コメントを書かせていただきます。この楽曲を第1楽章から第4章から成り立っていると勝手に想像した場合、第1章と第4章は感情移入しやすいのですが、第2章と第3章は超絶技巧なテクニックに注目してしまうのが本音です。しかしながらいつもpotatomahawkさんのモチーフとそれを具現化させるテクニックには目を丸くするばかりです。

@user-868977027: いつもありがとうございます！！やっぱりどこかで既視感を覚えるので、オリジナリティを出すために拍子やテンポを変えたり音数を増やしたりしてしまいます。衝動的にピアノの速弾きが作りたくなったので、よい機会だなと思って挑戦してみました！

音のバランスと調和した旋律がCoolです。

癒されました。ありがとうございます。

[UNDER CONSTRUCTION]

Fantaisies tracks (courtes) series no. 211

creation: 2022/02/12

These tracks were uploaded to SC between 0_/2021 and 02/2022,
except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_211

link for original vocal if you want to go and check it out https://soundcloud.com/ipg1/down-like-that?si=311a34ab6e9f4dd39ad589bbd546ac3e

down like that remix (dream)ft Ipg1

Lars Bröndum: electronics, theremin
Per Gärdin: soprano saxophone

Recorded live at Larry's Corner, Stockholm, 20210810

Lars Bröndum / Per Gärdin: Horizontal Time

Soundscape #15 - Kela Variations

Music: tHE bLUE rOOM
Vocals: Emily Coy @freevocals

All Night - feat Emily Coy

Nerkstura

21 5 10

Very inspiring to work with https://soundcloud.com/paul-beaudoin's and https://soundcloud.com/caustic_gates's duo recording. I went for a 4-to-the-floor beat (inspired by GAS/Wolfgang Voigt) to complement their contrasting L/R atmospherics. 
Hope you like it!

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Third Man Four Floor (disquiet0527) with Paul Beaudoin & caustic_gates

楽曲 　potatomahawk
DAW 　KORG Gadget2
イラスト 　絵 のくな 様(https://twitter.com/nokunyan )　フォント ゆうたONE 様

こんにちは、ぽてまほです！本腰を入れてピアノ曲を手掛けました。
心は簡単に崩れます。その不安定な器をリズムで表現してみました。

oblivion

'Giganti Rosse/Red Giants' reflects on what sacred may mean, the non-negotiable and radically vital choices of our life.

This sonopoem will be performed in Florence (Italy) by https://soundcloud.com/marcolucchi during the Festival 'PAESAGGI SONORI URBANI'.

Poetry, sound effect and mixing by IB
pic Selvazzano Dentro, 2015 by IB

'What if this is the time 
the non-negotiable self, the sacred.
The line we already crossed.
Nothing is more real than the wind 
in the winter when it cracks the skin and
clenches the throat, when it forces 
each frequency.
On the riverbank, it lashes 
the floodplains and then it pauses.
You told me about these years
the fatigue, and I do nothing
but ponder over our presence.
Where have we been? What are we
bringing along? History is
a tale within a tale 
a series of omissions, hypotheses
and mitigations. 
And we may desecrate remembrance
and contaminate our becoming
but the urge to outlast the death
of the sun slams us. 
Massively entrenched in the anxiety 
to get lost, evolving away from
the main sequence like red giants.  
A few decades down the line
we will meet, I will sit down across 
from you and I’ll ask once more
do you know my name?' 

'E se fosse questo il tempo, il sé
non negoziabile, il sacro.
Il confine ormai oltrepassato.
Nulla è più vero del vento in inverno
quando taglia la pelle e serra
la gola, quando forza le frequenze.
Sull’argine sferza le golene
e poi si arresta.
Mi hai detto della fatica di questi
anni, e non faccio che pensare
alla nostra presenza. 
Dove siamo stati? Cosa 
ci accompagna? La storia è
un racconto nel racconto
una serie di omissioni, presunzioni
e attenuanti. 
E possiamo profanare il ricordo
e contaminare il divenire
ma la foga di sopravvivere allo spegnersi
del sole ci sbatte addosso. 
Radicata in modo massivo l’ansia 
di perdersi, uscire dalla sequenza
principale come giganti rosse.
Qualche decade più oltre
ci incontreremo, mi sederò
di fronte a te e ti chiederò di nuovo
conosci il mio nome?'

Giganti Rosse/Red Giants

Composition For Feedback And Organ

i had to do this for fun.
maybe i will delete 
but for the first i love to listen

noxpox - Satie-Sfied Part1 - 3 (based On Gnossiennes and Gymnopedies By Eric Satie)

Why Haven't I Heard From You==, Blue Opel, Reba McEntire, ( cover )

Why Haven't I Heard From You,==,Blue Opel, Reba McEntire, ( Cover)

Broken Mind

17- Nostalgia

Floating

My paraglider flight over the bay of La Herradura
Score: https://youtu.be/cA4MoLGcXqI

Flight over La Herradura

full score

Music,
centered on dance but I made the circle very,
very wide, from everywhere, for everyone.
Enjoy.
...

2024/03/20:
My linux won't boot so I'm presently forced to use Windows, and because of the bug in Soundcloud's system my account is all messed up when I don't use a VPN to connect which I am unable to do now... trying to get help from my VPN provider.  Because of this, and because I started working very long days I will be less present here.  Sorry, I'm trying.

2024/02/22:
Hi,
"Tracks: 0" is wrong, it should read 40.
Ever since the closing of this account by error by SC two or three months ago, this problem has remained unfixed.  Soundcloud and their AI are apparently still working on solving this and other problems with this account, and with my other account ; )

2024/01/29:
What I wrote below was heart felt but presumptuous and pretentious.  I would have to not be stupid myself to be allowed to claim such a thing.  More importantly though, I don't believe it is correct or accurate.  These people are probably not stupid but just don't care.  Justice is a collective thing and many if not most people seem to live in bubbles.  It is perhaps economic oppression which is responsible, they just don't have the resources, the time, the energy to be concerned about what lies behond that bubble.  It used to be fine but there's this thing they call globalization which makes this increasingly impractical or impossible.

mid January 2024:
Justice and vengeance are not the same.  Apparently most people are too stupid to see the difference.  Unfortunately it is not something unique to the Israeli-Palestinian conflict, and not unique to group conflicts.

What happened to intelligence?  Aren't we supposed to be the "intelligent" specie.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

完全趣味でお届けします！
明るい曲が大好き

oblivion

potatomahawk(ぽてまほ)

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