The empty space was dormant and still, awaiting the return of the abstract wanderers who might find themselves lost between the four walls of the towering warehouse. Inside, there was not a sound to be heard. Inside, there was only darkness and the dense haze of the fog which lingered heavily. Opening the heavy iron doors he marched forwards into the room and let out a short sharp cry which bounced and reverberated between the framework of this great structure. The return was nigh... 

Kincaid is set to appear on a new split EP from Banoffee Pies Records, a label which has risen to prominence over many years. The new release Kincaid collaborate with J.Caesar on vocals, a dubbed out cut built for the heads down dancer and late night wanderers.

Limited Series 10

PREMIERE: Kincaid - Inside Ft. J. Caesar [Banoffee Pies Records]

ZDS - Guided Fragmentation

Release Date - 18th March 2022
Distro - https://www.unearthedsounds.co.uk/products/design-default-takama-ga-hara-w-sputnik-one-remix-10-vinyl

For the first release of the 10” series, we welcome Design Default to the Dome with an EP that effortlessly orbits a beautiful yet precisely constructed world. The release encapsulates the atmosphere of his previous ambient works with the energy of his left of centre club releases demonstrating the depth of output this Parisian producer is capable of.
 
On the A-side, we dip into his distinctive approach to sound design with glistening melodies, flourishing through an array dreamy soundscapes on Eta Aquariids. We welcome back PD favourite Sputnik One whose rework ups the energy levels with a flip certified to move the floor while maintaining the euphoria and bliss of the original.

On the B, we are again transported to unexplored worlds on the uplifting journey of  Kagura where fragmented particles collide on the backdrop of uplifting otherworldly atmospheres.

Takama-ga-hara reflects the lofty sacred world from which the name implies - weaving through a haze of influences giving us something beautiful, engaging and unique and following on from a tough couple of years, a positive look into the future as we move towards more freedom, connection and positivity. 

Mastering – Ten Eight Seven
Pressing - MPO

Design Default - Takama-Ga-Hara (PD10001) [clips]

The Polaris EP explores the heavier sound of Kahter's productions. Tell Me has spacious, rolling percussion with a slamming kick and deep bass. 

OS Premiere 
www.originssound.com/premiere 

Release Date: 
14th March 2022

Artist Name - Kahter
EP Name - Polaris EP
Cat Number - BSC004
Track Name - Tell Me
Label - Basilica

BUY: https://basilicanights.bandcamp.com/album/polaris

Follow: 
https://www.instagram.com/basilicanights/
https://soundcloud.com/basilicanights
https://www.instagram.com/kahter_/
https://soundcloud.com/kahter

We want to hear your new music. If you have something you want us to listen to, please email danielle@originssound.com

OS Premiere: Kahter - Tell Me [Basilica]

Livity Sound presents a special collaboration with Ukraine's Monotronique. All profits from this release are split 50/50 with the artist, of which the label half will be donated directly to the DEC Ukraine Humanitarian Appeal. donation.dec.org.uk/ukraine-humanitarian-appeal

Sparked by a fresh batch of demos Monotronique landing in the Livity Sound inbox, this EP is presented as an act of solidarity with the wider UA club community.

Born and raised Kharkiv, Ukraine, Monotronique aka Roman Kurhan made his first steps into electronic production in 2013 and has since released on and contributed to labels such as Opal Tapes, Banoffee Pies and Hyperboloid Records.

As a DJ he is known on the Kharkiv club scene making regular appearances at clubs such as Zhivot, where he is a resident, spinning his eclectic selections with a focus on underground house, techno and bass leaning dance music.

@monotronique
@livity-sound

Buy:
https://monotronique.bandcamp.com/album/no-other-place-like-home-ep

PREMIERE: Monotronique - Stay Close [Livity Sound]

Kouslin returns to Livity Sound with a second collection of slippery club tracks after the 2020 Vision E.P. With an emphasis on head-twisting sound design and a detailed line in percussive programming, the London-based producer continues to reach into intriguing new areas without forsaking soundsystem-ready physicality.

The tracks which make up the Patterns E.P. stemmed from a period of personal experimentation, where Kouslin returned to making music for its therapeutic benefits rather than a fixed purpose. The loops and sketches he returned to and expanded upon for this EP bristle with originality at every turn.

There is a continued exploration of dancehall rhythms on ‘King’, while ‘Five Four’ toys with time signatures for a jagged, fast-paced abstraction of techno. ‘Why Don’t You Don’t’ is harder to pin down thanks to its knotty beat and mutant synthesis, and ‘Michael’ flips the script further with an unexpected swerve into pearlescent melodic lead lines – the perfect demonstration of the honest and instinctive approach Kouslin took when making these tracks.

