, visitando a mi hermano, nos fuimos de viaje un día a South lake tahoe y ahi puse mis audífonos y la canción se hizo sola, llegando después a casa tome la guitarra y tire barrio sobre la canción ... y con unos cuantos vodkas la canción fue terminada, espero la disfruten al igual como yo disfrute creando y dedicando esta canción a un duende muy especial que ame pero termino por transformarse en un chuky <3 ! 


Bandcamp Download

Luz de Luna (Vinyl Version)

6 Pol Nada - Cancion De Cuna Costera

Late es un tema a cargo de Nochi & Funka, dos productores costarricenses que nos invitan a experimentar un viaje sonoro desde la jungla electrónica tropical al ritmo de frecuencias orgánicas. 

A su vez, la pista cuenta con dos espectaculares remixes colaborativos, a cargo de los artistas Lascivio Bohemia de Ecuador y Tribilin Sound de Perú.

REG061 
Producción: Funka & Nochi 
Masterización: Álvaro Ernesto 
Producción Ejecutiva: Colectivo Regional 
Sello Regional, Enero 2018.

Late

Free Download

Funka Y Nochi - Late (Lascivio Bohemia Remix)

Ali Ibrahim "Ali Farka" Touré (31 October 1939 – 6 March 2006)was a Malian singer and multi-instrumentalist, and one of the African continent's most internationally renowned musicians. His music is widely regarded as representing a point of intersection of traditional Malian music and its North American cousin, the blues. The belief that the latter is historically derived from the former is reflected in Martin Scorsese's often quoted characterization of Touré's tradition as constituting "the DNA of the blues".

Yemanjo gives this classic Malian blues a combined hip-hop/slow house groove sure to fill dance floors from Toronto to Tombouctou...

Ali Farka Toure--Tchigi Fo (Yemanjo edit)[FREE DOWNLOAD]

Barro is the second EP by Manchester based Ecuadorian producer Joaquín Cornejo (joaquincb). It is inspired by the power of soulful improvisation, field recordings, electronic experimentation and the cosy sound of magnetic tape. 

Barro is a deep, textured journey split across four tracks, each highlighting the young producers evolving sound & musical identity: beautifully sculptured textural electronics rooted in the folkloric traditions of his native Latin-America.

Download: https://shikashika.bandcamp.com/album/barro-ep

Download

Joaquín Cornejo - Omyaña

Buy: https://montoya.lnk.to/otuntheremixes

In 2019 Montoya released his 3rd album ‘Otun’ on ZZK Records. His blend of Afro-Colombian Rhythms and electronic beats (featuring vocalists Pedrina and Quantic collaborator Nidia Gongora) found support from the likes of Branko, Nubya Garcia, Papaoul, and many a dancefloor that came out to see him on tour.

Montoya is a classically trained violinist who moved from Colombia to Italy in 2001 where he joined Fabrica, a “cultural subversion center”, and experimented with arts and music. His fresh take on Colombian sounds pricked up the ears of contemporaries and soon he was asked to remix Nicola Cruz, Matanza and others. 

To borrow some words from DJ Mag, “from Colombia to Treviso via music. Montoya is surely one of the most interesting musicians on the scene”.  Montoya has now invited some of his friends, from Treviso to Colombia, to put their spin on his music. 

Chilean DJ Raff was an architect of the hip-hop scene in Chile and his ‘Latino & Proud’ track was used as the theme tune for Comedy Central’s award winning Broad City.  Since moving to London his electronic productions have gained support from Tom Ravenscroft and Gilles Peterson (BBC 6 Music) and others .  Having recently released music on Dengue Dengue Dengue’s new label, DJ Raff now turns ‘Solo Quiero’ into a sun drenched summer anthem.  

Clap! Clap! has developed his own inimitable style which has seen him gain support from Paul Simon, Gilles Peterson, Future Music Magazine and a raft of others. Montoya recently remixed Clap! Clap!’s ‘Rising Fire’ and now Clap! Clap! dials up the bass and marimba on Montoya’s ‘Pasillo’.

Barcelona based Baiuca has been making a name for himself with his unique vision of traditional folk music from Galicia reshaped with club orientated electronics. His take on ‘Otun’ gives it a deep bouncy and propulsive bass line punctuated with Nidia Gongora’s hypnotic vocals. 

Kenyan field recording and experimental sound artist KMRU, who received recognition from the likes of Resident Advisor for his delicate works, has put his distinct ambient touch on ‘Perla’.  

Lorenzo BITW, Cornelius Doctor, and Delaunay offer up their experimental versions and Joaquin Cornejo revisits ‘Solo Quiero’ with an ethereal blissed out mix.

Otun Remixes

Solo Quiero ft. Pedrina (Joaquin Cornejo Remix)

Montoya - Solo Quiero (Joaquin Cornejo Remix)

Pol Nada explora la canción experimental desde el folklore oscuro con elementos de la electrónica, la psicodelia y la música coral barroca. En sus LETRAS indaga sobre la tecnología de las emociones, las percepciones humanas, la ciencia, la vida y la muerte.
En sus presentaciones EN VIVO construye espacios sonoros con elementos de la psicodelia digital, el folklore oscuro y la electrónica de movimiento con guitarras, sintetizadores, percusiones y capas de voces barrocas.

Ha EDITADO 6 DISCOS grabando con artistas como Tweety González, Natalia Lafourcade, Hector Castillo ("Converse Rubber Tracks sessions"), Mariano Domínguez (IKV) y Juan Manuel Torreblanca, entre otros de Rosario, Buenos Aires y México.

Recibió PREMIOS y DISTINCIONES del Instituto Nacional de la Música, Ministerio de cultura de Argentina y Ministerio de cultura de Santa Fe, donde fue jurado en concursos de producción fonográfica.

Es integrante del colectivo "Fértil Discos" donde editó sus últimos trabajos y remixes junto a importantes Djs y productores de la escena electrónica de argentina.

Realizó GIRAS en mas de 30 ciudades de Argentina, Paraguay, Uruguay y Chile. Presentándose en escenarios como Personal Fest, Festival Internacional de Poesía de Rosario , Festival Desde El Mar, Tecnópolis, Usina del arte , CCK, Caras y Caretas, Casa Nacional del Bicentenario, Sala Margarita Xirgu, Sala y Plataforma Lavardén, Museo de Arte Contemporáneo de Rosario (MACRO) y Centro Cultural Fontanarrosa entre otros.

6 Pol Nada - Cancion De Cuna Costera

Pol Nada

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