thanks for checking me out - I really like ur style too - badass, groovy stuff

Reconnaissance 2021

flashcore/experimental, ChucK+Reaktor+Jomox MBase.

EOF - Poisonous Shallow Latte Sanction

Played & Recorded @ Burnout Regula, Bern - CH

Burnout Regula

Frederik | Studio Mondial #54 - Radio Bollwerk - 13.05.2021

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CiM - Cloud Cover
Mechatok - Terminal T6
OSSX - Blast Baile
Caline with C - Emotional Resistance
Younger Bother – Crumblenaut
Move D – Weirdo
Waqwaq Kingdom – Oh It’s Good
Dengue Dengue Dengue – Lucha’s Juke
Tapes - Silence Please (part 3)
DsorDNE - Zerouno
Ossia - Dub Hell
Articulat – Articulat
Sordid Soundsystem – Dia De Muertos
Kaya Project – Penthadin Beats
Secrets of China – China’s Way

Libre Service - Vizir Radio

$ELF CON$CIOU$ INTRO YO

Pre-order Selected Early Keyboard Works at blankforms.org/publications/

Selected Early Keyboard Works is the first in a series of planned archival records of the unheard music of Swedish composer, philosopher, poet, mathematician, and visual artist Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It comes hot on the heels of Traversée Du Fantasme at the Stedelijk in Amsterdam, Hennix’s first solo museum exhibition in over 40 years, and will coincide with both Blank Forms’ publication of Poësy Matters and Other Matters, a two-volume collection of her writing, and the closing of Thresholds of Perception, a retrospective archival show of Hennix’s visual work at The Empty Gallery in Hong Kong. The record also marks the first time Hennix’s own music has been given a full-length vinyl issue.

In 1976 Catherine Christer Hennix’s just intonation live-electronic ensemble The Deontic Miracle performed Hennix’s orig- inal compositions, alongside works by La Monte Young, Terry Riley, and Terry Jennings, as part of Brouwer’s Lattice at the Moderna Museet in Stockholm. Culled from rehearsal tapes recorded during the 10-day Dream Music Festival, Selected Early Keyboard Works features three pieces of minimal music, performed by Hennix on tunable electric keyboards. “Mode nouvelle des modalités,” for well-tuned just intonation Fender Rhodes and sine wave drone, is a consummate expression of Hennix’s formative years, a probing meditation giving the mercurial quality of early electronic music an instrumental life replete with the dexterity of Cecil Taylor and shades of Paul Bley’s synthesized reveries. “Equal Temperament Fender Mix,” performed on the same Rhodes but in twelve-tone equal temperament tuning, employs a tape delay system not unlike that used famously by Terry Riley, here towards more sombre, hallucinatory means. Hennix is joined by Hans Isgren for the collection’s centerpiece, “The Well-Tuned Marimba,” for well-tuned Yamaha, sheng, sine wave, and live electronics. Using the same approach and just intonation keyboard featured on Hennix’s The Electric Harpsichord, but with marimba in place of harpsichord stops, the piece is an undulating marvel of lysergic drone, equally deserving of its companion’s status as “THE obscure masterpiece of the days of the early American minimalism”. Now accessible for the first time, these recordings only begin to fill gaps of silence from a figure whose work has until recently remained flickering at the margins of some of the most enduring cultural developments of the 20th century.

Catherine Christer Hennix (b. 1948) started her creative career playing drums with her older brother Peter growing up in Sweden where she saw jazz luminaries such as John Coltrane, Eric Dolphy, Dexter Gordon, Archie Shepp, and Cecil Taylor perform at the Golden Circle. Directly after high school, Hennix went to work at Stockholm’s pioneering Elektronmusikstu- dion (EMS), where she helped develop early synthesizer and tape music. After traveling to New York In 1968, she met Fluxus artists Dick Higgins and Alison Knowles and developed fruitful collaborative relationships with many composers in the bur- geoning American avant-garde, including, most significantly, Henry Flynt and La Monte Young. Young introduced Hennix to Hindustani raga master Pandit Pran Nath, and she would later study intensively under him. While Hennix continued to make music performing alongside Arthur Russell, Marc Johnson, Henry Flynt, and Arthur Rhames, she also served as a professor of Mathematics and Computer Science at SUNY New Paltz and as a visiting Professor of Logic (at Marvin Minsky’s invita- tion) at MIT’s Artificial Intelligence Laboratory. In recent years Hennix has led the just-intonation ensemble the Chora(s)san Time-Court Mirage. She currently resides in Berlin, Germany, where she is active as a composer and writer. A two-volume collection of her writing is forthcoming from Blank Forms.

