From the Various 'Popcorn records 10 years birthday'
Release date : April 23th

artist : @madrey

label : @popcornrecords

Premiere : Mad Rey - Same Sunlight [Popcorn records]

https://distrokid.com/hyperfollow/langoustine/hohner-303
https://soundcloud.com/flagrance_records
https://soundcloud.com/langoustinedj

PREMIERE: Langoustine - Hohner 303 [Flagrance Records]

~ Marc Brauner [Germany] ~

The Berliner Marc Brauner has been positively shaking the house music scene over the past years with releases on excellent labels such as Shall Not Fade or Houseum Records. Kicking off his stuttering musical career playing drums at the age of 5 and practicing in a percussion band for 8 years, he discovered the house music territory back in 2009. As a producer, Marc finds his anchor point into classic, melodic and captivating deep house with a tad of fulminating breakbeat notes. He is always going off the beaten tracks: from producing jams for luxury brands like Jil Sander or L’Oreal to co-founding the live acid and tech house project Traffic Report, by way of co-creating the collective “We Change The Weather“ that organized gigs in Bremen. In 2019, the release of his well-known “Sad But Amibitious” EP on the Houseum channel has fast-tracked his career and, the year after, he was lauching his own deep house label Nostalgics together with the man Tender Games. All those projects proved his musical variety and beautifully cross-fertilized, resulting in Marc being heavily featured lately in Berlin as well as across other European cities in renowned clubs like Rex, Wilde Renate or Sisyphos.

As expected from him, he has concocted for us a pumping hour of house, deep house and acid grooves from Cinthie, no_4mat or Chriss Stussy. This is the perfect treat to get in the mood before the reopening of clubs in lots of countries next week. 

Marc Brauner’s latest crush: PinkPantheress

Our team’s recommendations: Sad But Ambitious [Houseum Records], Mon Numero (feat Maeva) [Satta Records], Un Deux Trois [Mindgap Recordings]

s. // @marcbrauner
i. // www.instagram.com/marc_brauner/
f. // www.facebook.com/marcbraunerofficial

045 ~ plastic/vibes x Marc Brauner 🇩🇪

'Hexagonal Club Vol. 3' LP Out July 1st !
Preorder Vinyl & Digi ➫ lnk.to/HexagonalClub3

Artwork by Liorzh
Mastering by Perception Mastering

Special thanks to @laurent-garnier for the voice over ❤️

𝗦𝗵𝗼𝗿𝘁𝗲𝗻 𝘁𝗿𝗮𝗻𝘀𝗰𝗿𝗶𝗽𝘁𝗶𝗼𝗻: “First, we can't say that there was any recognition of electronic music in France from the start. The first people who imported it were a couple of English promoters who organized a party at the Rex Club. It was the very first house and techno night with gay people that fell in love with this music, and helped to develop it in France, in clubs and then in raves.
This is a bit strange to say that, but I think that France is not a country that likes to dance. There was an explosion of disco in France, but it was still very much confined to the gay scene. At the time, even if we had a very large panel of jazz music, France is not a country of black music, we were more into rock'n'roll. And it's the same for techno music when it arrived in France. There was something very hostile from the tabloids and the right-thinking people in music who saw it as something subversive, something for fags, blacks, or drug addicts. Even before that, there was already a sort of hostility towards musicians in France. Because we were in a period where instrumental music was not yet accepted. The only ones who had done it were Jean-Michel Jarre or Cerrone, but they were seen as people who did strange things. 
Here is another example from my experience: when we released “Acid Eiffel” with Shazz on Fnac Music, we quickly realized that the record didn't sell well. A few months later, Derrick May came to the Rex Club, we played “Acid Eiffel”, he fell in love with the track and released it on Transmat. And since then, it's been a hit just because it was legitimized on a foreign label.
The first people who really started to make people talk about the French scene, were Daft Punk, Motorbass, all these people who were labelled as “French Touch” artists. Until then, there had never been any in-depth articles on French music. But there was a moment when journalists in England found themselves with a pile of "French Touch" records and they decided to talk about it. It’s only after this, that it exploded in France, whereas it was seen very strangely before.
So yes, we don't really pay attention to our own scene. The Belgians pay a lot of attention to their own scene, and they're proud of it because they were there from the beginning. The English, the Germans pay a lot of attention to their own scene. But not the French. An artist who hasn't exploded abroad, necessarily, in France, he won’t be seen as a successful artist, whereas we should listen to him and be proud of it.
On the other hand, there is something about the music we defend that is fundamentally international. And I think that we have nothing to envy from the others for a long time. There is a kind of renaissance of this music that is made in Paris and everywhere in France. There is a new scene that could be qualified as “French Touch”, but which is not musically - it would be too reductive - because they have completely digested and assimilated the roots of house music and made it their own.
In the end, if this music was fundamentally shitty as the press and the right-thinking people said 30 years ago, then why do we still see 18-year-olds kids listening and dancing to it today? It still resonates with people, and it proves that it wasn't just another new movement that arrived from England and that it would fade away after six months. Today we shouldn't be ashamed of what we produce and listen in terms of house and techno music in France.”