Kouslin - 'Patterns' EP (LIVITY059)

Furious Styles is the first album by Glück+Persona

The release features 6 tracks that are a combination of different furious styles. From grime to jazz, from drum and bass to techno. Each track flows into the next, sharing common elements. The same sound can be a lead on one track or an fx on another. Samples from 90s movies, recordings of London subway sounds, heavy guitar riffs - all this is on Furious Styles' debut

Label: www.instagram.com/kobud____
Artist: www.instagram.com/gluckpluspersona

released June 13, 2024

Music: Glück+Persona
Cover: @daakii
Mastering: @lectromagnetique

Glück+Persona - Style 2

“Glitch Cathedral” is a dark and hypnotic journey into the depths of glitch-driven underground house. Six ritualistic tracks merge distorted kicks, deep sub-bass, and glitch textures with cold, fragmented female whispers. No melodies, no warmth – only relentless minimalism and industrial darkness. This LP feels like worship inside a digital cathedral, where machines pray in static and errors become holy chants.

2. Circuit Prayer

Exploring hypnotic synths, deep atmospheres, and a groove that dives into the deep, playing with textures and rhythms that inspire me.

It’s a very special sonic journey for me, and I hope you enjoy it as much as I enjoyed making it :)

Lunar Tide

Melbourne based producer, DJ and co-founder of Sumac Records, Jon Watts delivers his Butter Sessions debut, Music for 3 CDJs. With over 10 years experimenting as an artist, Jon has an established history with the Australian underground scene. Music for 3 CDJs, showcases two contrasting sides, revealing his ability to seamlessly navigate manifold sounds.

The A-side presents three distinct tracks, thread together with restless percussion and a propulsive force. The introduction to the EP, Prohaasation, is a medley of techno and electro fabrics which progressively build before abruptly halting -- generating suspense for the track to follow. The feverish William gasps and screeches in tones that peak and fall, accompanied by audio maintained throughout; reminiscent of a malfunctioning fax machine. Now It’s Done is a choppy and disjointed piece yet coherent in its structure that makes for a rewarding conclusion to the release’s first chapter.

Subtlety and minimalism prevail for side B, as Jon gifts us with loops that swirl and churn. AMB 4 marks the first deviation from the narrative of Side A; sounding like hypnotic swelling from the bottom of a deep well. AMB 5 follows suit, divulging more of the picture. Carved out of a sound bed of field recordings, the nine and a half minute piece enchants with its repetitive arc, a spaciousness mirrored in the EP’s farewell. The last track Piano 1, is an intricate study of a singular piano chord, examining the layers of the chord’s sustain that are disclosed. A testament to Jon’s unadorned restraint and confirmation of the old adage that less is really more. 
credits


Mastered by C. Kikos
Design by M. Syawish

Jon Watts - Music For 3 CDJS - A Side Previews

Low Khey - Never Trust A Cyborg
Release Date : January 2021 
Label : Comic Sans Records
Cat # : COMICSANS10

Graphic Design by Virgile Flores & Cestainsi
Mastering by Saif Bari
Distribution by Bigwax

Tracklist :
A1 Never Trust A Cyborg
A2 Control X
A3 Huta Vibz
A4 Click Of Death
A5 Proteus
B1 Homos Estivus
B2 Cyborgs Faking Emotions
B3 Ying Yang 
B4 Avaton Anomias
B5 Mauvaises Herbes

After a small digital break, here is new record from the Comic Sans' vaults. First world appearance for Low Khey with 10 tracks exploring the 90-100 bpm side of experimental bass music. Call it mutant dancehall, deconstructed dub or industrial riddims, it's difficult to describe precisely in which genre the release falls. Let's just imagine that Vybz Cartels' beats met Adrian Sherwood's punk dub sound design and that the whole thing was supervised by the evil twin of DJ Python. The big space left to the drums and the precise use of robotic sound-effects give a hyper-mechanical aspect to the riddim tracks which are aired by several interludes made of weird FX making it sound like futuristic commercials for spaceships or intergalactic bitcoin exchange. The whole project has hidden references to artificial intelligence and problems that human are facing regarding the technology. The world in wich Low Khey lives is dominated by machines, and mankind is having a rough time to say the least! But there is hope for our Homo Sapien friend... If only he kept in mind this simple advice : Never. Trust. A. Cyborg.

Low Khey - Never Trust A Cyborg [COMICSANS10 PREVIEW]

Contact - presssssure [@] gmail.com
Curated by @yushh
https://pressuredome.bandcamp.com 👀
https://facebook.com/pressuredome 👀

Design Default - Takama-Ga-Hara (PD10001) [clips]

Pressure Dome

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