Love your sound...I totally heard this and had a Blondie flashback from the synth - Metro...

me gusta... cool music and lyrics... nerviosamente!!!

the peculiar even exotic to some listeners language and its delivery work so well :) superb track

i like this also!! the synth choices  and the way the low end is played with! nice

Alta Dosis - Miradas

Order: http://bit.ly/1lhkzoR
http://www.whitehex.net/

Female/male duo/couple White Hex released their debut album, 'Heat,' in 2012. 2014 sees their return with the follow up full-length, 'Gold Nights'. The album is the second in a series of three thematically connected records which is based on a period of three years. Recorded after shows in Paris, Berlin, New York and Melbourne, 'Gold Nights' explores Italo disco, minimalist techno and the more primitive end of 1980’s German underground. They embrace their love of high fashion, 1980’s New York vogue techno and the mutant explorations of Whitehouse, Arthur Russell, Craig Leon and Gianni Rossi. 'Gold Nights' retains certain elements of their beloved debut, but moves in a more sophisticated direction as a result of White Hex’s vision and with the help of producer Alex Akers (Forces-Siberia Records). White Hex is Tara Green and Jimi Kritzler. 

'Gold Nights' will be released on felte (worldwide excluding Australia) & it records (Australia). 


White Hex - Gold

Schaulust

The KVB - Fields (Mirror Being)

with @blxreblood

https://open.spotify.com/track/0cP75CS9fUJnmhn0tzjlHh?si=2df4a51f0e3645d4

Demise (Feat. witchboy)

FOLLOW US ON:

Facebook: https://www.Facebook.com/silentrunners
Bandcamp: https://Silentrunners.bandcamp.com
Instagram: https://Instagram.com/silent.runners
SoundCloud: https://Soundcloud.com/silentrunnersmusic
Spotify: https://open.spotify.com/artist/2YnNZW22TMq4Ixf19BDJci
Our website: https://www.silentrunners.nl


LYRICS:

We don’t need another dream
Pluck and scrape until we’re clean
We wouldn’t know what we’re gonna miss

We look for sights too far to see
Find our place and let it be
Nothing ever really came from this
Wilderness

Ever wonder who you are?
Never do, it ain’t productive
to throw your gaze into the abyss

Throw away your doubts and fears
Keep your open mind at ease
We were never really made for this
Wilderness
Wilderness

I am human after all
only one can’t make a difference
nothing ever really came from this

I knew what I was after
thought I knew what I was after
But I don’t care for this
I don’t care for this
And I’m all over this

Wilderness

Cover Their Eyes

Boxes of Blow 
Alexios Othon Theodoridis: Guitars,Saxophone,Synths,Vocals
Thodoris Koutsogiannis: Bass,Lead Vocals,Computer Samples 
Tina Koulouris: Synths,Computer Samples
Giorgos Alimisis : Drums
Recorded at Bedroom studio and at Artracks Recording Studios​. 
Mixing and mastering by George Priniotakis​.
Athens Greece

Your Presence

from 'MYTH II - A Need to Survive' [CD|LP|DIGITAL]
Denovali Records · den306
available on all formats at http://denovali.com/theeyeoftime


The Eye of Time is the solo-project of French musician, Marc Euvrie. His new album ‘Myth II : A Need To Survive’, released 3rd August on Denovali Records, is the second part of a trilogy of releases about the path that humanity takes over the ages. A multi-layered tapestry of experimental sound, ‘Myth II : A Need To Survive’ merges darkness and hope via minimalist beats and stark bass.

Myth is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. Myth is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. Myth is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.

On ‘Myth II : A Need To Survive’, Marc adds, “The period between the release of the first two records of this trilogy is a most significant one in my life. ‘A Need To Survive’ is the perfect title to name it. I have fought darkness. I have faced myself. I've been into the deepest introspection ever, but I'm on my way to recover, and I will never be the same again. I guess I have faced the worst but most important period that everybody will face in his life. To know yourself better, to see the bad and the good things you're capable of.” 

