6/8 time Gamelan scale and meter modulation arranged. Tsuzumi, Ohkawa, rare Japanese traditional percussions, Balinese Tribal instruments and Sound Plates.


Tani Q

Bo Song

5/4 time triplet feel exotic Reggae tune with far east oriental influences. Tsuzumi, Ohkawa, rare Japanese traditional percussions, Tribal instruments and Sound Plates. Imaged the suspicious alien who air walking while having a weird laughter. It will be played in medley with the "Meltdown Monster step" at the Live.
 

Kemour Strat

Just imagined the scene, Kyoshinhei the character was in the film is directed by Hayao Miyazaki "Nausicaa of the Valley of the Wind" as a biological weapon, body began to meltdown but to march through the valley. It will be played in medley with the "Kemour Strat" at the Live.


Meltdown Monster Step

 Change the meter 4/4 time to 3/8 time with Suzu sound. Tsuzumi, Ohkawa, rare Japanese traditional percussions, Tribal instruments and Sound Chime.
This tune imagined through the situation Osho-san is going to Takuhatsu.


Monde Tofu

 Far east oriental influenced Exotic Rock beat. Taiko, Tsuzumi, Ohkawa, rare Japanese traditional percussions, Tribal instruments and also sound plates.


Samurai Experimental

Hot tune with far east oriental taste. Arranged twice and more meter modulation. Tsuzumi, Ohkawa, rare Japanese traditional percussions and Sound Plates mainly. Specializing Japanese nation, Daimyo and his Bushi (aka Samurai) commanders are "GO!" means to the Ikusa (aka War) OR, Journey to the several Japanese local severe festival so called Danjiri will be imaged fine.


Shibui Voyage

Sumo Jinku into slow unorthodox accented waltz but playing 2/4 time mixed up. Meaningful pause sticking play included. Tsuzumi, Ohkawa, rare Japanese traditional percussions, Tribal instruments and Sound Plates.


Sumo Waltz

In tempo Free improvisation on Taiko, Tsuzumi, Ohkawa, rare Japanese traditional percussion, Tribal instruments and also sound plates. Chords, some melodies are constructed Ryukyu musical scale.
Imagine, spirit of the Landscape in Yasoshima (aka Uemachi Plateau) the Revelation of God was carried out in ancient times in Japan. (Uemachi Plateau, now from around the area near the Tanimachi 6 to 9, add to say 9 is pronounced in Japanese as pronounced letter "Q")


Dedicated to Frank Zappa 'Black Page' hard version. Hi-Hat sound is irregularly accented in tempo 4/4 improvisations, constructed percussion ensemble suite.
 "11" is the keynote for this tune. Tsuzumi, Ohkawa, rare Japanese traditional percussion, Tribal instruments and sound plates.


Zappa na Atama  Pt. 1

Zappa na Atama Part I

Dedicated to Frank Zappa 'Black Page' hard version. Hi-Hat sound is irregularly accented 5/4 time in tempo improvisations, constructed Percussion Ensemble,
 "11" is the keynote for this tune also Suite with part I. The last note is the invitation to WABI-SABI or Zen. Tsuzumi, Ohkawa, rare Japanese traditional percussion, and Sound Plates mainly.


Zappa na Atama  Pt. 2

Zappa na Atama Part II

PP Shivaknen -  Playing polyrhythm, Tuplet, WABI-SABI free improvisation music, Guitarist @ heart (start to play music as a Guitarist) Japan Traditional but Modern style, percussion only weird drumming-percussion tribal interval music, systematically constructed WABI-SABI, Avant-Garde, cross rhythm sound world.
 Capture the essence and spirit of the some Japanese traditional arts Gagaku, Noh-gaku, Kabuki or Taiko sensed instrumental music mainly.