Like this one the same reason as MessterPiece. Great.

All tracks from all digital releases are available for rotation on wireless or internet based radio stations.  If interested in hearing other tracks; in progress, new, unreleased, abandoned etc, please let me know. thanks  PW

Returning from Exile To Mother Russia

“All tears within me now are dormant or dead. My veins are bursting with a thirst that cannot be ignored.”

A Virtual Memory is S. Taillifer

Accompanying album artwork:

https://www.flickr.com/photos/avirtualmemory/albums/72177720305730536

Music video for "Shadows on the Cave Wall [Natalie Nagpal Rmx]":

youtu.be/9ctl0cNymXw

All artwork and photography by S. Taillifer
All original source material used in collages for the accompanying album booklet (and some featured in the related “Shadows on the Cave Wall” music video) taken from the Smithsonian’s Open Access Archive which can be found here: si.edu/openaccess

Additional Personnel:
Mx.: lead vocals on track 04 / backing vocals on track 05 / additional drones on tracks 02 and 05 / flute on tracks 01 and 03.
Natalie Nagpal: remixing and additional instrumentation on track 03.
Monks and Nuns of the Drukpa Order: vocal source material on tracks 01, 02, 04, and 05.
Doudou N'Diaye Rose: additional rhythmic source material on tracks 01 and 05.
Rizman Putra: additional rhythmic source material on track 03.
Helena Senda: all animation and video editing on “Shadows on the Cave Wall [Natalie Nagpal Rmx]” music video.

All creations made in Audacity from 2020 to 2023. Except where noted, all compositions are comprised of manipulated field recordings.

Natalie Nagpal’s music:
@slipnat
instagram.com/__slipnat/

Helena Senda’s artwork:
instagram.com/senda_hell/

DOWNLOAD THIS RELEASE ON BANDCAMP:
https://avirtualmemory.bandcamp.com/album/item-10-the-necropolis-of-animals

Item 10: The Necropolis of Animals

The Necropolis of Animals

visual: https://www.youtube.com/watch?v=koAtzvSBvfE
http://www.thefader.com/2015/01/14/sevdaliza-that-other-girl

prod. @muckybeats
artwork. zahra reijs

I trie to understand mine and others assumptions 
on how we welcome entertainment until we’re satisfied and move on
robotically drawn back into position waiting for the next call
where time is a flat circle, creativity stifles and nothing changes
where i’m everything you want me to be

http://soundcloud.com/sevdaliza
http://facebook.com/sevdalizamusic
http://twitter.com/sevdaliza


THAT OTHER GIRL

Often/Chickwit

Cecile

AK Jahresbericht 2018

Are You Ready To Be Happy Yet?

“From so simple a beginning, endless forms most beautiful and most wonderful have been, and are being, evolved.” – Charles Darwin

Having crossed the threshold, where does the story lead once on the other side? A huge thank you to Temple ov Saturn, PressureWorks, Uunslit, and α Ori for their inspiration, hard work, and most of all, their invaluable contributions to this unique project. Thank you all for helping to point the way forward.

The original version of “Subsumed” can be found on Ambient Online’s “Themed Compilation 04: Death & Rebirth” released on May 28th, 2019. It can be streamed and downloaded here:

ambientonline.bandcamp.com/track/subsumed

Accompanying album artwork:

[Front]:
www.flickr.com/photos/151941966@N06/49271092217/in/album-72157690146971131/
[Back]:
www.flickr.com/photos/151941966@N06/49270894986/in/album-72157690146971131/
credits
released December 24, 2019

S. Taillifer: Original source composition / all artwork and photography / all field recordings, manipulation, and composition on track 03.

Temple ov Saturn: Reworked composition, instrumentation, and production on track 01.
Temple ov Saturn’s music and info can be found here:
templeovsaturn.bandcamp.com
soundcloud.com/templeovsaturn
vimeo.com/joanpope
twitter.com/templeovsaturn
www.instagram.com/templeovsaturn/

PressureWorks: Reworked composition, instrumentation, and production on track 02.
PressureWorks’s music and info can be found here:
soundcloud.com/pressureworks
soundcloud.com/pressureworksii/tracks
soundcloud.com/pressureworks3
soundcloud.com/pressureworks4
soundcloud.com/pressureworks5
soundcloud.com/pressureworkcollaboration
soundcloud.com/pracecisnienoiwe
soundcloud.com/pressureworksabandoned
gate.sc?url=https%3A%2F%2Fm.youtube.com%2Fuser%2Fpressureworks&token=201cf-1-1577227455426

Uunslit: Reworked composition, instrumentation, production, and vocals on track 04.

