aks9_B_Pattern

First out of two of Ly Sander's 'Landing' album samplers released on Special place, the package presents two tracks both serviced with a dedicated remix that offer a deep yet often unheard insight into what dance music can mean. 

Preoccupation about the impact of mankind on the planet is nothing new, as the radio excerpt at the basis of 'Marching to where' clearly exposes. Nevertheless, climate change or the war in Ukraine remind us cruelly how access to food at a reasonable price is currently at stake for parts of the world's population albeit our heavy colonization of the earth. Perspectives are rather gloomy and this track exposes just that, with a historical perspective. 

Jacques Bon was kind enough to take on remixing duties. He has released music on an array of high-rated record labels including Tim Sweeney's seminal imprint, Beats In Space, Mule Musiq, Giegling, Kann, Live At Robert Johnson and Smallville Records. Not just a solo flier, Jacques also co-produced choice deep-diving joints with the likes of Christopher Rau and Chicago House pioneers, Virgo Four. 

And if it's difficult to leave aside the seriousness of the topic of this track Jacques brought some hope and sweetness to his mix as well as his dreamy atmosphere. And with the increased bpm it's even dancefloor friendly, hurra!


https://soundcloud.com/jacquesbon
https://soundcloud.com/special-place-rec

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https://www.instagram.com/thelysander/


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PREMIERE: Ly Sander - Marching To Where (Jacques Bon Remix) [Special Place]

The Final Versions - Movements in an Empty Department Store (Remixes |||)

Clouds Floating in a Haze of Light (Hame Remix)

inspired by tracklist from my set at @funginetwork event

the network

I just released an EP that was sleeping in my computer for too long. 

Bandcamp

Pheek Spae (Original Mix)

Vinyl Only 12-2024 <3

Three tracks built for that moment when the lights drop and everything locks into place. Straight Lines, Grand Vinyl and Göbekli Tepe sit in that space between control and release — hypnotic, driving, and built to move a dancefloor without shouting for attention.

No concept, no grand message — just what was in my head when the machines were rolling. Head down, eyes closed, let it run.

Straight Lines (Original Mix)

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Release info.

Premiere: Thaddeus X - Beyond The Shadows (Nadja Lind Acid Remix) - Lucidflow

hot soup

The keeping of pets marks humans’ attempt at taking possession of a part of reality that is not at his disposal. Dressing a piece of the real that lives according to entirely non-human rules and which only in the saddest case does not resist the discipline of the human symbolic order vehemently and in a sustained matter, is a violent act of protection. Because in the non-place of the real, all that which we are helpless in the face of looms: the non-logical and the nameless, the violence and the noise, yet also the unrestrained and unfiltered desire.
The innocuous figure of the pet marks a gateway to an investigation of these eerie milieus, while electronic dance music lends itself to this investigation in an outstanding way. This constellation marks the subject of Column’s ‘Pets II.’ 

Column is the name of Cologne based renaissance man Jan Philipp Janzen, who, as chief emissary of Cologne’s pop internationalism, has been playing the field in various functions for Von Spar, Cologne Tapes, Urlaub in Polen, Owen Pallett, Scout Niblett or The Field, and who has also, in one way or another, been involved in most relevant records coming out of Cologne for the past number of years. After his
excellent solo debut ‘Pets I’ (Areal, 2016), Janzen presents another extraordinary record in ‘Pets II,’ perfectly complemented by another ghostly oil work of Burkhard Moennich on the cover.
Sonically, ‘Pets II’ marks a clear development for Column. In its exploration of the thresholds of the real, it sets two points of focus, corresponding with the split in sides A and B. Side A, on which Janzen teams up with long-time friend myr. (PNN), explores the uncanny as a fissure of the symbolic order, and the subsequent breaking in of the real. It opens with two peaktime rockets that have their wooden, nether-regional groove narrated by grim, down-pitched vocals. The ethereal remix by Leibniz (hundert) seems to be observing the situation from a hiding place, and is the side’s clandestine and no less dark closer. Side B, for which Janzen invited studiomate Marvin Horsch (Dorfjungs/Beats in Space) along, delivers two swaying synthesizer workouts, the second of which, “Molly and Swerve,” is directed firmly at the dancefloor again. What is at stake here is the transition between a free, undirected jouissance of the real and a more ordered becoming-lust. Here, as in
Map.ache’s (Kann/Giegling/Altin Village) remix which closes out ‘Pets II,’ it becomes clear what connections dance music can foster between a free, impersonal desire and the sphere of interpersonal wanting, but also the losses that are negotiated in it.

Above all, however, it becomes evident what a courageous daring project ‘Pets II’ is in all of its conceptual and aesthetic determination; with Von Spar’s standout ‘Garzweiler’ 12” (Altin Village & Mine, 2017), it documents a New Cologne Realism.

Pets II

Hostels (Map.ache Remix)

Column - Hostels (Map.ache Remix)- IRR017

Caldera

Sven Weisemann - Caldera [Mojuba 028] (Preview)

for requests|booking|loveletters 
philipp |at| stolarrecords . de

Founder of STÓLAR 
House and Dubtechno-ish Label

Clouds Floating in a Haze of Light (Hame Remix)

Philipp Priebe

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