This Hare Krishna Maha Mantra Tune by Vishnujana Maharaja is one of the most nectarine sounds created by Maharaja. This tune will certainly transfer you to Goloka. I really feel sad that the length is only 2:47 mins but the kirtan is saturated with so much Love that you will forget time itself. Oh Vishnujana Maharaja please bless us all with your association!!! Hari Hari Bol!!!

HH Vishnujana Swami Maharaja-Ultimate Hare Krishna Kirtan

Kirtan Kijay

Hare Krishna, this is just a cut form one of Vishnujana Maharaj's audios to use as my notifications tone on my phone, so whenever i get a notification i am reminded of Sri Vrindavana and Vishnujana Maharaja. Haribol!

Vrindavana Vrindavana

Rupa Goswami has written this song “Radhe Jaya Jaya Madhava Dayite”. The official name of this song is Sri Radhika Stava. This song is taken from the book Stavamala (Section: Volume 6 Song 14). In this song, Rupa Goswami has described the glories of Srimati Radha and requested her to shower her mercy upon him.

 

(refrain) radhe jaya jaya madhava-dayite gokula-taruni-mandala-mahite


(1)
damodara-rati-vardhana-vese
hari-nishkuta-vrinda-vipinese


(2)
vrishabhanudadhi-nava-sasi-lekhe
lalita-sakhi gunaa-ramita-visakhe


(3)
karunam kuru mayi karuna-bharite
sanaka-sanatana-varnaita-carite

Radhe Jaya Jaya Madhava Dayite
[Vancouver, 1974: in the temple, after singing the song with the devotees, Maharaja reads the English translation given in the songbook, then explains further:]

Glories, glories to Sri Radharani, the beloved of Madhava and most worshipable of the cowherd girls of Gokula Mandala! Decorated by the dress of Lord Damodara's increasing ecstasy, You are the lady of the house of Lord Hari and the groves of Vrindavan. From the ocean of Vrishabhanu has arisen a new moon which is overwhelming the qualities of Lalita and Vishakha. O Goddess, Your qualities are described by Sanaka and Sanatana Rishis and by Sanatana Goswami. Please bestow Your mercy upon me! 

Vishnujana Swami: We're given a hint here into the nature of spiritual love. That even the dress of the spiritual body is of the nature of ever-increasing ecstasy for the Supreme Lord. Radharani is seated in the swing there with Krishna, and it's described that Her dress is not made of cotton, it's not made of silk, it's not made of oil, like the modern, today all these fabrics are made from oil, isn't it? They take oil and they turn in into dacron and this ron and that ron, you see, so it's not oil, it's not cotton, it's not this, it's not that, what is it? Her dress in made of ever-increasing love for Krishna. Now just imagine—what is the spiritual world. You see, that we cannot imagine, we're always used to making things out of dull matter, but in the spiritual world things are made out of ever-increasing ecstasy. So we're given a little hint.

In another poem, Srimad-Bhagavatam, it's described that Radharani's hair, the knot of her hair, is not ordinary, it's compared to Her confidential deep anguish for Krishna. Just like in this material world you feel deep anguish over something you love, you see. So in the knot of Her hair is an exhibition of anguish for Krishna. And in this way all the different aspects of Radharani, Her crown, Her earring, everything about Her body is transcendentally absorbed in love of Krishna. So this gives us a little hint into the nature of spiritual life. Then, there's a song now about Krishna. First we'll sing about His childhood, page 79. [He chants Damodarashtakam with the devotees.]

HH Vishnujana Swami - Sri Radhika Stava.

Krsna Dvaipayana Vyasa has written this song”Namamisvaram Saccidananda Rupam". The official name of this song is Sri Sri Damodarastakam. This song is taken from Padma Purana. This song was spoken by Satyavrata Muni to Nārada Muni and Saunaka Rishi.


(1)
namamisvaram sac-cid-ananda-rupam
lasat-kundalam gokule bhrajamanam
yasoda-bhiyolukhalad dhavamanam
paramrishtam atyantato drutya gopya


(2)
rudantam muhur netra-yugmam mrijantam
karambhoja-yugmena satanka-netram
muhuh svasa-kampa-trirekhanka-kanthasthita-
graivam damodaram bhakti-baddham


(3)
itidrik sva-lilabhir ananda-kunde
sva-ghosham nimajjantam akhyapayantam
tadiyeshita-jneshu bhaktair jitatvam
punah prematas tam satavritti vande