He goes on to say, “I feel that the album trilogy I started in 2016 will match my path to become a better person in balance. ‘Myth I : A Last Dance For The Things We Love’ corresponds to my falling into darkness, ‘A Need To Survive’ to finding the energy to rise again and the last record which will be named ‘To Heal’, corresponds to me right now, feeling positively mature.”

Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, although he has been classically trained. He started to play piano at 9 years old, composed his first pieces at 15 and studied cello at a Conservatoire after finishing school. Euvrie played in several bands before, being influenced by Claude Debussy, Philip Glass, Frederic Chopin, J.S. Bach, Michael Nyman just as Godspeed You Black Emperor, A Silver Mt. Zion and Portishead, he began to translate his personal reflection of our complex world into music, which initiated The Eye of Time. 

His extensive self-titled debut album was released in spring 2012 and exposed a dark look on the present, past and future. His last albums were promising a glimpse of hope (‘Acoustic’) or pitch-black despair (‘Anti’). ‘Myth I : A Last Dance For The Things We Love’, released in 2016, dealt with introspection, impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm, accompanied by both grim and hopeful melodies.

The cover artworks of the ‘Myth’ album trilogy display pictures by Emin Özmen, a winner of the world press photo award. His work is focused on the situation in Kurdistan, Syria, Turkey and the "refugees". His work has been published by Time magazine, The New York Times, BBC, Guardian, among others.

MYTH II : A Need To Survive

The Eye of Time - Notre Amour Est Assez Puissant Pour Détruire Ce Putain De Monde

Unreleased 2019
It's a hard city, doesn't feel too pretty tonight

Indecent Images

SOUNDCLOUD: soundcloud.com/without_emotion

INSTAGRAM: instagram.com/without__emotion

ALBUM "Souvenirs De Tes Mains": withoutemotion.bandcamp.com/album/souvenirs-de-tes-mains

Lyrics: Lory Fayer
SOUNDCLOUD: soundcloud.com/loredana-fayer

Triomphe de la Mort

"20jazzfunkgreats has found its new chanteuse, Portable Morla, who produces digital torch songs to light data-rich landscapes, think of them as imaginary soundtracks for romantic indie flicks involving real-life nerds, its vignettes innocent and honest and devoid of the twee market-capturing antics that make 20jazzfunkgreats think of butcher knives and bike chains. Her music soars with golden wings of synthetic romance in an ethereal, wonderfully sentimental space intersecting the neon balladry of the 1980s robotic soul movement. Or, if you want to simplify, Planningtorock with a BSc with honours in a STEM subject. This is the sort of music we fall in love to. " -20jazzfunkgreats

"Playing synths, drum machines, melodica, and various toys, Portable Morla creates tunes that sensually slither into earshot. She composes low-lit torch songs that slyly seduce rather than slap you upside the ass. Dub influences her production style, lending her songs a lo-fi, intimate spaciousness...Morla's beats are relatively gentle, which allows more room for her lush, sparkling electronic embellishments to blossom. Overall, Portable Morla's introverted brand of electronic-oriented songcraft bears a distinctive sound palette and vocal tenor that will linger long after the last song dissipates into the ether." -Dave Segal (The Stranger-Seattle)

"Portable Morla just landed on our planet and offers us "the void that exists". A synthpop diamond in this garbage dump that is Earth. Never had the feeling that simplicity is a higher form of intelligence? Proof is here with this 8-bit manifesto about our modern civilization, aliens, technology, and art. Portable Morla wields delicate synth melodies, classy beats and a leading voice of a rare quality, to reach distant galaxies where unknown lifeforms deal with the same shit we kill ourselves over every day. The Void That Exists is part of an almost extinct species in the 21st century: Poetry." -The Darkest Love (France)

"Portable Morla is a one-woman minimal electro-dub project emanating from outer space – or, more correctly, Seattle, Washington. As the cover art might suggest, however, The Void That Exists is one of those rare little pearls that successfully uses themes you might find in old school, kitschy sci-fi and translates them into the world we experience everyday right here on earth, and from an entirely unique perspective too." -[sic]Magazine

Alta Dosis - Miradas

Portable Morla

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