your love is as toxic 
as phosphorus lakes

and that`s why i want it
to end all this pain

to end all the suffering
erase all mistakes

to kill all the life
you kill all the life
to kill all the life
to kill all the life
...............................................
your desire is deadly
as grant oil spills

the human nature of
seeking cheap trills

mystification
whilst is slowly kills

all the life
you kill all the life
to kill all the life
to kill all the life
...............................................
you act high & mighty
like you`re in control

meanwhile you are programmed
to consume petrol

there is no free will
you don`t have a soul

we can only kill
it`s what makes us whole
 
to kill all the life
to kill all the life
we kill all the life
to kill all the life
...............................................
there`s  only one virus
on this planet earth

parasitic behaviour to numb all our hurt

we are the undead
we are the true dirt

we kill all the life
we kill all the life
we kill all the life
we kill all the life

we kill all the life
...............................................
i've been deemed priestess of the undead
it`s why i must tell you
though we never met

you are the true plague
you are the undead

for  eternity`s sake
off with all heads

we kill all the life
we kill all the life
we kill all the life
we kill all the life
we kill all the life

keta gözlüm - phosphorus lakes

The Ring Orchestra is an eight-person effort, a collective coming together to tackle opera and one of the genre’s controversial poster boys. In 18 compositions, the artists Born in Flamez, Gil Schneider, Simonne Jones, Leo Luchini, Legion Seven, P.A. Hülsenbeck, Isa GT, and Ixa create a collaborative musical score that uses Richard Wagner’s Der Ring des Nibelungen as the point of departure. Far from being an affirmative tribute, the orchestra sets out to deconstruct and break down what Wagner and his opus magnum represent: collaboration over singularity and openness instead of conservative rigidity. The resulting score doesn’t shy away from ambivalence by decentralizing authorship and encompassing everything from ambient to pop, reggaeton, and a wider variety of non-western musical influences. In addition to the musical material, the double LP contains a text that reflects on the project, its genesis, and significance. Thoughts and elaborations by the eight contributors are collaged with the help of an artificial intelligence, resulting in the dissolution of singular voices or opinions and further questioning the notion of the “genius.”

The Ring Orchestra came together to create the music for a staging of Der Ring des Nibelungen at Schauspielhaus Zürich, directed by Christopher Rüping and written by Necati Öziri. They, meaning everyone involved, ventured out to “correct” Wagner’s monster, full of otherworldly music and deep-seated hatred, full of fervent storms of love and hardcore racism, full of a deep reverence for nature and for Darwin’s blood ideology. The musicians Black Cracker and Jonas Holle assembled an orchestra of independent musicians, countering Wagner’s one-man show with a polyphonic work that became something bigger than the sum of its parts. 

—

Written, recorded, and produced by: Born in Flamez, Gil Schneider, Simonne Jones, Leo Luchini, Legion Seven, P.A. Hülsenbeck, Isa GT, and Ixa
Graphic Design: Pascal Alexander for Studio Laurenz Brunner
Project Managers: Born in Flamez, P.A. Hülsenbeck, Black Cracker
Text Concept: Legion Seven
Mastering: Jonas Holle
Editor: Mathis Neuhaus

P.A. Hülsenbeck – Strings

Available on cassette at https://causalchain.bandcamp.com/album/oko

oko is laced’s sophomore EP under her new moniker, which takes a new path compared to her previous noise explorations. Drawing inspiration from ambient music, dreampop, video game and anime soundtracks, breakbeat and IDM, the music conveys a dream world where the artist tends to escape in. The EP was produced over the course of 2021 since laced’s 2020 MUTEK performance in Montreal, taking a melodic approach in contrast to her more percussive productions. oko is best consumed under a pile of warm blankets or under the rain, its energy being one of catharsis, contemplation, healing and dreaming.
credits
released May 6, 2022

Music by laced (@lacedetail)
Mixed and mastered by SIM
Remixes by dybbuk (@disk-wraith), Xen Model (@xenmodel), SIM (@sim_mtl) & Gobekli (@gobekli)
Album art by Bruno Lauzon Tanzi (@bruno-lauzon-tanzi)
Texture generated by Andrew Nowacki

laced - Angel (dybbuk Remix)

Double Black Diamond "Salt Combination" (Excerpt)

@promenadeverticale & @mass_1x
@lyl_radio

Trαcĸlιѕт :

