Chords and words, hand claps…what more could you possibly desire?

Commendable farce

No time for luv

King of the rumble

Loving too much or loving, not enough would you love somebody when your time is up in the darkest hour, do you need someone to hold you in the darkness of the night?￼

Under an evil star

Nicholas Walsh brings us "Call Me One More Time," a song that touches on delicate themes with a unique rhythm.
It brings back the sound of the '70s with a light electric guitar that resonates throughout the entire song. The simple, soft-pop melody, which gives prominence to the vocals, accompanies lyrics that convey a mix of dangerous attraction and addiction, all wrapped in a toxic atmosphere that offers an explosion of freedom. It describes a moment where nothing else matters, only the present, which draws us in with its hypnotic energy. A seductive image with neon lights shining on bare skin. Addiction and excess, the routine that consumes everything it touches, without excuses or escapes, the will to lose oneself and repeat every second. The familiarity of the environment that makes us return again and again, and reach the bottom again and again, and stay in that cycle because it's already part of us, because it's something we know, something that excites us and makes us feel alive, even if only for a moment, even if only superficially.

Call me one more time

Recorded with acoustic guitar electric guitar drumsticks maracas and vocals in Medellín Colombia in March 2025.

Elysian Fields

“In love”- a rough translation to be sure- rough but to the point. Things happen on a westbound train across the northern states. Good things and bad. I prefer to remember the good and she was terrific. Dark sunglasses and a lace veil, like she’d just been to a funeral- her dead husband’s perhaps. Blood red lips and sharp white teeth, a bit crooked but they do the job. Tore my heart clean out of my chest with those fangs.

Enamorado

Fever" is a song written by Eddie Cooley and Otis Blackwell, who used the pseudonym "John Davenport". It was originally recorded by American R&B singer Little Willie John for his debut album, Fever (1956), and released as a single in April of the same year. Fever" is a song written by Eddie Cooley and Otis Blackwell, who used the pseudonym "John Davenport". It was originally recorded by American R&B singer Little Willie John for his debut album, Fever (1956), and released as a single in April of the same year. 
In 2025, Nicolás Walsh Ensemble recorded in the fire of love, which made it to number one on Easter Island It has received nearly constant airplay on the island’s pirate radio stations. The population can’t get enough of this smoldering, sensual, sultry number

In the fire of love

Gimme Indie…pop? Nauseatingly catchy. The old San Francisco chord progression, pulled out of the sleeve like a neon green rabbit, its third eye focused with laser concentration on your greatest weakness. Like a one-legged dominatrix pressing her six inch heel down on your neck. Exciting stuff. Audio crack. Can’t get enough.

$U₽€RMAN.

This foray into falsetto should do the trick. Buzzing guitar strings through the deep chorus. Maracas and tambourine keeping time together.
Somethings are better left unsaid 
All of your memories you’d rather forget

It’s alright/Feel alright

Vampires and debutantes arrive on the scene going straight for the vein.

Straight for the vein!

The dictionary definition of ‘shmaltz’. But, as they say, if you live long enough you’ll see everything. Blue Ibanez acoustic guitar. Cuban maraca, engraved with the Coca-cola logo. I had a sore throat, so there’s that.

Over u….wav

A song of hope in alienation, a profound statement on the human condition imbued with a heroic sense of purpose

Emptiness in your caress

“The only performance that makes it, that really makes it, that makes it all the way is the one that achieves madness”
-‘Turner’ 1970

Love your lover

Revolution in progress

Wild-eyed lad from London

Nylon string guitar, electric bass, maracas, drum sticks, gūiro, vocals performed by Nicholas Vincent Walsh, Medellín Colombia 2025. You can’t imagine the sadness.

Sadness in your eyes

A strident declaration of sensual independence

Rock’nRoll R.I.P.

My legal team is woefully unprepared for is about to happen

Carz ‘n trux

Cigarette butts burning holes
In the sheets
Dark circles
Where your eyes used to be
Late stage capitalism
Unfortunate bourgeoisie 
Making the ultimate statement 
You’re famous
Everybody knows your name
You made it from the gutter
With the vermin
And the vagrants 
You made it to the edge of the frame

The ultimate statement

I’m going to the ranch
Hope you understand 
On my way to the beach
The macaw rising
Symbol of luck
Makes me feel stronger 
Again I go to the ranch
Hope you understand me
People invite me 
To celebrate life
I end the day
At the police station

La Guacamaya

Open your heart to the Aztec sun

The price I paid

It is more difficult to change what is on the outside than what is on the inside.

Charmed.

A dark, visceral track with a raw sound and an intimate vibe, like it was recorded straight out of a garage. The idea shows a personal and clever concept, tinted with a psychedelic and moody edge.

Singer-songwriter Nicholas Walsh joins Cosmonauta Radio today to present his new work, Coin of the Realm. This song is a vibrant tapestry of folk sounds, blending with guitar and acoustic percussion. It's a unique piece, an abstract work you'll either love or hate.

Everyone will have their own opinion about this melody, about the voice that soars, creating yet another instrument that joins the rhythm with its raspy tone. You can say whatever you want about the lyrics, but everyone will agree they're original.

https://on.soundcloud.com/T7mWN0DSeGXPupkqO4
The lyrics offer a reflection on the world, as the natural sounds of the instruments are interwoven with verses that speak of the world and the importance of money within it. It speaks precisely to what it's like to possess so much wealth, because sometimes power only brings falsehood around you, people with a mask who only want to take advantage of it, and perhaps, deep down, the one who has all that in his hands is also like that.

Coin of the realm

Originally performed by Johnny Mathis, for the film ‘Wild is the wind’ in 1957. Later, Nina Simone and David Bowie covered the tune

Wild is the wind

Crocodile tears on trial. They always said the Colombian crocodile was the most decadent reptile, but according to my files, the jury’s still off the dial....  naugahide guitars, shattered jazz, hotel-bar phantasms  
Crocodile Tears OUT NOW  
↓ Pre-save next single + secret live stems

Nicolás Walsh Ensemble

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