α Ori: Reworked composition, instrumentation, and production on track 05.
α Ori’s music can be found here:
soundcloud.com/alpha-ori

Subsumed [Rmx EP]

Subsumed [AVM "(D) Limbatus" Rmx]

BAJAS FRECUENCIAS

Curated and mixed by Raffaele Pezzella (a.k.a. Sonologyst).
2021. All rights reserved to artists.

Live Streaming Program:
www.unexplainedsoundsgroup.com (Sunday, 9,30 - 10.30 p.m. Italy)
extra.resonance.fm (Monday, 5.00 - 6.00 p.m. UK time).
www.ruc.pt (Sunday, 10.00 a.m. Portugal time).
www.kcsb.org/listen/ ( Monday, 8.00 p.m. Pacific Standard time zone).


Intro: 00'00'' - 00'20''

Jen Kutler (US) – Feasible: 00'20'' - 08'30''    
https://cacophonousrevivalrecordings.bandcamp.com/album/sonified-physiological-indicators-of-empathy    

oooOooo (Portugal) - -SulfÚr-: 08'31'' - 14'18'' https://subcontinentalrecords.bandcamp.com/album/v-r-ol-rex-phosph-ric      

PLUHM (Italy) – Discesa: 14'19'' - 17'02'' https://rumfixionrecords.bandcamp.com/album/canzoni-dellio-nudo 

LiangYiYuan (China) - 哀牢山ailao mountains: 17'03'' - 18'41'' https://liangyiyuan.bandcamp.com/album/sudra-or-low-end-population 

Loo(p)cy (Italy) - Riding The Night: 18'42'' - 21'27'' https://loopcy.bandcamp.com/ 

cerpintxt (Egypt / UK) - Pet Tapewarm: 21'28'' https://cerpintxt.bandcamp.com/music   

Sonologyst (Italy) – Teatro Grottesco (Organ by Michael Bonaventure): 21'28'' - 28'10'' - 32'14''
https://eighthtowerrecords.bandcamp.com/album/dust-of-human-race 

Sonologyst (Italy) – Maléfice (Voice and bowed psaltery by Ellen Southern): 32'14'' - 38'07''
https://eighthtowerrecords.bandcamp.com/album/dust-of-human-race 

Shigaraki (Italy) - ABC Asteroid Belt Colonization: 38'08'' - 41'45'' https://shigaraki-music.bandcamp.com/album/planetes   

Liu Yiwei (China) - Line14: 41'46'' - 44'23'' https://voltshanghai.bandcamp.com/album/the-song-of-rust   

Henrik Meierkord (Sweden) - Atonal Hymn (excerpt): 44'24'' - 51'00'' https://soundcloud.com/enrikeierkord 

Dēofol (Belgium) - Y'ha-nthlei: 51'02'' - 56'24'' https://eighthtowerrecords.bandcamp.com/album/the-black-stone-music-for-lovecraftian-summonings     

Baishui (China) – Jihe Part 1: 56'25'' https://baishui.bandcamp.com/album/su-y-n-z-j-diary-of-broken-sounds

Unexplained Sounds - The Recognition Test # 240

Intro: 00'00'' - 00'20''

Jen Kutler (US) – Fairness: 00'20'' - 05'12''
https://cacophonousrevivalrecordings.bandcamp.com/album/sonified-physiological-indicators-of-empathy        

oooOooo (Portugal) - •CAvalGa-da DøS ENXOF®ęS_: 05'13'' - 09'56'' https://subcontinentalrecords.bandcamp.com/album/v-r-ol-rex-phosph-ric      

PLUHM (Italy) – Oblio della Mente: 09'57'' - 14'57'' https://rumfixionrecords.bandcamp.com/album/canzoni-dellio-nudo 

LiangYiYuan (China) - 买锁链 buy chains: 14'58'' - 16'18'' https://liangyiyuan.bandcamp.com/album/sudra-or-low-end-population 