Catherine Christer Hennix - The Well-Tuned Marimba (excerpt)

A very complex musical setting and recording. I think you should enjoy it.

#Ambient #Chillout #Deep-Ambient #Electro #Experimental #Minimal #Space

Black Windows

untitled (recorded live 13/10/2019)

TPOO 3

Mastered By exm
Artwork & Design by Grid Pattern (www.gridpattern.co.uk)
Photo by Matthew Hampshire (www.matthewhampshire.com)
Music By Keiss

TR606 
released August 14, 2020
(c) Touched Revolutions

Buy Vinyl, CD, Digital

Gate 55 (outro)

We are all in this together. Let's rise!

Live set from the Yoga Barn <3 

Music by:
Chamada - PRAAH
AkizzBeatzz - Piers Faccini
Lagartijeando - Antofasgasta de la Sierra
Nicola Cruz - Criancada
Shaka - Mane Joao
Yeahman - Miniyamba
Janax Pacha - Bamboo
Yeahman - Minca
Ma/am & Tor - Find Another Way

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Title track from the release "Trees Company" out on Omniishell records October 02, 2020
https://dollarstorekeyboard.bandcamp.com/album/trees-company

Trees Company

POLINA FEELS LIKE A FLY

stable me - stable you 
what is lie what is true
purple, grey and dirty blue 
everything I drow returns to you 

всё что связоно стоблою
я не устану вспоминать
life lined up with lillte points 
beter version from another side

ПОЛЁТ ПОЛЁТ ПОЛЁТ ПОЛЁТ

silly painter from above
clumsy Karlson is enough 
roses red, the moon is blue
I will empty fridge of you 

pretty lies - ugly truth 
waste my day and think of you
reflection is hurt to reach
gender terror arty bitch

ПОЛЁТ ПОЛЁТ ПОЛЁТ ПОЛЁТ

ПОЛЁТ

Ralph Cumbers makes a very welcome return to Slip with the sweet drive and unguarded lyricism of 'Orezero': a smiling-through-the tears chaser to 2019's majestic '111 angelic MIDI cascade'.

Says Clef:

"'Orezero' is both the prequel and sequel to '111 Angelic MIDI Casacde' in that I'm not sure which ones is Wonderland and which one is through the Looking Glass. So it can stay unresolved as both and neither? Feels like a strange time to be releasing what might be the most joyous Bass Clef record. Certainly 'One Tree Island' and 'Heavy Lifting Light Wave' are two cuts of happiness, but the kind of happiness that acknowledges and incorporates all the unhappiness that came along the way. Other tracks are a more rarefied kind of joy I guess, I find myself stripping back layers on these tracks to an extent I never would have dreamed was possible for me.

These tracks were recorded in 2019 over quite some time, although each track itself takes no more than 3-4 hours and are recorded live. Editing clears the clutter to reveal the intent, not always obvious at the time of recording. I was pushing myself, again, to focus on harmony, and melody, the two things I think I am worst at, rather than returning to rhythm and texture, the playgrounds I always felt most comfortable in.

Instrument restrictions helped as always – most of the sounds heard are from two ROMplers, much-loathed relics of pre-computer music, loaded with largely un-tweakable samples of acoustic instruments, samples you have heard on a billion records, but hopefully stacked in new combinations this time around. Backed up with Microkorg, a resolutely and extremely popular, yet deeply uncool, digital synthesizer.

The tracks here were originally intended for two different records (maybe that’s why the prequel/sequel feeling persists) but thanks to excellent old school A&R in the form of an evolving conversation with Laurie from Slip, together we eventually uncovered one record that I think manages to weave all these threads together. I hope it will bring some smiles to some people."

'Orezero' [SLP059] is available from October 2020 on cassette and/or download. Mastered by Giuseppe Ielasi. Distributed by Boomkat.

CS/DL

heavy lifting light wave - Bass Clef

Save Room (Disparate)

Soundartist, Composer, Mix, Mastering 

https://noies.nrw/polypixa-verliebt-in-oscillator/


dm: apollinaria@web.de
Berlin/Cologne 


https://www.adkdw.org/de/article/4171_mit_polypixa



label: https://www.papercuprecords.com/artists/polypixa/

#IndustrialJazz,
Lo-fi music & noise, ANALOG, unmastered, RAW,  Soundscapes, sampling, Impro, RMXs, Ambient, DIGITAL;  ADAD, DADA

POLINA FEELS LIKE A FLY

polypixa

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