WAOOO SI QUE ME SORPRENDIO DON OSCAR  GRANDE DE LOS GRANDES SE BOTO BUUUUUENISIMO :) :)

Cuando se quiere no habra ni tiempo ni obstaculo que nos separa de las metas...se te aprecia...apreciado venezolana...que orgullo

muy buena musica,Oscar te felicito,y sigue para adelante haciendo bailar y alegrar los corazones,muchos cariños desde Chile

TU ERES LO MAXIMO TOCAYO, SIGUE ADELANTE DIOS TE BENDIGA....HERMOSAS CANCIONES DE LA VIEJA GUARDIA.

Dios te bendiga y te dé larga vida. ¡Hermoso regalo! Eres orgullo de los venezolanos

Gracias Bello Ser Humano, cuantas veces te pedí Ciguaralla en la isla de Margarita, siempre cantaste, El universo te colme de bendiciones y amor, gracias de nuevo

Excelente Medley, dios te colme de bendiciones y salud

Este trabajo musical lindamente adornado, ejecutado e interpretado, es el obsequio mas fino que he recibido; indiscutible joya de la música. Gracias amigo Oscar, hermano latinoamericano inmensamente Grande.

DE VERDAD ES UNA NOTA MUSICAL QUE GENERA PAZ ESPIRITUAL AL ORGANISMO QUE BUENO EXCELENTE.

Salsa

Found sound Orchestra will giving away this album ( bank holiday weekend ) with us here at Slightly Transformed
This is a mix of all the tracks to expect from slow to fast bpm 
Think Cafe Del  Mar and you got it here in one album
https://soundcloud.com/the-found-sound-orchestra?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Found Sound Orchestra - Halcyon Daze Album Mix (FREE Album soon)

Perez Bros - Pitbull's Globalization Thanksgiving 2023

MEDLEY DE CLASICOS EN BIG BAND

Original from Eddie Palmieri And His Orchestra, included in Album Champange. Tico Records. (1968).
http://www.discogs.com/Eddie-Palmieri-And-His-Orchestra-Champagne/master/614736

Eddie Palmieri & Cheo Feliciano - Ay Qué Rico (Jon Arias Remix)

MUSIC IS LIFE - DJ SHADEE PT1

Dave Newsome from Leeds.  

I’ve had a deep passion for music all my life and in the mid 80’s i formed a crew of breakers ( breakdancers) called Electro Beat who battled other crews with dance off’s around Leeds and other cities throughout Yorkshire.  It was at this time that I started collecting vinyl such as the electro series of albums and grandmaster flash / sugarhill etc

Fast forward a several years and I began djing around Leeds. Inspired by the likes of Joey Negro ( Dave Lee ) and Dimitri From Paris I carved out a reputation as a disco influenced, House DJ around my home town.  This was when Defected and hed Kandi were releasing some ‘pure gold’ house music and I’d get them upfront from my mate who ran the vinyl section in HMV. I held down residencies in the day playing Vinyl sets at the likes of Lounge Bar, The Fruit Cupboard, North bar , Velvet, Sutra , Space , Warehouse and most notably a 4 year residency at Leeds’s No 1 venue Fibre.  Along side this I Dj’d at numerous other bars and clubs throughout the UK. 

After a few years break to concentrate on family,  I was lucky enough to return to djing after a move to the North East.  

Forever 54, a huge brand playing Glitterbox style sessions invited me to join the team and be involved in a regular series of residencies, events, festivals and Boat Parties.  Since then our brand has grown on a European scale. I have played several guest sets at Buzz Beach bar in OluDeniz and next month sees my debut at our monthly 54 residency in the Algarve where I’ll be playing along side one of our other DJs over 3 nights at the stunning Thai Beach Club. 

Having moved back home to Leeds we are now looking to expand the brand and in discussions with some specifically targeted bars in Leeds and York.

I have always loved soulful, funky, Disco & house music and stay true to my roots when delivering my mixes.  To be able to play the music you love and get the reaction it gets from the crowds is a dream come true ..


Playlist:

Disco will never die (intro)
Lenny Williams - I still reach out to you
TJM - Small circle of friends 
Romain Villeroy - Dreams come true 
Fresco Edits - Get Free
Clavette, Boogietrax, Mark Brickman - Paradise
Pablo Bordelli - Ever Together 
DJ Dan & Charles Feelgood - Funky Mood
Soulife - Stand up
Two tons O Fun - I got the feeling 
The face, mark brown, Adam shaw - needin u (DFP mix)
Teddy Pendergrass - if you know like I know (jet boot jack)

House of Miss Chief with Dave Newsome 13/5/24

Swing Me to the Stars

En esta canción ISMAEL QUINTANA demuestra porque fue una de las voces de LAS ESTRELLAS DE FANIA, realmente demuestra que es un gran SONERO.


