@qtdnlvavyrjy: Isn't that guitar riff from Cypress Hill's "(Rock) Superstar"?

ULTRA ༺❀༻◎༺❀༻

FREEZE (prod. Kai Whiston)

Taken from the forthcoming EP 'Heterocetera'.
Out March 3rd 2015 digitally and on 12".

Lotic - Heterocetera

Where is my mind?

An abandoned oil rig stands in for the garden of Eden. A garden is a walled space with vegetation. It contains encrypted knowledge of good and evil. 777 terabytes of data contained in a single gram of DNA. Wiping a tear off your cheek. Salty. 

The ocean is grey. Makes you feel like there's something wrong with it. What's the word?
'Contaminated'
Mandate Tonic,
Dance Titan Om,
An albatross has swallowed an Evian bottle.
When 2 become 1. 

Like all people, they contained multitudes. Like all situations, this was several situations at once. sometimes I looked away and ate peanuts and drank Club Mate. Sometimes I thought about what time it was. Then I was on the verge of tears. Then I laughed a lot. 

420 Park Avenue
Drexciya
François Rabelais
Quake 7 Arena
Caiman Nearness
Arcane Sans Mine
Amnesia Scanner

In a taxicraft. Magnetic hover. Tunnels. Plebs light fires and roast stray cats. Taste memory of gnawing on stringy cat meat. Cats are mostly bones and fur. Memories of paper money, also on fire. Memories of diamonds. Rare minerals, tea bowls repaired with gold.
Kintsugi.  Gnu I Kits. King Suit.
Nothing less than a 1000 years old. 

Street view, upper level: 
Gregorian monks in technical fabrics. Robes with mesh and intelligence. UV face tattoos glow in the dark. Yellow contacts, sharp fangs.  
Monks are chanting:
Google Krishna,
Shrinkage Go Lo,
Angels Rig Hook,
Regal Kings Ooh, 

Ice cream melting on his chest.
Yourdicklooksgreatinthoseheels.com
Handguns, rare butterflies. elaborate prison tattoo of a tiger in mid leap. 
Augmented reality contact lenses. 
Red bull energy drink.
Fleshlight. Shell fight.
Septum streched, thicker rings are more beautiful. chain on neck.
Bull ring on nose.
Fake lashes. AFK lashes. 
Nails so long that these hands can no longer grab things. 
Voice control override.
This could be us but you playin'

thunderdome
thunderdome anagrams

We're gonna take everything before we secess. We need more weapons. Hi-speed Wi-Fi provided by drones is a given. Arab money in ciphered currencies. Treasure island. Buccaneers and buried gold.

A stream of more or less violent crimes.
What was violence again? 

Floor 312. We're there. I hand the driver a flake of skin and a fingernail.

The oil rig. A bird flies over. We extend our arm and stand completely still. Bird lands. Bird makes sound. Gently touch bird. It lets that happen. Bird says: ______________ . Identify bird: sparrow. Place filter on sparrow. Mosaic, turbulent displace, hue/saturation. Bird is simplified, jagged edges, orange for now. 

scan

––––––––––––––––––––––––––––––––––––––––––––––––––

Text by Jaakko Pallasvuo

Angels Rig Hook contains:
AS DeathCon Valley
AS Titan (ॐ)
AS Creeper
AS Exopsalm
AS Treasure Island
AS Oil Rigged
AS Seagullz

12” Dubplate
A: Angels Rig Hook (14:04)
AA: Engraving 

AS ANGELS RIG HOOK

Britney - Everytime (Twin Peaks Theme)

buy this: https://y1640.bandcamp.com/track/weep

WEEP

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — Trespasses (PAN 86)

Brutal Honesty

https://soundcloud.com/dinamarca117 - Sol De Mi Vida (Vocalized) out July 26th
<3 https://soundcloud.com/coucouchloe

Sol De Mi Vida (Vocalized)

Dinamarca - Campana (feat COUCOU CHLOE)

Amnesia Scanner — Tearless
Format: LP / DL
Cat.No. PAN 108
Release Date: 19 June 2020
Purchase: pan.lnk.to/Tearless

Berlin-based duo Amnesia Scanner have announced the impending release of their sophomore LP, Tearless, a sonic reflection of how it feels to experience Earth at a time when collapse is emerging as the prevailing narrative. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw- the staggering scale of political recalibration and the worldwide climate crisis blows open old norms. “There’s a looming sense of radical change,” they noted pre-COVID, connecting the period of making the album to a fin de siecle horror and curiosity regarding what new world is being ushered in. Tearless has been referred to as “a breakup album with the planet”, to which Amnesia Scanner responds, on the LP’s closing track: “You will be fine, if we can help you lose your mind.” Amnesia Scanner are previewing the album in the form of a video for their accidental quarantine anthem “AS Going,” a clip featuring a cascade of images of spiraling humans.

Tearless marks a turning point in the duo’s trajectory, one begun in 2014 with the AS Live [][][][][] mixtape, followed by audio play Angels Rig Hook, two EP’s for Young Turks, and their 2018 debut album, Another Life (PAN). For Amnesia Scanner in 2020, the walls of the nightclubs, galleries, and institutions fall away and are replaced by full-scale theatrical productions complete with jumbotron stages, animatronics, and a surrealist costumed cast (literally so in the XL version of the album’s live show, Anesthesia Scammer). Likewise, the musical scope of the album is expansive, with guest vocalists — the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA — descending into a vast uncanny valley of sound. With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Opener “AS Enter” sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed “AS Tearless”) make clear there’s plenty of roaring to come. A feature from metalcore band Code Orange on “AS Flat” follows, along with “AS Trouble” (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as black-metal-gaze dirges. Closing Tearless is the sadboy grunge of “AS U Will Be Fine” with a clear statement of intent: doom, despair, insanity, absurdity, it’s all natural, all cathartic, and all OK.

For the art direction of this release, Amnesia Scanner collaborators PWR scavenged the pop cultural unconscious, as if ventilating memory dissociated by trauma. The gatefold vinyl reveals a four-panel comic, full of iconic pre-millennial motifs, which arrive cut up and reassembled collage-style: fitting visuals for an album that channels Deftones as much as reggaeton, menace as much as the drop-outness of grunge. Refuse like the ‘90s and party like the ‘20s—if that seems senseless, you are doing it right.

The album is mastered by Enyang Urbiks, featuring visual direction from PWR Studio.

@amnesia-scanner
https://p-a-n.org/

Tearless 

Amnesia Scanner - AS Tearless (feat. Lalita) (PAN 108)

Official music video: https://youtu.be/m13T6p8CxBk
Purchase: https://cutedoor.bandcamp.com/

Written, Produced and Mixed by Cute Door
Mastered by B.Leo at Geneva Sound Factory

Brutal Honesty

psk1

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