Loo(p)cy (Italy) - Waves of an underground ocean: 16'19'' - 20'19'' https://loopcy.bandcamp.com/ 

Mt Borracho (US) - Suburban ritualism, legal practice of Rainforest Occultism and beyond for the modern diatribe (Edition I Ie): 20'20'' - 24'35'' https://mtborracho.bandcamp.com/album/suburban-ritualism-legal-practice-of-rainforest-occultism-and-beyond-for-the-modern-diatribe-edition-i-ie

cerpintxt (Egypt / UK) - the sculpture that cuts itself (in two): 24'36'' - 26'22''
 https://cerpintxt.bandcamp.com/music   

Sonologyst (Italy) – The Prayer: 24'37'' - 31'01''
https://eighthtowerrecords.bandcamp.com/album/dust-of-human-race

gc / nc (Netherlands) – Cycle: 31'02'' - 33'31'' https://unexplainedsoundsgroup.bandcamp.com/album/deprecated 

gc / nc (Netherlands) – By whips one makes dogs: 33'32'' - 37'51'' https://unexplainedsoundsgroup.bandcamp.com/album/deprecated

gc / nc (Netherlands) – Spoken: 37'52'' - 42'18'' https://unexplainedsoundsgroup.bandcamp.com/album/deprecated

Ashtoreth & Grey Malkin (Belgium) - The Silver Bough: 42'19'' - 46'19'' https://ashtoreth1.bandcamp.com/album/heretic 

SÍLENÍ (Portugal) - Remain sane to the hideous end: 46'20'' - 50'37'' https://eighthtowerrecords.bandcamp.com/album/the-black-stone-music-for-lovecraftian-summonings 

SITKA (Belgium) - Splitting Oak part one: 50'38'' - 56'54'' https://sitkaspruce.bandcamp.com/album/splitting-oak

King Imagine & Darart Chemnasiri (Ukraine / Belgium) - Mosquito Song: 56'55'' https://unexplainedsoundsgroup.bandcamp.com/album/unexplained-sounds-group-6th-annual-report

Curated and mixed by Raffaele Pezzella (a.k.a. Sonologyst).
2021. All rights reserved to artists.

Live Streaming Program:
www.unexplainedsoundsgroup.com (Sunday, 9,30 - 10.30 p.m. Italy)
extra.resonance.fm (Monday, 5.00 - 6.00 p.m. UK time).
www.ruc.pt (Sunday, 10.00 a.m. Portugal time).
www.kcsb.org/listen/ ( Monday, 8.00 p.m. Pacific Standard time zone).

The Recognition Test # 241

Unexplained Sounds - The Recognition Test # 241

THIS ACCOUNT HAS REACHED THE MAXIMUM AMOUNT TO FOLLOW.
Please Also Consider FOLLOWING My Other Accounts As Well.  Thank You
Various sound constructions varying in diversity from found sound sampling and orchestrated ambient sound textures to obscure vocal samples taken from film clips of antiquity. Various tonalities of vocals are also utilized to bring the bring the music to life creating a visual that in many respects reminds one of the old films of the forties & fifties with the news shorts appearing prior to the actual film. Almost a Twilight Zone affair mixing the past and present ideologies together to create a anthology of the ages via music. Who knows if that’s the intention of the artist but the imagery presented may be clear to you.

The music gives you the impression that you’re listening in on someone else’s conversation. The tenor of these conversations ranges from the mystic (“They Do A Lot Of Worshipping Around Here”) to the truly disturbing (“Uncle Went Tending and Never Returned”). Part of this sense of “audio voyeurism” stems from the fact that PressureWorks draws the sonic material from intercepted short wave radio broadcasts. Folks who get into radio-inspired electro-acoustic music (think Dan Lander, for example) may be entranced by this stuff. You may be impressed with it for several reasons, not the least of which is the superb audio quality of the recording . On a more artistic level, you are truly drawn in by the rich sense of storytelling. Each of the pieces carries you along effortlessly through a sort of abstract narration. Enthusiasts of inventive experimental music are encouraged to check these recordings out.

Assembling pieces from various recordings and turning the whole into new work. The approach is mostly ambient, favoring vocal samples as focus but remaining decidedly ephemeral. Just enough here to peak further interest.

Returning from Exile To Mother Russia

PressureWorks

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