like the draggy, heavy bassline & crashed-up guitar

Any artist is welcome to send us a track via freshonthenet.co.uk anytime between Monday lunchtime and Thursday morning (or when we receive 200 submissions, whichever is sooner) - and all our moderators, including Tom Robinson, will listen to every track. This is our full inbox from the week beginning Mon 21st September: from around midday on Friday you'll be able to hear our shortlist and pick your favourites on this week's Listening Post which will appear at freshonthenet.co.uk/batch378

If a track you submitted does not appear in this list, it’s probably because another of your tracks appeared in our Fresh Faves or on the BBC Music Introducing Mixtape during the last three months — we ask that artists featured on either wait three months before resubmitting to give others a chance. We also don’t accept short previews or SoundCloud GO tracks that can only be heard as 30 second previews, and tracks made private after submission, which cannot be included in playlists. You will be able to resubmit the track in future. Tracks that have been previously submitted and tracks from banned artists will also be removed.

ENTIRE INBOX: Batch 378

Near Miss

Vanishing Act

Air Formation - Vanishing Act

taken from "Waves Calling" EP 

written, performed and produced by Andrew Sands
recorded by Brett Shaw at 123 Studio, London
and by Andrew Sands 
mixed by Andrew Sands
additional mixing by Janne Lounatvuori
mastered by John Davis at Metropolis

A stubborn wind stuck in the air above
When morning summer rays slip through the open door
If I could turn loose my fate and join the flowing tide
No need to be alarmed no reason to stand by

The waves are calling
Crashin' again before me
Coming from the river
We're desperate heathens

These wicked dreams matching lunar phases
Sailors sheer into the Southern sky
Instinct can't be forced through the endless blue
So damn useless feels the life that you once knew

You can't take fright
As the journey's underway
Again I'm drifting

The waves are calling
Crashin' again before me
Coming from the river
We're desperate heathens

The waves are calling
Inspiration's running
Secrets you're keepin'
We're desperate heathens

The moment you start breathin'

Waves Calling

All Songs Written by The Losing Touch 
All Songs Recorded/Engineered/Mixed by The Losing Touch 
Mastered by Theo Egginton at Yellow Arch Studios
Drums and Percussion performed by Ben Scarff

There Must Be More

September 28 impact
Debut 7-inch single from the London duo. Despite the infamous summer heat of 2018, reverberating sounds are cutting through the soaring temperatures in the tunnels under London from tireless busking by Voodoo Radio tearing it up, stopping tourists and commuters in their tracks with their classic Power Pop summer of '76 sound – The Ruts, Sex Pistols, The Damned, Ramones, Blondie and Van Halen.

Voodoo Radio - Pretty Boy

A song written about our drummer's son when he left home. (He's back now!) See below for the lyrics. 

GOODBYE

Watching 
Over her shoulder
Watching and waving her childhood into her memories 

Goodbye family
Will you miss me?
Will there be a space on the settee where I used to sit or not?

Goodbye, my best friend,
You'll replace me in a week or two, no doubt
Is 'I'll keep in touch' really that honest?
I guess we'll find out

So long, my old house,
Will you feel hungry when I've gone?
Will I ever come back, will I ever look out of my window again?

Take care, the couple next door,
I'm sorry about all the shouting, the banging,
The pictures and photographs that needed rehanging 

Farewell, my old life,
Adolescence, I must get going,
For it's time that this fledgling bird spread her wings and took to the sky 
I guess this is -

Goodbye for a little while
To my childhood house I’ll be coming
For this traveller's life is just not for me
This goodbye is only temporary.

Goodbye

June 26 iimpact (DT Records)
Taken from the debut 'In Cold Darling' album.