(4)
varam deva moksham na mokshavadhim va
na canyam vrine ’ham vareshad apiha
idam te vapur natha gopala-balam
sada me manasy avirastam kim anyaih


(5)
idam te mukhambhojam atyanta-nilair
vritam kuntalaih snigdha-raktais ca gopya
muhus cumbitam bimba-raktadharam me
manasy avirastam alam laksha-labhaih


(6)
namo deva damodarananta vishno
prasida prabho duhkha-jalabdhi-magnam
kripa-drishti-vrishtyati-dinam batanu
grihanesha mam ajnam edhy akshi-drisyah


(7)
kuveratmajau baddha-murtyaiva yadvat
tvaya mocitau bhakti-bhajau kritau ca
tatha prema-bhaktim svakam me prayaccha
na mokshe graho me ‘sti damodareha


(8)
namas te ’stu damne sphurad-dipti-dhamne
tvadiyodarayatha visvasya dhamne
namo radhikayai tvadiya-priyayai
namo ’nanta-lilaya devaya tubhyam




HH Vishnujana Swami - Damodarastakam

HH Vishnujana Swami Maharaj - Radhe Radhe

HH Vishnujana Swami Maharaj-Jaya Sacinandana

Song Name: Kabe Ha’be Bolo
Author: Bhaktivinoda Thakura
Book Name: Saranagati (Section: Vijnapti Song 1)
(1)
kabe ha’be bolo se-dina āmār
(āmār) aparādha ghuci’, śuddha nāme ruci,
kṛpā-bale ha’be hṛdoye sañcār
(2)
tṛṇādhika hīna, kabe nije māni’,
sahiṣṇutā-guṇa hṛdoyete āni’
sakale mānada, āpani amānī,
ho’ye āswādibo nāma-rasa-sār
(3)
dhana jana āra, kobitā-sundarī,
bolibo nā cāhi deho-sukha-karī
janme-janme dāo, ohe gaurahari!
ahaitukī bhakti caraṇe tomār
(4)
(kabe) korite śrī-kṛṣṇa-nāma uccāraṇa,
pulakita deho gadgada bacana
baibarṇya-bepathu ha’be saṅghaṭana,
nirantara netre ba’be aśru-dhār
(5)
kabe navadwīpe, suradhunī-taṭe,
gaura-nityānanda boli’ niṣkapaṭe
nāciyā gāiyā, berāibo chuṭe,
bātulera prāya chāriyā bicār
(6)
kabe nityānanda, more kori ‘doyā,
chārāibe mora viṣayera māyā
diyā more nija-caraṇera chāyā,
nāmera hāṭete dibe adhikār
(7)
kinibo, luṭibo, hari-nāma-rasa,
nāma-rase māti’ hoibo bibaśa
rasera rasika-caraṇa paraśa,
koriyā mojibo rase anibār
(8)
kabe jībe doyā, hoibe udoya,
nija-sukha bhuli’ sudīna-hṛdoya
bhakativinoda, koriyā binoya,
śrī-ājñā-ṭahala koribe pracār
TRANSLATION
1) When, O when, will that day be mine? When will you give me your blessings, erase all my offences and give my heart a taste [ruci] for chanting the Holy Name in purity?
2) When will I taste the essence of the Holy Name, feeling myself to be lower than the grass, my heart filled with tolerance? When will I give respect to all others and be free from desire for respect from them?
3) When will I cry out that I have no longer any desire for wealth and followers, poetry and beautiful women, all of which are meant just for bodily pleasure? O Gaura Hari! Give me causeless devotional service [bhakti] to your lotus feet, birth after birth.
4) When will my body be covered with goose bumps and my voice broken with emotion as I pronounce Krishna's name? When will my body change colour and my eyes flow with endless tears as I chant?
5) When will I give up all thought of the world and society to run like a madman along the banks of the Ganges in Navadvipa, singing and dancing and sincerely calling out the names of Gaura and Nityananda?
6) When will Nityananda Prabhu be merciful to me and deliver me from the enchantment [maya] of the sense objects? When will he give me the shade of his lotus feet and the right to enter the market place [nama-hatta] of the Holy Name?
7) When will I buy, borrow or steal the ecstasies of the Holy Name? When will I lose myself in the intoxication of the Holy Name? When will I immerse myself in the nectar of the Holy Name after grasping the feet of a saint who constantly relishes the flavours [rasa] of devotion?
8) When will I feel compassion for all living beings [jibas]? When will I forget my own pleasure in genuine humility? And when will I, Bhaktivinode, meekly go from door to door, preaching your message of love?

Pratik

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