Dj. NuN
Panamá

(Viejoteca salsera) Ismael Quintana - Traigo la llave

095. Nuestro Sueño - Tito Gómez  [ Dj Derck 2015 ] - [ Live ]
www.facebook.com/DjDerckTrujilloPeru
www.facebook.com/DjDerckTrujilloPeru

095. Nuestro Sueño - Tito Gómez  [ Dj Derck 2015 ] - [ Live ]

Another B Nice Production for MTC Rocks Entertainment

Tito Rodriguez Bio

Pablo Rodríguez, 4 January 1923, Santurce, San Juan, Puerto Rico, d. 28 February 1973, New York University Hospital, New York, USA. Vocalist, percussionist, band leader, composer, producer, label boss Tito Rodríguez was ‘equally talented as an uptempo improvising sonero (singer in the salsa style) and a romantic singer’. ‘At its peak, the Rodríguez band’s blend of Cuban-orientated numbers and tight, solo-filled instrumentals equalled any of his rivals’ (quotes from The Latin Tinge by John Storm Roberts, 1979). Tito was born to a Cuban mother and Dominican father. At the age of 16 he played maracas and sang second voice with Cuarteto Mayari before relocating to New York to live with his older brother Johnny (b. 10 October 1912, Camuy, Puerto Rico), who had moved there in 1935. Popular vocalist/composer Johnny formed his own trio in 1940; recordings he made with his trio on the Seeco label were collected on Encores De Johnny Rodríguez Y Su Trio and Siempre Favoritas De Johnny Rodríguez Y Su Trio.

Rodríguez’s first job in the city was with Cuarteto Caney. After brief stints with Enric Madriguera and Xavier Cugat (as a singer and bongo player), a year in the US Army was followed by a spell singing with Noro Morales. El Dinamico Tito Rodríguez was a reissue of a Morales collection with Tito. In 1946 Cuban pianist/composer José Curbelo recruited Rodríguez and Tito Puente (on timbales) to his band, which became an ‘incubator’ for the future New York mambo sound. Recordings made by Curbelo’s band during the two years of Tito’s period of tenure were later compiled on Los Reyes Del Mambo. In 1946, while Curbelo’s band were appearing at the China Doll nightclub, Rodríguez met a Japanese American chorus girl called Tobi Kei (b. Takeku Kunimatzu, 23 January 1925, Bellingham, Washington, USA), whom he married a few months later. In February 1947, while he was still with Curbelo, Tito participated in a recording session by Chano Pozo for Gabriel Oller’s SMC label, which included the Machito band, Arsenio Rodríguez and Miguelito Valdés. Curbelo sacked Rodríguez in 1947. The band leader had given him a day off to look after Tobi, who was sick, but someone informed Curbelo that Rodríguez spent the day drinking in a bar. Tito was unemployed for some months.

After leading a short-lived quintet, which he formed in late 1947, Rodríguez organized a trumpet conjunto (group) called the Mambo Devils in mid-1948. With them he recorded eight tunes for SMC, four of them arranged by Puente, who went on to become his musical antagonist. Tito later expanded his outfit to a big band, which he led until 1965. In 1949 he signed to Tico Records, formed in 1948 by two shirt label manufacturers, George Goldner and Art ‘Pancho’ Raymond. Rodríguez had to rename his band the Lobos Del Mambo (Mambo Wolves) as the aggrieved Oller objected to the use of Mambo Devils. He did two stints with the label, between 1949 and 1953 and between 1956 and 1958, during which time he released 78s, six 10-inch volumes of mambos and various 12-inch albums. Material from both these periods was later compiled on Nostalgia (1972) and Uptempo (1978). Tito made no records during 1950 because a wrangle between Goldner and Raymond suspended all recording at Tico. He resumed recording the following year when Goldner took charge of the label. In pursuit of the crossover market, Rodríguez switched to RCA Records in 1953 and his discs on the label sold well. Ritmo Y Melodia, 15 Joyas Tropicales (1990) was the most recent compilation of material culled from his RCA period. On his return to Tico, he issued Wa-Pa-Cha (1956). His final release for them was Señor Tito Rodríguez (1958). In 1960 he signed to United Artists Records on the basis that he would be the only Latin band leader to record for the company. His first album on the label, Live At The Palladium, was a great success. Conflict over top billing at New York’s famous Palladium Ballroom and elsewhere was an aspect of the rivalry that existed between Puente and Rodríguez.

