[EXPLORE 01]   
Tasoko - Sundance

EXPLORE's first release is an EP "Sundance" by Tasoko, DJ/Producer based in Okinawa, Japan.
The EP features three tracks with different textures that reflect Tasoko's own texture and worldview, as well as an amazing remix of "Sundance" by the genius Efdemin.


A1:Sundance  
A2:Blue Neroli  
B1:Zeranium  
B2:Sundance(Efdemin Remix)   



Artist: Tasoko
Title: Sundance 
Label: EXPLORE
Mastered: Tobias Freund at Non Standard Studios
Art work: Shogo Ichikawa , Nano
Release date: 6th October 2023
Format : 12Ep
Distributed : decks

Tasoko - Sundance ep [EXPLORE 01]    Snippet

Kovvalsky DJ set @ DT CAMP 2023

SPELLCAST # 12 Alessandro Adriani

For Głós, Ambient and Techno are but two sides of the very same coin. Subsequently, this new special mix is the logical answer to '10 Years Of Głós: The Essential Live Mix', released a couple of months prior in late September of 2023. 

Highlighting work from his albums 'World Enough', 'When Things Cast No Shadow', and 'Music For Sleepovers', the Berlin and Tokyo-based artist showcases his Noise and Ambient side and illustrates in roughly thirty minutes what to expect of him if booked for an Ambient performance. 

Tracklist: 

1. Głós – Swords Of Revealing Light – Affin
2. Głós – When Things Cast No Shadow (Cut Through Currents In Electric Locks) – Non-Print
3. Głós – Not Text But Texture, Pt. 2 – Non-Print

Ł: A Short Ambient Live Mix

Timothy J. Fairplay back with another edition of Dungeon Module. This month including new
music by Grizzly Knuckles, Jordan Zawideh, Ole Mic Odd, 
The Kid & Cliff, William Kincaid, 
The Exaltics and lots more.
 As always there is some new music in there by Timothy too.

Timothy J. Fairplay pres. Dungeon Module [12.03.2024]

Mariachiara Troianiello, the Milan-based sound artist behind the moniker Katatonic Silentio, works at the intersection of electronic music, performing arts and sound studies. Both as a live performer and an independent researcher, she strives to connect different spheres and approaches to sound production.

Her sets oscillate between the nostalgia of an analogue past and a fast-paced technological future. From abstract soundscapes to pulsating club beats, she delves into the acoustic realm from both an artistic and sociological perspective. Join us as the mix gradually unfolds, taking you through the twists and turns of house and techno - the very genres that fuelled her creativity.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Futurepast w/ Katatonic Silentio @ Kiosk Radio 12.04.2024

From forth world to psychoacoustics this is a mixtape for the late, lonely nights recorded in Athens, April 2024.

Yannis Iasonidis is the head honcho of the Athenian, DIY label Orila. His DJ sets feature a penchant for found recordings, non-music jams and painfully slow bpms.

: www.orila.net

cloud 18 | Yannis Iasonidis

A concoction of hypnotic groove, acid and dreamy energies that move listeners into a mindful, joyous sonic journey.

Slow Ye Down w/ Yeye @ Kiosk Radio 09.05.2024

Just a quick but interesting piece of Ambient produced in FL Studio Mobile.  I really love this app!

JWM - The Question Remains

https://eightstrings.neocities.org/findout

9.2.25.-10.34PM

I'll have to find out

Further information: bleep.com/features/bleep-mix-156-Patricia

This mix sees Patricia (Max Ravitz) blending tracks from an array of the producer/DJ’s fellow Ghostly International artists - Matthew Dear, Matrixxmann and Steve Hauschildt to name a few. In doing so, Patricia demonstrates just how adept Ghostly artists have been at spinning the club sounds of the label’s Michigan birthplace to innovative new ends. Busybody Drexciyan machine-funk, stern techno stomps, broken-beat club numbers and leftfield house jams all feature here, and the mix closes out with a few minutes of dreamstate ambience from Mary Lattimore. Patricia’s own productions are sprinkled throughout - as well as ‘You Open Me (Differences Mix)’ we also get the woozy, weightless electronics of ‘Ctenophora’ and the skittering electro jam ‘Dr. Oetker’s Ristorante’, both of which featured on Patricia’s 2020 Ghostly drop Maxyboy.

Check out our Label Spotlight feature on Ghostly International: https://bleep.com/ghostly-international-label-spotlight

Bleep Mix #156 - Patricia

Non-Print label head and producer Głós wants to create something outside of the conforming realm of Techno. He has already reinvented his early work through his first album, and his lucid yet straight-to-the-point productions continue to reveal a rarefied character. 

Głós (pronounced ‘Gwos’) has made a point out of not following the sometimes linear Techno patterns with his artistry. He comes from a band-focused Rock-environment and runs his own label, arranged to be a wildly experimental project. In his earlier years, Głós was in several ways a close contributor to the Ressort Imprint label—founded by fellow producer Ekserd—since its start in 2013, already then having left his native Poland to become a Berlin citizen. 

Głós’s successive platform, his very own label Non-Print, released his debut album ‘Fem’ in September 2018—marking the exact five year anniversary date of his first EP, ‘There Is No One Like You’ (Ressort Imprint, 2013). The producer describes it as ‘a collection of re-works as well as new material without any creative limitations’. ‘Fem’ is presented as one continuous mix—with each of the tracks being available in their own individual entity. 

As a producer and performer, Głós’s background, which is a very hands-on analogue way of working—recording for example distorted keyboards and guitars—continues to influence his music. The industrial rawness of these elements are still present in his Techno, only now existing mantled by a softer Drone- and Ambient-type of layer. Głós portrays filmic scenes in his music. You are surely guided by the kick-drum, but the productions are spatial—distant rave signals and voices echo in a fantasy-like landscape. 

His live performances are often a hybrid of his own work and others. The Techno is pure Głós, but in various parts he manipulates selected Ambient pieces, making them his own for his distinctive shows. Again a situation where Głós’s live band-background plays a big part. 

‘Trinity’ is the Berliner's self-proclaimed opus magnum with a playtime of about 5.5 hours that was released on Głós’s own Non-Print. Fresh off the press since then are his latest EPs ‘Swimming In Colours’ and ‘Serenity’ on Affin, showcasing a different approach of Głós opposed to his more up-beat productions made for the dance floor.

Ł: A Short Ambient Live Mix

Głós

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