Voice of Forest Whitaker 
Reading from ‘Hagakure: The Way of the Samurai’ by Yamamoto Tsunetomo (1659-1719)
Excerpt from Jim Jarmusch’s ‘Ghost Dog: The Way of the Samurai’ (1999) 

---

Our bodies are given life from the midst of nothingness

Existing where there is nothing 
Is the meaning of the phrase:
Form is emptiness

That all things are provided for by nothingness 
Is the meaning of the phrase:
Emptiness is form

One should not think that these are two separate things

Form is emptiness
Emptiness is form

Form is emptiness
Emptiness is form

One should not think that these are two separate things

the meaning of the phrase

11Oct25
https://naviarlab.tumblr.com/post/796847388320055296/naviarhaiku614-the-coming-of-autumn
😀

a red dragonfly [naviarhaiku614]

Photo: Glasgow, Scotland, 2024.

A toast to everyone who passed through the doors of No. 10.

Some more laid back dreamy goodness for you to start the week.

As ever, listen all the way through = good karma... thank you.

Drums: NI Kontakt loop.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster and Godin Montreal Thinline into NI GuitarRig.
Keys: various VST from NI and Arturia.
Mastering: Ozone 11 Standard.
DAW: Ableton 12

Bandcamp

Only Wine Passed My Lips In Grosvenor Terrace

a small snippet of a live performance by the Intonarumori Trio at the opening of When The Fog Clears as part of The Ten Days On The Island Festival. This was the exhibition where i got to exhibit Caligo Paean, so a big evening for me......more about the trio here

Formed in 2018, The Intonarumori Trio is Danielle Kirby, Mat Ward and Dylan Banks. All three are Hobart based artists whose individual professional practices all span 20 plus years. They have diverse artistic backgrounds that include painting, instrument and theatre design, installation, classical music, noise- art, graphic design and academic research. They have all exhibited, published and performed extensively across Australia as well as undertaken international art-based residencies.  

The trio explore the more occult-centric aspects of Russolo’s practice, approaching performances as a ritualistic space to play with the idea of connection and communication beyond the human realm. 

Russolo believed, and pursued the idea that noise could be used as a bridge to spiritual understanding. He sought to congure and transform energy through the Intonarumori’s ability to ‘spiritualise’ noise. 

Performances by the Trio are pure improvisation, allowing the space and the air to guide the players.

Intonarumori Trio LIVE @ Ten Days On The Island Festival

PROSE    POEMS    ---     ARTHUR    RIMBAUT
VOICE  AND  PERFORMANCE   ---    FLORENCE   FISH
ELECTRONICS   ---    DROR   ELIMELECH

SEASON IN HELL  2  -   UNE  SAISON  EN  ENFER

Marionette Carmen

Little improvised song for Tanaka Hiroaki haiku:"
Whenever we meet
it’s raining
green walnuts"

We meet (naviarhaiku616)

First there was a common funky beat for 2 minutes or so. Then there was a bass played during those 2 minutes in a complete improv mood. Then a nylon guitar came breaking time. Then a steel guitar came bending time. Then some djembes, shakers and seeds came defying the beat and eliminating it.

In the spirit of mixing traditional instruments with free jazz approach, a simple though "we are lost in time" emerges.



Lost in time

Electric guitar, voice, effect pedals, unsynchronized loops, two tube amps. All sounds, voice, mixing and production: Velvet Something Superdark. 
Part of https://soundcloud.com/velvetsomethingsuperdark/sets/tempest

Flying

Depth Perception LP here:
https://ceruleanascent.bandcamp.com/album/depth-perception

Visuals here:
https://youtu.be/2r0WdKbZQlY

Backward Glance [Extended Edit]

Count On Me

https://precariouspropositions.wordpress.com/

the meaning of the phrase

precarious propositions

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