Are  there any books or essays about  this understanding of fedualism/capitalism? Thanks 

podcasts

A dual contact microphone recording of a temporary wind harp.

Recorded 15 February 2021 at Walltown Crags, Northumberland, UK.
54°59'24.0"N 2°30'46.0"W
Google Maps: https://goo.gl/maps/GLVb4qVRaCbDXk8y9

Part of the Hidden-by-the-Wall Open Remix project:
soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix/

© 2021 This recording is made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Wind Harp, Walltown Crags

Alex De Waal joins PTO to talk about his new book, New Pandemics, Old Politics: Two Hundred Years of War on Disease. We discussed the history of pandemic disease control, from the cholera outbreaks of the 19th century to HIV/AIDS and the Covid19 crisis. We chatted why the war on disease narrative is so unhelpful, how colonial era vaccination programmes spread HIV in sub-Saharan Africa, and why the Great Influenza pandemic of 1918-19 is so little discussed and written about, despite its extraordinary death toll.

New Pandemics, Old Politics w/ Alex De Waal

Brooklyn Poets Yawp open mic, 6.14.21, featuring Prof. Imani Davis (7:03) and Poem of the Month winner Aishvarya Arora for "IMPORTANT INFORMATION ABOUT THIS ACCOUNT: I IGNORED IT. I DIDN’T PAY. MY OVERDUE PAYMENTS BECAME HORSES, MY BANK A RIVERBANK, & THEIR CASH CAME FOR MY REST" (22:03). For more info, go to brooklynpoets.org/events/yawp.

Yawpcast 6.14.21

una resonancia profunda 

Composición y producción: Ángeles Rojas
Dirección: Agustina Crespo y Juan Cerono
Voces: Ensamble Vocal UNTREF (EVU)
Cuencos: Maria Sol Taberner y Daniel Brower

Templo Escondido, Museo Santa Felicitas 17.11.19

Buenos Aires, Argentina

[ENG]

a deep resonance (for healing and moving sounds)

Composition and production: Ángeles Rojas
Conductors: Agustina Crespo and Juan Cerono
Voices: Ensamble Vocal UNTREF (EVU)
Singing Bowls: Maria Sol Taberner and Daniel Brower

Templo Escondido, Museo Santa Felicitas 17.11.19

Buenos Aires, Argentina

una resonancia profunda

Kate Crawford joins PTO to talk about her book, Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. We talked about why some proponents of AI are so convinced - against so much evidence - that systems of machine learning will truly be able to replicate human intelligence, and how the extraordinary material impacts of AI systems - from rare earth mining to electrical power needs - tend not to be discussed. We also talked about the early history of statistical analysis and the new discipline's relationship to eugenics. And finally we discussed how workplace surveillance systems, in spite of their apparent novelty, are in some ways replicating the practices of managerial control of the early factory system.

Neither artificial nor intelligent - Kate Crawford on AI

Surfacing by @mmessell is an EP inspired by notions of transitions, cycles & liminalities. Releases 27.11.2021 on @txtcollective.

A video has also been created for one of the tracks as well as the cover-art by queer visual artist and filmmaker, Ingerlise Øllgaard. Her work can be explored further under the alias amplifiedbones on Vimeo.

Purchase: https://texturcph.bandcamp.com/

Credits:
Artwork & video by Ingerlise Øllgaard
Music, mix & master by Martin Messell

Track list:
I 05:56
II 08:12

Additional links:
https://www.instagram.com/textur_cph/
https://www.instagram.com/messellmusik/
https://www.instagram.com/ingerliseoellgaard/
https://vimeo.com/user67157578

Support the label

Premiere - Messell - II (Textur)

Jason Hickel joins PTO to talk about his book, Less is More: How Degrowth Will Save the World. In part one of the interview we discussed the comprehensive and all-encompassing character of the ecological crisis which extends well beyond the issue of CO2 emissions. We also talked about the violent emergence of capitalism, and how that process entailed the radical transformation of human subjectivity and how humans relate to the natural world. Finally, we talked about the emergence of GDP as an indicator of societal progress and well being.

Jason Hickel on how degrowth will save the world (part one)

Terry Jennings – Piece for Cello and Saxophone (SLT-007)

Saltern’s latest offering marks the first-ever release of “lost minimalist” Terry Jennings’ visionary 1960 composition, Piece for Cello and Saxophone, as arranged in just intonation by legendary composer La Monte Young for renowned cellist Charles Curtis. Born in Los Angeles in 1940, Jennings was a close associate of Young, Terry Riley, and Dennis Johnson, and an early adopter of minimalist tendencies, creating slow, sustained music, influenced by jazz, modalism, and late romantic classical music. Jennings died tragically in his early forties, most of his work lost to a chaotic life; however, his forward-looking music quietly exerted a lasting influence on composers including Young and Harold Budd. Composed over sixty years ago, Piece for Cello and Saxophone, foreshadows a number of movements in postwar avant-garde music.

Despite the title, there is no saxophone on this album. At over eighty minutes, La Monte Young’s justly tuned realization of Piece for Cello and Saxophone for cello alone unifies and extrapolates Terry Jennings’ dense harmonies, creating an extended field of complex sonorities in motion, all brought to life by the immaculate playing of Charles Curtis. The recording captures Curtis in a performance from 2016 reflecting more than twenty-five years of dedication to the piece. Piece for Cello and Saxophone is released physically on double LP and digitally with kind permission from MELA Foundation. Mixed by Anthony Burr, mastered by Stephan Mathieu, and cut to vinyl via direct metal mastering by Hans Jörg Maucksch at Pauler Acoustics. Pressed at RTI and printed at Stoughton. Includes a four-page insert with liner notes by Young, Curtis, Burr, and Tashi Wada, and a download of the full recording.

Piece for Cello and Saxophone

Terry Jennings – Piece for Cello and Saxophone (excerpt)

"The road is the king and I am its kingdom. 
I am the serf and the destination my prison. 
I am alone and I have time to listen. 
My mind is drifting, the concrete whispers. 
I’m burning death, I’m breathing vapors. 
This is the journey, time off, good health, a better life for myself."

@eksemusic

phonon~ swarming ⋮ Ujstin Echno

Boris Johnson has claimed he can't protest the incomes of Briton's poor because it will accelerate inflation. We speak to Grace Blakeley to explain everything wrong with his argument. Plus: Millions of women face being stripped of Abortion rights with the US Supreme Court indicating they will overturn Roe V Wade; Starmer's BeerGate rolls on; and local Tories are ashamed to be associated with the government.

Novara Audio: Radio For A Different Politics

TyskySour: Inflation Is Political w/ Grace Blakeley

Broomberg & Chanarin

Excerpts from Roulette concerts by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, between 1986-99 Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023.

roulette.org

David Grubbs: On Derek Bailey

From the album Heave To on Sedimental records, released in 2006

Make The Land (Sedimental) Excerpt

momang

⠑⠆⠎⠥

A podcast on radical politics, critical theory, and history. Hosted by Alex Doherty.

Patreon: https://www.patreon.com/poltheoryother

Contact: politicstheoryother@gmail.com

Jason Hickel on how degrowth will save the world (part one)

Politics Theory Other

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