Deѕĸυllιɴɢ - Weт Lαɴd
Oвѕeqυιeѕ - Aѕтнмe
Pιαɴo Prιɴceѕѕ - Aѕѕαυlт Oғ Tнe Tower (Aнo Sѕαɴ Reмιх)
Kнαdιje - Mѕ. Tнιɴĸιɴɢ
Roвerтo Crιppα - Drιғт
Uɴdveld - Oυт Oғ Deѕιre
Seвαѕтιαɴ Cαмeɴѕ - Dυѕт
SÁCCEA - Aɢrιeѕ
Tнe ғerтιle creѕceɴт - ɢeт weepιɴɢ
Bαѕιc Hoυѕe - Mecнαɴιcαl Nυdeѕ
Fαe Welder - Dιѕѕolυтιoɴ
Hedɴιɴɢαrɴα - Jυopolle Joυтυɴυт
Dold - Iɴтro
Mαrιɴα Herlop - мιυ
Dαle Cooper Qυαrтeт  - Aυcυɴ Cαve
Vιrɢιɴ Foreѕт - Droιdѕoɴɢ
 Moɴɢ Toɴɢ - A Hιѕтory oғ Brιɢнтɴeѕѕ
Ioɴα Forтυɴe - Kυɴ
Scαɴdιɴαvιαɴ Sтαr - Uɴтιтled
Hυмαтe - 1996 Pαrт 1

LYL RADIO Starving at Night vol. 02 | Marseille's studio session 11/18/2022

06. Le Dormeur

The first single form the forthcoming “Karadi” is out today. Available through Bandcamp and all the streaming platforms.

Album is ready for pre-orders. The release is scheduled for next week, 24th of February.

https://hurtbythesun.bandcamp.com/album/karadi

Ybalferran - Karadi [Hurt by the Sun]

susu laroche - its only you that you walk with

This album is mostly white noise music mixed with a few different varieties of ambient sounds.

Substance Dissipation

Ethereal Callings

______ __ ________ ‘Ad Cue’ __ _ ________ _ ___ ‘cadeu’. _______ _____ __ Berlin, _______ _ _______________ - __________ ___. __________ _ _____ / __________ __ ____________. __________ ____ _______ __ _ _____________________. __ ___-_____ un & de, _____ ___ _____ 2017 ___ 2018 ___ ___ ________ , _____ ____ ______ _____ __ _____ __________ __ __ _____ Hyperboloid Records, __ ________ ___________ Bias to Abyss __. __ ___ ___ _______ ________ ________ ___ ___ ____-______ _______ ____ ____ ____ __Temporary Titles in Fixed Media. Brand new album on Gin&Platonic. ____ _____ _______ ____ _____ ___ . Coming out next month!

G&P011 _______ __ 4 _____, ______Temporary Titles in Fixed Media _____ _ __ _____ ______ _____ 38 ______. _____ __________ ____ __ _________ - _____________. ____ _______ ______ - ___ _ ___ _ ________- Temporary Title 001. ____ ______ ________________ ______ __ ____ ______, ____ ________ ______ __ future, ________ _____ ____ __ ___, _________ __ present. ___ 002 ________, __________ _______ ____ _________ ______ _____. _________________ _____ 03 ___ inherent temporality. _________ __________ ________. ____ _________ __ __, 04 ________ ___ ___________ subjects to change.  

Produced by Ad Cue
soundcloud.com/ccaaddeeuu

Mastered by A.Fruit
soundcloud.com/annafruit

Artwork by Jiri Macku
jirimacku.tumblr.com

💧

Ad Cue - Temporary Title 005 (bonus track)

Compilation CHANOIRS​/​/​Vol​.​1 paru le 12 novembre 2020.
https://chanoirs.bandcamp.com/releases

CHANOIRS // vol.1

Officium - Chiftetelli

Präsens Editionen was founded in 2011 to give home to zweikommasieben Magazin. Ever since a bunch of magazines, books, zines, records, tapes and oddities have been published.

zweikommasieben is a Swiss magazine that has been devoted to the documentation of contemporary music and sounds since the summer of 2011. The magazine features artist interviews, essays and columns as well as photography, illustration and graphics. In addition zweikommasieben curates and organizes a variety of events—for example Ebbing Sounds, a symposium that initially was held in the summer of 2018 in San Francisco, or the biennial London-based festival Oto Nove Swiss.

P.A. Hülsenbeck – Strings

Präsens Editionen

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