Lime Lodge's Collection 2021 in benefit of Women in Exile.

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Racine - Sous La Poudre

Pan Daijing - Jade 玉观音
Format: LP / DL
Cat.No. PAN 113
Release Date: 4 June 2021
Purchase: pan.lnk.to/Jade

What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record “Jade”, Pan Daijing composes at a different scale than that we’ve come to know. Since the release of her groundbreaking LP “Lack” in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at institutions including the Tate Modern, Martin Gropius Bau, and the Haus der Kulturen der Welt. Developed for full casts of opera singers and dancers, and reaching for an all-encompassing durational experience of intensity for both performer and audience, the development of these works was for Daijing as emotionally disarming as it was thrilling. In order to continue accessing her own limits, Daijing had to develop a place of sanctuary within her own practice.

Its nine tracks written and recorded over the last three years, “Jade” is the sound of solitary release and refuge, of creative self-sustenance. Written without the imperatives of direct address to performers or audience, “Jade” speaks inward, while inviting a kind of rhetorical listening. The artist draws on materials familiar from her previous work: namely, ascetic electronic textures that rumble and pierce, and voice bent in irreverent directions. In place of catharsis, however, her arrangements here linger in tension, extending curiosity towards the delicate void that nourishes extremes. They toy with the minor capacities of song: repetition, chant, observations that conclude without resolving.

“Jade” comes from a vulnerable place, tender as in an undressed wound caught in the midst of healing over. Vocals, mostly Daijing’s own, arrive as wordless sequences of notes soaring alongside a drone, or plain laughter, or in a few places spoken word. What is said or sung provides fragments of experience and reflection. In the process of piecing together these fragments, the listener is confronted with the tender parts of her own. “Solitude is like an immense lake you’re swimming through,” says Daijing of these songs. “Sometimes you dip your head in and sometimes you lift it above. On album centerpiece “Let,” she speaks to us over the sound of rippling water, returning between anxious scenes to a refrain: “I take my bath in the ocean.” We are not just consuming Daijing’s story; we are being invited to join her in the water.

The album is mixed and mastered by Rashad Becker, featuring artwork by Pan Daijing, cinematography by Dzhovani & design by NMR.

@pan-daijing

Jade 玉观音

Pan Daijing - Dust 五月 (PAN 113)

Pan Daijing - Tissues 
Label: PAN
Cat.No. PAN 118
Format: 2xLP / DL
Release Date: 21 January 2022
Purchase: pan.lnk.to/Tissues

Pan Daijing’s exhibition-performance Tissues premiered in the Tanks at the Tate Modern in autumn 2019. A five-part immersion in performance, sound, movement, space, and most of all emotion in its most distilled and conflicted states, Tissues engaged with the conventions of opera and tragedy to present a searing representation of the embattled human psyche in space and time. While the ambitious multi-sensory artwork made use of the range of Daijing’s artistic capabilities, music, particularly the voice, was at its formal and emotional core. The vinyl and digital release of Tissues on PAN serves as a record of that work, in the form of an hour-long, studio-recorded audio excerpt: an invaluable archival document from Daijing’s practice.  
 
Tissues is both a solitary work and a formal study in relation. Composed, directed, designed, written, and performed by Daijing (alongside a cast of twelve dancers and opera singers), the work—its libretto written in a mixture of old and modern Chinese—lingers inside a single human perspective. Daijing conjures states that are by turns delicate and severe, the tension between opposing modes animating the work as it unfolds. And yet, for all its interiority, Tissues foregrounds an intimate relationship with its audience through details like its engulfing visual landscape and its rattling, confrontational narrative arcs. Daijing uses the opera form as a prism through which to question the boundaries of music itself: perhaps, she proposes, music is much more than simply what is heard. It is in the relationship between voice and electronics that this limit is most clearly breached. Across the four parts gathered in this documentation, a counter-tenor, a soprano, a mezzo-soprano, and the artist herself voice a mixture of stunning laments and cries over an instrumental landscape, built out from industrial texture. Meant to be heard in a single listen, rather than track by track, the work unfolds through tender hollows and agitated peaks. At its crescendo, the operatic vocals melt away and the synthesizers themselves seem to howl with grief.
 
