beautiful.. i'd say this is the finest pinged filter track i've heard to date :)

Très belle pièce !! c'est sequancé ou fait à la main ?

die fluit is hilarisch! super vette sounds

Lot's of amazing sounds! You are from Netherlands?

amazing and thanks for the patch notes! :)

Here’s a recent percussion patch I made with Cwejman modules at the core. This is material from a live take, no overdubs, just cut down in time to make it slightly less boring. Recorded in ProTools, a touch of Blackhole reverb added. 

There are five layers in this patch. At the heart of it is the Cwejman RG-6, its gate-out is fed into a MI branches and this is routed back into the clock input of the RG-6. I wiggle Branches to variate between steady pulses and random bursts. 

Layer 1 - Pinged QMMF-4 
The random-saw of the RG-6 is boost by a VC-FC and is pinging the QMMF-4 via the audio input. The QMMF-4 is set to RES / BP with resonance at about 7-8. The frequency input is controlled by a keyboard through MI Yarns. A PH-4 controls the Q-Peak inputs of the QMMF-4. The MMF master output is routed into a FSH-1. The RSP “high" output of the RG-6 is going into the VC1 of the FSH-1. The FSH-1 outputs are mixed in an MX-4S. The pitch shift amount on the FSH-1 and the Output offset of the PH-4 are wiggled live, this changes the pinged sound between “wooden” and “metallic”. 

Layer 2 - Pinged RES-4 
The random-saw of the RG-6 is boost by a VC-FC and is also pinging the RES-4 audio input. The bandwidth inputs are fed by a Modcan Quad-LFO in random cosine mode. BP and notch outputs are mixed in an MX-4S. This layer adds to the wooden, marimba type sounds. 

Layer 3 - Bass drum / high chime 
A Cwejman BLD is triggered by the other output of the MI branches (first one is routed back into the RG-6). This way the bass note or chime note are always triggered in the rests of the pinged QMMF-4/RES-4. 
I wiggle the pitch, sometime changing from the bass drum type notes (0:44) to a high chime type ostinato (beginning). 

Layer 4 - High-hat/snare 
White noise shaped by a CTG-VC and triggered by the MI branches. (division of the RG-6 gate). I sometimes wiggle the pitch of the noise and the length of the sustain. 

Layer 5 - “flute” (coming in at 2:20) 
The random-saw of the RG-6 is pinging a SPH-2. The negative random saw is going into the rate input. A feedback loop is set-up with an ATT4. RSP high output of the RG-6 is going into the left comb input. I wiggle the comb tune and depth controls to change the pitch and air sound of the “flute” 

I keep being amazed by the sounds these Cwejman modules can produce!

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