In 1962, Rodríguez had three consecutive massive hits: ‘Vuela La Paloma’ (From West Side Beat), ‘Cuando, Cuando’ (from Back Home In Puerto Rico) and ‘Cara De Payaso’ (from Tito Rodríguez’ Hits), which were all number 1 in Puerto Rico and other South American countries. Rodríguez and his band recorded Back Home In Puerto Rico during a two-week stay on the island in June 1962. His return was marked by official government receptions and heavy media coverage. He tried to find fame in Las Vegas with a revue, but it flopped and he made a heavy financial loss. Tito also recorded as lead singer with La Playa Sextet, whose line-up substituted the electric guitar of their Puerto Rican leader, Payo Alicea, for traditional piano. A compilation of La Playa Sextet cuts with Tito on lead vocals was issued under the title, Tito Dice... Separala Tambien!. In 1963 he issued the Latin jazz Live At Birdland, which featured the jazz musicians Zoot Sims, Clark Terry, Bob Brookmeyer, Al Cohen and Bernie Leighton. The same year Tito had a huge hit of over one-and-a-half million sales with the smoochy string laden bolero ‘Inolvidable’ (Unforgettable), contained on From Tito Rodríguez With Love. The song was written by Cuban band leader/pianist Julio Gutiérrez. He followed this with a series of soft romantic bolero albums, interspersed with uptempo collections like Tito Tito Tito, on which accompanist Israel ‘Cachao’ López’s championing of Latin jam sessions (descargas) was spotlighted on the opening track ‘Descarga Cachao’. The Rodríguez/Puente feud was reflected on some of the recordings Tito made for Musicor Records, such as ‘Avisale A Mi Contrario Que Aqui Estoy Yo’ (Tell My Adversary I’m Here) from Carnival Of The Americas (1964) and the album titleTito No. 1. Cuban vocalist Miguelito Valdés and Machito appealed to the two combatants in the Valdés-penned song ‘Que Pena Me Da’ (How Sorry I Feel) on their 1963 collaboration Reunion. Tito and his band accompanied singer Nelson Pinedo (b. Barranquilla, Colombia) on his Musicor release A Latin In America.

Bad deals and conflict with his colleagues over pay led him to disband and move to Puerto Rico in 1966. Negative attitudes towards ‘Nuyoricans’ (New York Puerto Ricans) initially prevented him from breaking into Puerto Rican television, but he managed to get a show when the parent company of United Artists acquired one of the island’s channels. Guests like Shirley Bassey, Tony Bennett and Sammy Davis Jnr. appeared on his programme. He believed that anti-Nuyorican sentiment was also the reason why he did not receive an award for the show. Feeling rejected by his own people, Tito moved to Coral Gables in Miami, USA. He returned to New York and slayed the capacity audience at the Manhattan Center with the title track of Estoy Como Nunca (I’m As Good As Ever). El Doctor (1968) contained ‘Esa Bomba’, his last rivalry tune aimed at Puente. He was accompanied to Puerto Rico by arranger/saxophonist Ray Santos, who joined his band in 1963. A graduate of New York’s Juilliard School of Music, Santos did stints with Al Santiago’s Chack-a-nunu Boys, Noro Morales (twice), Machito and Tito Puente between the early 50s and 1962. He remained in Puerto Rico to work as a contractor for shows in the major hotels until 1984, when he returned to New York and took up a teaching post at the City College of New York. In 1991, Santos was hired to work on the music for the Hollywood movie adaptation, The Mambo Kings, of the Oscar Hijuelos novel The Mambo Kings Play Songs Of Love (1989).

Rodríguez first displayed signs of illness in 1967 while making one of his last television shows. He decided to found his own TR Records label in 1969 and while waiting for medical test results in the UK, he used British musicians to record the music for his first TR album, Involvidable/Unforgettable. It was confirmed that he had leukaemia but he insisted that the results be kept secret. TR Records, Inc. was launched in August 1971 and his second album on the label, Palladium Memories, sold well. He teamed up with Louie Ramírez for the third release, Algo Nuevo. Tito’s 25th Anniversary Performance, recorded in a nightclub in Perú, was issued a month before his death. The album provoked speculation about whether he had intended it to be a farewell. Rodríguez’s last appearance was with Machito and his band at Madison Square Garden on 2 February 1973. He finally lost the battle with leukaemia and 26 days later, Tito died in Tobi’s arms.


Source: The Encyclopedia of Popular Music by Colin Larkin. Licensed from Muze.

EL REY DE LOS BOLEROS TITO RODRIGUEZ

Selección De Bomba (Guaguanco, Salsa, Boogaloo, Afro-Cuban, Latin Jazz,...)

El Lujo de México, con uno de sus más grandes exitos a la manera de RIKKARDO JAIME

MARCO A MUÑIZ

Tracklist:
Get Down Edits - Anytime (She Goes Away)
Minnie Riperton - Strange Affair
Jackson 5 - I Want You Back (Dimitri from Paris Supa Funk Brakes Mix)
D.J. Rogers - Love Brought Me Back
Cheng Qiong Mei - Going To America
Dj Butcher - However do you want me (original mix)
Herbie Hancock - Magic Number
KC and the Sunshine Band - Wrap Your Arms Around Me
Brass Construction - Changin'
Jimmy Bo Horne - Is it in
Ipanema Brothers - Rio De Janeiro
Arlana - Springtime
Jack Jones - I'll Never Fall In Love Again
Lemon - Oye Como Va
Coco York and Serge Ermoll Ensemble - Come On, Everybody

MEDLEY DE CLASICOS EN BIG BAND

Oscar D Leon Oficial

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