this track is really nice!!! I like it!! ;)

http://www.mrbongo.com/products/hollie-cook-prince-fatty-presents-hollie-cook-in-dub

The much-anticipated second album instalment from Hollie Cook.  Prince Fatty dubs her self-titled album tracks adding extra bass, delays and reverbs to Hollie’s captivating vocals. Featuring tracks such as ‘For Me You Are Dub’; a ska version of an old Andrews Sisters’ classic, ‘And The Beat Goes On’; a brand new dub cover of the The Whispers’ disco classic, ‘Walking in the Sand’; a delicious adaptation of the Shangri La’s legendary record, and ‘Baby’; a new revamp of this heavily requested anthem, in collaboration with French synth-pop outfit, ‘The Shoes’.
 
“The dub versions showcase real tape echoes, heavy spring reverbs and alternate instrumental elements such as melodica, percussion or horns that were hidden in the vocal versions. All the dubs are mixed live in my studio in the same Rub a Dub style as was made famous in 70s Jamaica by King Tubby and others, i.e not with the use of computers for automation and endless digital nonsense but with fingers, late night vibes and re-arranged with a razor blade!” Prince Fatty

1. Shadow Dub / 2. Used To Be Dub / 3. That Very Night Dub / 4. And The Beat Goes On Dub / 5. Crying Dub / 6. For Me You Are Dub / 7. Milk & Honey Dub / 8. Baby Dub / 9. Walking In The Sand Dub / 10. Sugarwater Dub

Hollie Cook - Sugarwater Dub

'Groove Curse' EP out now on 12" vinyl & digital -
Stream / Download: soulhasnotempo.lnk.to/SHNT001

Released 15th August 2014 via Soul Has No Tempo.

Soul Has No Tempo present Groove Curse, Jordan Rakei's long-awaited follow up to highly-acclaimed debut EP Franklin’s Room, his modern take on reggae-infused soul music. Groove Curse takes an evolved turn, with a sound Rakei describes as “raw, vocal-driven, groove”. With the first single off the EP, Street Light featuring Berklee College of Music Alumni, Gwen Bunn (vocalist and producer of Schoolboy Q’s Collard Greens feat. Kendrick Lamar), the release celebrates the skills of upcoming young musicians who are writing, self-producing and taking full advantage of their vocal and multi-instrumentalist talents.

Soul Has No Tempo present Groove Curse, Jordan Rakei's long-awaited follow up to highly-acclaimed debut EP Franklin’s Room, his modern take on reggae-infused soul music. Groove Curse takes an evolved turn, with a sound Rakei describes as “raw, vocal-driven, groove”. With the first single off the EP, Street Light featuring Berklee College of Music Alumni, Gwen Bunn (vocalist and producer of Schoolboy Q’s Collard Greens feat. Kendrick Lamar), the release celebrates the skills of upcoming young musicians who are writing, self-producing and taking full advantage of their vocal and multi-instrumentalist talents.

Jordan Rakei - Street Light feat. Gwen Bunn [SHNT001]

www.tokyodawn.net/positive_flow-reflowed

"If I dream it, it can be ..."

Positive Flow - Kingdom feat. Natasha Alexander (preview)

http://www.tokyodawn.net/positive_flow-reflowed/

Positive Flow - Children Of The Sun feat. Heidi Vogel (Moji Remix) preview

Prod. Saba, Phoelix

Artwork by Nikko Washington
Mixed & Mastered by Elton “L10MixedIt” Chueng

Freedom Interlude

https://itunes.apple.com/album/tokyo/id1198897268?i=1198897309&v0=9990&ign-mpt=uo%3D1 BUY NOW on iTunes
Produced by Georgi Linev
Written by by Jonah Christian, Ruth Koleva, Rachel Row, Georgi Linev
Ruth Koleva 2017 All Rights Reseverved
ruthkoleva.com
facebook.com/ruthkolevamusic

Tokyo

@noahslee - Sunrise

produced: @benesser
co produced: @maxdanielmusic
mixed by: Rob Stephenson
mastered by: Robin Schmidt
artwork: talawho.com
photo: michaelbreyer.com

Sunrise

Michel Meurtre - Enkel

My Prediction ft Omar (preview)

Positive Flow is the brainchild of UK-based multi-instrumentalist producer Jesse Reuben Wilson.

With parents that played music loud to him as he went off to sleep as a baby (so he wouldn’t be woken when they had parties) you could say his musical education started young. His guitarist father played in folk clubs alongside legends like the late John Martyn and brought him up on a wide-ranging musical diet from Steely Dan to Billy Cobham.

Starting out aged 3 with chopsticks and plastic topped tubs for drums Jesse swiftly moved up to a miniature drum kit aged seven, learnt how to play his Dad’s guitar and self-taught himself piano – by his early teens he was a multi-instrumentalist. Then armed with a Tascam 4-track tape recorder, a classic Juno-60 and a TR909 (bought in a classified ad for £75) – the world of “overdubbing” had been discovered.

He grew up through the original phase of electro and hip hop and would regularly spend Saturday afternoons in Canterbury, Kent “popping and breaking” to Streetsounds “Electro” albums with school best-friend – legendary soul star Omar. Having become obsessed with “the recording process” he made sure his week of school “work experience” was spent at a local recording studio and saved enough pocket money to record his first demo there with a Linndrum and Juno 106. At a later date he did a recording course at Goldsmiths College, London.

Having crafted his art the next decade went on to see him release numerous recordings under various project names from Ultravibe to Stratospheric for labels such as Universal, Om Records, Hed Kandi, Shanachie, Internal Bass and more. He has also had music used in various TV shows like ‘Bones’ and ‘Grand Prix’.

Due to that broad musical diet Jesse has never been content with sticking strongly to just one musical genre and whenever he gets the itch he’ll jump from soul to electronica to house to Brazilian to jazz to folk and beyond … “If it’s deep, if it’s quality – I’ll likely be into it. DJ sets and personal listening vary a great deal but generally I always fall back to some form of deep soul and a jazz chord.”

Although working on numerous projects, Positive Flow has become Jesse’s main vehicle and has won critical acclaim and rotation from all the heavy-hitters like Gilles Peterson, Michael Rütten, Rainer Trüby, MCDE, Laurent Garnier and more…

“Flow Lines”, his debut album for TDR dropping late 2012, features an array of talent in the vocal arena from British soul supremo and old school friend Omar to Stacy Epps, Colonel Red, Andre Espeut, Vanessa Freeman, Heidi Vogel (Cinematic Orchestra) and more.

From the soul-laden future club classic “Do What I Do” through the brokenbeat Azymuth tinged “Orange & Brown” out to the epic deep spiritual offerings of “Universal Truth” – “Flow Lines” is a rich tapestry of organic electronica interwoven with real strings – a hallmark of classic LPs.

My Prediction ft Omar (preview)

Positive Flow

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