A two module patch featuring the Cwejman PH-8 and FSH-1.  The left side of the PH-8 is in Triangle mode and the right side in Saw mode. The Saw-direction toggle is in the middle position. The 90 degrees output of the triangle is routed to the Saw Direction input CV.  The 0 degrees Saw output is routed to the FSH-1.  The Mix Output of the FSH-1 is routed to the Offset input of the PH-8.  The Up output of the FSH-1 is multiplied and routed back to the CV1 input of the FSH-1 as well as to the Level input of the PH-8.  The 180 degrees output of the saw side of the PH-8 is routed back into FM1 input. 

I wiggle the frequency and CV1 of the FSH-1. I also wiggle the Frequency, FM1, Offset, and AMPL of the PH-8. The percussive sounds are made with the PH-8 in LFO mode, and for the rest the PH-8 is in Audio mode. 

The Up and Down outputs of the FSH-1 are panned left and right and recorded straight into ProTools via a RND 5059 summing mixer and Prism AD.  This is all recorded in one take, no overdubbing, just cut down in time a bit. Reverb (Adaptiverb) and limiting (Ozone 7) on the masterfader.

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STREAMER NYMPHONIC ORCHESTRA

STREAMER NYMPHONIC ORCHESTRA

STREAMER NYMPHONIC ORCHESTRA

Moket

poly_mod