A big thank you to the lovely @evitamanji for putting us on the spot with this brutal compilation "PLASMODIUM"
All proceeds will be collected and transferred to ANIMA, a non-profit association active in the field of the natural environment, with its main activity being the nursing and rehabilitation of wild animals in their natural environment.

myxoxym.bandcamp.com
www.wild-anima.gr/en/profile/

PLASMODIUM

Van Boom & Oldyungmayn - Ayshay [PLASMODIUM]

Crecer / pudrir

Featured on VA Compilation Steel Genesis ver​.​3C3C1D11940 [M​.​A027] out on Magdalena's Apathy https://soundcloud.com/regrets_regrets

Artwork direction and curation by DJ Loser https://soundcloud.com/loser111

Mastering by Astytekk https://soundcloud.com/astytekk

Ice_Eyes - DARK UNIT

REMADE welcomes an array of new and exciting artists to the fold with a remix edition of SHALT’s 2140. The EP’s 6 remixes cover a huge range of global styles which all take the label’s ethos of sound design driven club music in their own unique direction.

REMADE003 is out digitally on 22nd March 2023.

SHALT - Falaise (Cimarrón Remix)

Taken from SBKT057: mmph - Harvest

Release date: 26th April 2023

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It's been five years since Korean-born, Los Angeles-based sound designer and composer Sae Heum Han, aka mmph, released his last EP Serenade on the Tri Angle label in flurry of activity. "Harvest" arrives after an unintentional pause; three years ago, Han was diagnosed with an autoimmune disease that immediately changed his priorities. Bedridden and exhausted from medication, he was only able to work on music for around an hour each day - the rest of his time was swallowed by rest and precarious trips to hospital in the midst of a global pandemic. Now in remission, Han looks back on this period as a time of emotional evolution where the ideas behind "Harvest" could be unravelled. The album emerges from his desire to reconnect with the Korean music he heard when he was growing up in Seoul, using these discernible timbres as building blocks to decorate with his advanced palette of electronic sounds and processes.

Han's music has always balanced precariously between the rigor of classical training and the relative open-endedness of electronic experimentation. This duality is still present on "Harvest", but Han's canvas has widened slightly. He continues to blur the line between the traditional and the modern, emulating and mirroring Korean instruments with synthesizers and sound design elements, and blending them with acoustic sounds and live percussion samples. But where his previous records and scoring work highlighted his ability to weave baroque forms into tight, contemporary sonic tapestries, this album adds the drama, yearning and spirituality of folk. On 'Dialogue' for example, pitch-warped traditional vocals twist through an ensemble of bizarre future-ancient sounds; fluttering strings dissolve into spiked percussive barbs and synthesized wails cut through walls of industrial noise.

'Spirit' follows quickly, coaxing listeners into a trance state with its flurry of microtonal string plucks and irregular percussion. Han is a master of breath control, letting his brief moments of negative space interrupt any expected regularity and guide the track away from electronic music's expected grid. This just about prepares the ground for the title track, a labyrinthine maze of dramatic compositional motifs and dizzying sonics that mutates from gugak forms into a cacophony of pneumatic blast beats before snapping back. From here the album lurches towards the dancefloor for a moment, absorbing and contorting cantankerous club rhythms on 'Avnue' and 'Moon Jar', slowing to a crawl on 'Harvest II'. Despite hijacking its theme from the title track's blast beat section, it transforms into a ballad, acting as a fittingly tearjerking finale.

The record is rounded off by a trio of remixes that draw Han further into the SVBKVLT family. Egyptian producer ABADIR chops up 'Harvest' and reassembles it into a jerky banger, extracting its dancefloor potential and evolving hardstyle thuds into spectral concertina flexes. 'Moon Jar' meanwhile is turned into twitchy trance by Shade Seoul's NET GALA, and Yen Tech stitches together 'Avnue' and 'Dialogue', creating an anxious backdrop that shuttles mmph's android folk to the modern metropolis.

Artwork by Sae Heum Han
Mastered by Raphael Valensi

Harvest

mmph - Harvest (ABADIR Remix)

Indonesian producer Sanjonas explores post-apocalyptic worlds in his speculative and fictional debut album on POSTWORLD.

Read more on CxC 🔗 couvrexchefs.com/en/sanjonas-postworld-jalesvevas-insignia

Article

PREMIERE: Sanjonas - Jalesveva's Insignia (POSTWORLD)

@sanjonas_48b

Sanjonas, aka Yonaz Kristy, is a Yogyakarta-based artist, graphic designer, electronic music producer, and DJ. He is the co-founder of the Bast Cultura music collective; founder of RAR Editions (2012), an interdisciplinary collective focusing on research and archive-based projects; part of the SOFT/BRUTE Records label; and has recently started the label Ear Flux with Brrrz Studio.

Incunabula Heroes, the first solo album on POSTWORLD, is a speculative fiction-based album that envisions the recurring formation of new worlds in the aftermath of a revelatory apocalypse. Over 8 tracks, Sanjonas plays with the idea of how cultures and civilizations would be mixed and merged in such scenarios, with sensemaking thrown aside in favour of something visceral and universal.

Sanjonas - Parang Stabs

@sanjonas_48b
@robodtz

Sanjonas, aka Yonaz Kristy, is a Yogyakarta-based artist, graphic designer, electronic music producer, and DJ. He is the co-founder of the Bast Cultura music collective; founder of RAR Editions (2012), an interdisciplinary collective focusing on research and archive-based projects; part of the SOFT/BRUTE Records label; and has recently started the label Ear Flux with Brrrz Studio.

Incunabula Heroes, the first solo album on POSTWORLD, is a speculative fiction-based album that envisions the recurring formation of new worlds in the aftermath of a revelatory apocalypse. Over 8 tracks, Sanjonas plays with the idea of how cultures and civilizations would be mixed and merged in such scenarios, with sensemaking thrown aside in favour of something visceral and universal.

Sanjonas - Subterranean Kampong Arab (with Mahamboro)

For me its literally an angel fight perioodd🤍🪽
Bandcamp : https://qanossonap.bandcamp.com/track/soulsucker

SoulSucker

Slikback / Soda Plains — Split
Format: 12"
Cat.No: PAN 115
Release Date: 21 April 2020
Purchase: https://bit.ly/2RV8XfW

Hong Kong born, UK-based producer Soda Plains (production for Chynna, Scintii, Ian Isiah) and the Kenyan, Nyege Nyege-affiliated artist Slikback bring their distinct sounds to the third instalment of PAN’s club-focused "Split" series.

Limited to 300 copies, hand stamped, no repress.

The EP is mastered by Jeremy Cox

@freddymn @sodaplains

http://p-a-n.org

A1. Slikback - AKI (PAN 115)

@ytem x @uting_chiu

free download: click on the 'buy' link

please support all the artists involved.

Ytem X Utingling (XIAO QUAN BLEND) FREE DL

ℙ𝕠𝕤𝕥-𝕘𝕖𝕟𝕣𝕖 / ℙ𝕠𝕤𝕥-𝕝𝕠𝕔𝕒𝕥𝕚𝕠𝕟 / ℙ𝕠𝕤𝕥-𝕕𝕪𝕤𝕥𝕠𝕡𝕚𝕒
Global experimental and post-club sonics

𝗨𝗡𝗗𝗥𝗪𝗚𝗛𝗧 : 𝗬𝗚𝗚𝗗𝗥𝗔𝗦𝗜𝗟 - 𝗢𝗨𝗧 𝗡𝗢𝗪

Sanjonas - Subterranean Kampong Arab (with Mahamboro)

POSTWORLD

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