Daijing uncovers an essential, sometimes painful, music in all that surrounds us, inviting something like catharsis but also a greater understanding of the thing she and her cast conjure and draw close. A tissue, after all, is both a disposable object one uses to wipe away a tear, and the building block of our fleshy human forms. Daijing reaches and excavates the roiling core of what it is to be alive and full of feeling. 

Music from Tissues, an opera of five acts at Tate Modern, London on Oct 2nd, 4th and 5th, 2019
Composed, written, produced and directed by Pan Daijing. 

Performed by Anna Davidson, soprano ; Marie Gailey, mezzo soprano, Steve Katona, countertenor and Pan Daijing,  additional vocals.
The recording is mixed by James Ginzburg , Jan Urbiks and Pan Daijing, mastered by Rashad Becker. 

@pan-daijing

Tissues

Pan Dajing - Excerpt from Tissues Part Two "A Found Lament"(PAN 118)

symptoms of welfare

Dans Les Enfers

Taken from 'Isa,' Croatian Amor's upcoming album on Posh Isolation, out January 25. 

Info: https://www.xlr8r.com/news/premiere-hear-an-experimental-vocal-cut-from-croatian-amor-feat-soho-rezanejad

@poshisolation

Info

Premiere: Croatian Amor - In Alarm Light ft. Soho Rezanejad

22 summer storms, 22 celebrations of music from today. 

Posh Isolation turns 10 this year. 
We celebrated in Copenhagen for three days and three nights - Port Out, Starboard Home. Some people could not 
be there, some forms change — we honour them by celebrating again, digitally. 

Make the day come alive again. 

'Summer Storms' wades through the heat, never quite settling, yet taking in every surrounding. Gather everyone 
together, celebrate a shared motif. 

Come stream with us. 

Clear skies. A raving harbour. The best storms cancel plans. 

Make the day come alive again, 

today. 

Dedicated to Ezra 

Posh Isolation 227

Puce Mary & CTM - Release

Liverpool’s @breakwavedj is about to release Carcass the second EP on her newly founded @meinenacht imprint. The offering comes from Belgian producer @obsequies , associated artist of Beurrschouwburg and @shape-platform . Ahead of tomorrow's release you can pre-listen to "Chrysalide" remixed by ssaliva. Furthermore, Thomas Romana has talked to Breakwave and Obsequies.

Check our website for details: https://www.zweikommasieben.ch/en/interview-breakwave-obsequies

Pre-Listen:  Obsequies – Chrysalide (ssaliva Remix)

Teresa Winter - Emptiness Is Also An Excess [RAVE031]

Track from the upcoming DE NOR 2020 compilation LP/DL, out on January 11, 2021!

Aaron Dilloway & Lucrecia Dalt : The Monster Of Yesa

Ayin, the indigo goat, the son of the forces of time, became the lord of the knowledge gates, when he lighted up the lamp of the moke with the 26 black diamond delivered by the musk and burned the orchid root.

Samekh, the light-blue hippogriff, the daughter of the reconcilers. She had the heritage of being the bearer of life when one day she received the stanchion of Visnuh. Therefore she headed to the mountain of Apollo, who impressed on her the fate of destroying the dog-headed centaur. As the oracle predict, she burned him in the aloe wood, as a gift for the blue rush, and she saw the temperance, like a breath of wind, spreading allover the earth.

Today Ayin and Samekh, the devil and the temperance, after having gone up the 90.900 steps of the stars, enter the house of Zaddi, the daughter of the firmament, she who dwells between the waters, to manifest theirselves as human, eagle and peacock.



The day of the great conjunction,
when Saturn and Jupiter enter Aquarius, the double negation, the neither neither.
Entering the no-nonsense season,
light a purple candle,
the nights now begins to grow shorter,
the sun enters Capricorn,
marked by the six of swords.



Our aim is the death of the anthropocene.


♅ ♄ ♃  ￼￼♒︎ 

꧁꧂



Written & Produced by Heith
Strings & Artwork by VISIO

21122020 (Strings Of Visio)

www.poshisolation.net
https://poshisolation.bandcamp.com/
https://www.facebook.com/poshisolationsounds/

Puce Mary & CTM - Release

poshisolation

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