This is my DIY Virtuous Guitar Record, a culmination of four years of experimenting, vigorous writing and
exploring new ideas as an Artist. It is a love letter to my Dublin home, my once French habitat and my
London Life.
Most of the recording was done at night in an arts space in Bermondsey that also functions as a Recycling
Plant. Over the course of a year and through all seasons, I tracked guitars. An unimaginable amount of
takes, power outages and occasional bleed from the machines all married into the takes used for the album.
I recorded the vocals in my house, the drums in Joe’s sitting room and the guitar for Ma Cherie in my
mother’s house the morning of a friends funeral who had passed away a couple days prior. Ma cherie also
took 12 years to write. The Drums were performed by Joe Taylor (Malana Zavala) with additional bass
tracking by Jamie Keegan.
I decided to abandon the piano synth pop sound from my Breaking Ballets EP which featured on Nialler9 and
got me Ireland Music Week 2013 (Hard working class heroes) because I was conforming to what was cool,
not finding my voice and was heavily depressed by it.
For Music Theorists, there’s some cool guitar voicing to listen out for, a key change in their somewhere and
some motivic movements near the end of Side B functioning as a Coda of sorts.
The Album is entirely self-funded including the limited vinyl pressing.
It took me six years to get to this place.
I hope you enjoy the album

Garret Moore - Forget Where You've Been

Taken from the 'Come Stay With Me' compilation album, available on 12" ecomix vinyl: https://cpwm.bandcamp.com/album/come-stay-with-me

Tall Talker - River Hands

'Bullpen' from 'Scrundle', the new EP from Parker Lee. Released independently Sept 4th 2020.

Lyrics:
Watching the bullpen shake its way crosstown
A one inch punch brings in the crowd
Some good intentions could miss their mark again,
If we made up like dying friends

But all my tides could never be
The longest break of a wave at sea
The best damn friends we would ever be

Hearing the corners my friends left out to me
I jig-and-saw the finished piece
Flatline of letters spelling out a need:
"I should go - or you should leave."

But both my eyes could hardly see
The darkest crack of a trench at sea
The best damn friends we would ever be

Keep those hands in front of me
A simple plan and a master key
A knife-like wound and it looks like me
The best damn friends we would ever be

Jowan Mead - songs, words, vocals, guitar
Annie Prior - guitar, bass, synth, percussion
Adrian Maidman - drums

Recorded by Annie Prior and Jowan Mead at The Fungalow.
Produced, mixed and mastered by Annie Prior at Red Chilli Recordings. Art by James Baily, @jamesmbaily on Instagram.

Scrundle

Bullpen

'To a Place' is the first single lifted from "Starlings & Crows", the stunning new album by English ambient-pop artist Chloë March. The album sees release on the 23rd of October 2020. 

More on Chloe March here: http://www.hiddenshoal.com/project/chloe-march/

For her fifth album, March drew inspiration from her early childhood in the Warwickshire countryside, nineteenth-century nature poet John Clare, and Lewis Carroll’s fantastical Alice Through the Looking Glass. Throughout the album there’s a palpable sense of wonder at the natural world, shot through with a deep concern for nature’s vulnerability. Starlings & Crows resonates with notions of home on a macro and micro level. 

First single ‘To a Place’ is an elegant waltz built around swooning strings and piano. ‘Landing 1969’ sounds as astral as its subject matter would suggest, pulsing at the same tempo as Buzz Aldrin’s heart-rate as Apollo 11 left earth. ‘Remember That Sky’ is achingly emotive, showcasing March’s innate talent for creating an atmosphere of intimacy without compromising compositional depth. Despite running to a succinct 38 minutes, Starlings & Crows is lush and expansive, while distilled to its crystalline essence.

“The latest album by Chloe March is another heady trip through electro pop... The air is thick with atmosphere throughout and March is a masterful creator of mood… a beautiful sound somewhere between The Blue Nile and David Sylvian” – The Underground of Happiness

Oft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.

The music of Chloe March is available for licensing (film, tv, web and more) via Hidden Shoal.
www.hiddenshoal.com/licensing

Chloe March - To a Place

Radio promotion, band management, record label

Fresh On The Net is a music blog hosted by Tom Robinson and Team Freshnet, offering independent artists an open door and a level playing field for their music. Our inbox is open at http://freshonthenet.co.uk every Monday to Thursday morning - if you share a track with us there it will be heard by every member of our moderation team.

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Garret Moore - Forget Where You've Been

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