Drops Of Sound Embryos

Isolated vocals remix of Fake Plastic Trees by Radiohead

Original lyrics by Thom Yorke
First released on the album The Bends
Parlophone Record & Capitol Records, 1995
...
Distilled lyrics

And if I could be who you wanted
If I could be who you wanted
All the time
All the time

It wears her out
Wears her out
It wears her out
Wears her out

And it wears him out
It wears him out
It wears him out
It wears 

And it wears me out
it wears me out
It wears me out
it wears me out

And if I could be who you wanted
If I could be who you wanted
All the time
All the time

It wears her out
It wears him out
It wears me out

And if I could be who you wanted
If I could be who you wanted
All the time
All the time

And if I could be

and if I could be who you wanted

4'33" John Cage: Questions and Answers

Another fundraiser release.

https://jeevan.bandcamp.com/album/back-to-life
(Download also includes ambient improvisation B-side)

Proceeds go to UNRWA Gaza emergency appeal
http://donate.unrwa.org/gaza

Back to Life

Charity release

Phase music using a Terry Riley–ish minimalist process.

Charity release: jeevan.eu/track/seeds

Proceeds go to UNRWA Gaza emergency appeal
donate.unrwa.org/gaza

Seeds

..someone say that May is a crucial month in the year.
 it has always brought strange suggestions to me, difficult to describe.
 clear skies, oppression, promises.
 a sense of latency, something imminent that never comes to an end.
The title refers to the magnificent poem of the same name 
by Arthur Rimabud, written in May 1872.

Still in progress

Bannières de mai:

Aux branches claires des tilleuls
Meurt un maladif hallali.
Mais des chansons spirituelles
Voltigent parmi les groseilles.
Que notre sang rie en nos veines,
Voici s’enchevêtrer les vignes.
Le ciel est joli comme un ange.
L’azur et l’onde communient.
Je sors. Si un rayon me blesse
Je succomberai sur la mousse.
Qu’on patiente et qu’on s’ennuie
C’est trop simple. Fi de mes peines.
Je veux que l’été dramatique
Me lie à son char de fortune.
Que par toi beaucoup, ô Nature,
– Ah moins seul et moins nul! – je meure.
Au lieu que les Bergers, c’est drôle,
Meurent à peu près par le monde.
Je veux bien que les saisons m’usent.
À toi, Nature, je me rends;
Et ma faim et toute ma soif.
Et, s’il te plaît, nourris, abreuve.
Rien de rien ne m’illusionne;
C’est rire aux parents, qu’au soleil,
Mais moi je ne veux rire à rien;
Et libre soit cette infortune.

Mai 1872

bandiere di maggio *study

Impromptu 1 for two pianos

Chance-determined music for string orchestra (violin, viola, cello, double bass).  Quarter note equals mm. 103, the number 103 being the title of the work for large orchestra that Cage indicated should be performed with his last work, "one11."  

The last four notes of "for john cage" are C-E-A-G, the four letters that spell his last name.

Method of Composition

I took slips of paper and wrote the letters A through L on each individual slip. I then put them in a bag and drew each slip of paper, in succession, from the bag.  I repeated this procedure 7 times in a row.

The first time all notes are sustained in order to create chords, or formations, of two notes.

The second time, the notes are sustained in order to form three-note chords.

Third time, 3-note chords again.

4th, 5th, and 6th Times, 4-note chords are created, except at one point during the 4th time at the end, when 6 notes are sustained so as to form one six-note chord.

7th time: 3-note chords.

The letters on the slips of paper refer to notes in the chromatic scale, beginning with the middle C on the piano. The letter A on the slip of paper indicates middle C, the letter B refers to C#, and so on ascending through the scale (the letter L is the last note of the scale, i.e. B Natural).

for john cage

Bản Live "250" với piano và guitar. Xem Full Live Session tại: https://www.youtube.com/watch?v=AyZCYDTdGs0
--------------------
'250' nằm trong album "GẤP GAP - Có Cần Phải Có Lý Không?"
2018 Lumif Recordings
Written by Thành Luke
All Instruments by Cá Hồi Hoang
--------------------
ĐIỀN VÀO Ô TRỐNG (250) | Lyric

Mình làm từ xương và da, café, thuốc lá và 250 lít đồ có cồn
Còn bao ô trống cho ta điền vào [...]

Mình là vệ tinh mùa đông, đội quân mùa thu và 250 nốt nhạc đánh sai
Còn bao ô trống cho ta điền vào [...]

Mình còn mùi thơm mồ hôi, cuộc vui, cuộc yêu và 250 năm để tắm mưa
Còn bao ô trống cho ta điền vào [...]

Mình ngồi lại đây thật lâu để khóc, để quên đi 250 khuôn mặt giống nhau 
Còn bao ô trống cho ta điền vào [...]

Mình làm từ xương và da, cafe, thuốc lá và 250 lít đồ có cồn
Còn bao ô trống cho ta điền vào. [...]

Điền Vào Ô Trống (250) | Live Session

https://disquiet.com/

Disquiet Junto Project 0367: Trio Initiate
The Assignment: Record the first third of an eventual trio.

Step 1: This week’s Junto will be the first in a sequence that explores and encourages collaboration. You will be recording something with the understanding that it will remain unfinished for the time being.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice. Conceive it as something that leaves room for something else — other instruments, other people — to join in.

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. When done, if possible, pan the audio so that your piece is solely in the left side of the audio.

Left Lane (disquiet0367)

https://precariouspropositions.wordpress.com/

and if I could be who you wanted

precarious propositions

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