17 New Years

Moona Festival

"Osaka Son" - From Polyenso's upcoming album, Pure In The Plastic, out April 1, 2016.



Osaka Son

Not My Real Life

Receive an instant download of "Let It Go" by pre-ordering Polyenso's upcoming album, Pure In The Plastic, at: http://polyenso.bigcartel.com/products


BIO:
Building off of 2013’s cult-acclaimed “One Big Particular Loop,” Polyenso — Alex Schultz, Brennan Taulbee, and Denny Agosto — has spent the past two years working extensively with producer Jason Pennock. Evolving their particular flavor of indie-rock to include elements of hip-hop, neo-soul, and experimental electronics, they pull influences from acts such as Flying Lotus, The Roots, Bright Eyes, Bjork, and J Dilla, half-jokingly referring to their medley as “urban indie progressive.”

Possessing an unrestricted vision for the musical quality in all things, the band operates like sound designers, pairing synthesizers, pianos and guitars with organic noise and everyday objects like spatulas, wooden bowls and packing peanuts. Polyenso’s visionary production is equaled by the freshly unlocked vocal dynamics of Taulbee and Schultz. Led by Taulbee’s soothing and provocative melodies, Schultz is tagged in to bring the sexy back on harmonies, occasionally leading himself.

Releasing their first new tracks in 2014, “17 New Years” and “Moona Festival” provide listeners with a taste of the depth and scope of the band's ever-expanding sound. A new album ready for a 2015 release, Polyenso serves as a challenge to music as a whole, proving that there is room left for originality in the popular. Carrying forward their intrinsically spiritualistic character, from start to finish, their music captures listeners in a moment of transcendence, feeling as much a part of the future as it does the present ///

Let It Go

Building off of 2013’s cult-acclaimed “One Big Particular Loop,” Polyenso — Alex Schultz, Brennan Taulbee, and Denny Agosto — has spent the past two years working extensively with producer Jason Pennock. Evolving their particular flavor of indie-rock to include elements of hip-hop, neo-soul, and experimental electronics, they pull influences from acts such as Flying Lotus, The Roots, Bright Eyes, Bjork, and J Dilla, half-jokingly referring to their medley as “urban indie progressive.”

Possessing an unrestricted vision for the musical quality in all things, the band operates like sound designers, pairing synthesizers, pianos and guitars with organic noise and everyday objects like spatulas, wooden bowls and packing peanuts. Polyenso’s visionary production is equaled by the freshly unlocked vocal dynamics of Taulbee and Schultz. Led by Taulbee’s soothing and provocative melodies, Schultz is tagged in to bring the sexy back on harmonies, occasionally leading himself.

Releasing their first new tracks in 2014, “17 New Years” and “Moona Festival” provide listeners with a taste of the depth and scope of the band's ever-expanding sound. A new album ready for a 2015 release, Polyenso serves as a challenge to music as a whole, proving that there is room left for originality in the popular. Carrying forward their intrinsically spiritualistic character, from start to finish, their music captures listeners in a moment of transcendence, feeling as much a part of the future as it does the present ///

Every Single Time

Price

/// (A Pool Worth Diving In)

"Not My Real Life" - From Polyenso's upcoming album, Pure In The Plastic, out April 1, 2016.

Building off of 2013’s cult-acclaimed “One Big Particular Loop,” Polyenso — Alex Schultz, Brennan Taulbee, and Denny Agosto — has spent the past two years working extensively with producer Jason Pennock. Evolving their particular flavor of indie-rock to include elements of hip-hop, neo-soul, and experimental electronics, they pull influences from acts such as Flying Lotus, The Roots, Bright Eyes, Bjork, and J Dilla, half-jokingly referring to their medley as “urban indie progressive.”

Possessing an unrestricted vision for the musical quality in all things, the band operates like sound designers, pairing synthesizers, pianos and guitars with organic noise and everyday objects like spatulas, wooden bowls and packing peanuts. Polyenso’s visionary production is equaled by the freshly unlocked vocal dynamics of Taulbee and Schultz. Led by Taulbee’s soothing and provocative melodies, Schultz is tagged in to bring the sexy back on harmonies, occasionally leading himself.

Releasing their first new tracks in 2014, “17 New Years” and “Moona Festival” provide listeners with a taste of the depth and scope of the band's ever-expanding sound. A new album ready for a 2015 release, Polyenso serves as a challenge to music as a whole, proving that there is room left for originality in the popular. Carrying forward their intrinsically spiritualistic character, from start to finish, their music captures listeners in a moment of transcendence, feeling as much a part of the future as it does the present ///

I.W.W.I.T.I.W.

Where To Grow (Where To Be Born)

"17 New Years" - From Polyenso's upcoming album, Pure In The Plastic, out April 1, 2016.

Building off of 2013’s cult-acclaimed “One Big Particular Loop,” Polyenso — Alex Schultz, Brennan Taulbee, and Denny Agosto — has spent the past two years working extensively with producer Jason Pennock. Evolving their particular flavor of indie-rock to include elements of hip-hop, neo-soul, and experimental electronics, they pull influences from acts such as Flying Lotus, The Roots, Bright Eyes, Bjork, and J Dilla, half-jokingly referring to their medley as “urban indie progressive.”

Possessing an unrestricted vision for the musical quality in all things, the band operates like sound designers, pairing synthesizers, pianos and guitars with organic noise and everyday objects like spatulas, wooden bowls and packing peanuts. Polyenso’s visionary production is equaled by the freshly unlocked vocal dynamics of Taulbee and Schultz. Led by Taulbee’s soothing and provocative melodies, Schultz is tagged in to bring the sexy back on harmonies, occasionally leading himself.

Releasing their first new tracks in 2014, “17 New Years” and “Moona Festival” provide listeners with a taste of the depth and scope of the band's ever-expanding sound. A new album ready for a 2015 release, Polyenso serves as a challenge to music as a whole, proving that there is room left for originality in the popular. Carrying forward their intrinsically spiritualistic character, from start to finish, their music captures listeners in a moment of transcendence, feeling as much a part of the future as it does the present ///

Building off of 2013’s cult-acclaimed “One Big Particular Loop,” Polyenso — Alex Schultz, Brennan Taulbee, and Denny Agosto — has spent the past two years working extensively with producer Jason Pennock. Evolving their particular flavor of indie-rock to include elements of hip-hop, neo-soul, and experimental electronics, they pull influences from acts such as Flying Lotus, The Roots, Bright Eyes, Bjork, and J Dilla, half-jokingly referring to their medley as “urban indie progressive.”

Possessing an unrestricted vision for the musical quality in all things, the band operates like sound designers, pairing synthesizers, pianos and guitars with organic noise and everyday objects like spatulas, wooden bowls and packing peanuts. Polyenso’s visionary production is equaled by the freshly unlocked vocal dynamics of Taulbee and Schultz. Led by Taulbee’s soothing and provocative melodies, Schultz is tagged in to bring the sexy back on harmonies, occasionally leading himself.

Releasing their first new tracks in 2014, “17 New Years” and “Moona Festival” provide listeners with a taste of the depth and scope of the band's ever-expanding sound. A new album ready for a 2015 release, Polyenso serves as a challenge to music as a whole, proving that there is room left for originality in the popular. Carrying forward their intrinsically spiritualistic character, from start to finish, their music captures listeners in a moment of transcendence, feeling as much a part of the future as it does the present ///


Polyenso

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