Hexagonal Club Vol. 3

Preorder Vinyl & Digi

Various - Hexagonal Club Vol. 3 LP (Previews with Laurent Garnier voice over)

Paul Cut - LF11D

A1 - Spin
A2 - Remue-Ménage
B1 - Cosmic J
B2 - Samsam

Order your copy on Bandcamp: https://bit.ly/3EWNxIf

Mastering & lacquer cut by MB Mastering.
Physical distribution by @yydistribution
Digital distribution by @alter-k
© D.KO Records - 2022

"Three years almost to the day after his last EP on D.KO Records, keyboard virtuoso Paul Cut is back ! Composed & produced in Portugal, these four sun-infused tracks will most definitely be the soundtrack to your summer !"

D.KO32 - Paul Cut - LF11D EP

The guest who comes today to our beloved Parallel Destinies Mixtapes series is undoubtedly a great acquaintance and at the same time an artist for many of you to discover. From Berlin, @delfonic brings us a little piece of his great musical flavor that as you may be realizing while listening, Markus has a lot of knowledge of dance music and especially House that each session is a unique and different experience, from the Afro, Jazz, Dub, Disco... are undoubtedly a reflection of his time at @oyeberlin.

In addition, he is embarking on an incredible adventure with @thekapote from @toytonics, ''Illegal Jazz'' is a series of vinyl editions that both release on vinyl and brings their best side of Jazz and House.

We are particularly excited to have Delfonic on Simplexia Records, Let the show Begin.

Parallel Destinies Mixtape 15 w/ Delfonic

Morning routine, 3pm.

Sean Paul - TEMPÉRATURE (REMIX IBIZA VIP DJ D.A.M.S.77 DICE) 2025

Say it ou!

Hypnotic Fire

Notre résidente https://soundcloud.com/clemence-mathiau nous a concocté une première fournée cuite à point pour le régal de vos papilles

La recette : des tracks à base de soleil, de groove et de gros kick pour un nuancier de deep, tech et oldschool House. Un mix qui espère séduire autant les oreilles averties qu'amatrices et qui transformera votre cuisine en dancefloor en ces temps incertains.

S'apprécie encore plus si vous avez des bonnes basses sur votre soundsystem ou votre jbl go

La Fournée de Minence

𝗜𝗡 𝗛𝗢𝗨𝗦𝗘 𝗪𝗘 𝗧𝗥𝗨𝗦𝗧
Independent record label from Paris
New releases, events, merch: linktr.ee/pontneufrecords

🌐 Booking : thomas@freeyourmind.agency

Various - Hexagonal Club Vol. 3 LP (Previews with Laurent Garnier voice over)

Pont Neuf Records

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