Kevin Drumm Live at Artists Space

Mark Fell Live at Artists Space

CD + tour t-shirt now available for order at imprec.com 
 
Gezan were delivered to Important by Makoto Kawabata of the Acid Mothers Temple who claimed them to be the greatest live band he'd seen in a long time. Gezan comes with full praise from many in the Japanese underground who regard them as the best young band in Japan. Gezan is already quite popular in their home country and are on tour in America now. See them at South By Southwest on March 11th.

2/26 8PM

Grand Victory
245 Grand St, Brooklyn, NY 11211
https://www.facebook.com/events/232199753632845/

2/28
123 Louis , New Brunswick NJ @ Candy Barrel

3/1
@house venue
6pm start , Podrum Mahzeni 1613 , Bethlehem Pennsylvania

3/2
@Mojo Main
270 E Main Street Newark, DE

3/4
@Modern Cult Records
2001 Frankfort Ave, Louisville, KY 40206

3/5
@529
529 Flat Shoals Ave, Atlanta, GA

3/07
@ No Problemo
813 Purchase St New Bedford, NJ

3/08
@ The Parlour
North Main Street Providence, RI

3/12
@ Quantum Lounge (SXSW)
305 W. 5th St. Austin, TX
http://schedule.sxsw.com/2014/events/event_MS25620


Gezan - Full Claw Lunar Surface - IMPREC364 - March 2014

Mark Fell, "I Refuse to be Complicit in Your Pathology" (2014), 4-channel Sound Installation With Additive Sound Synthesis, Composite Kick Drum (TR 808+TR 707) And Found Vocals  at Southfirst Gallery

Artist: ANGUS MACLISE
Title: New York Electronic, 1965
Label: Sub Rosa
Release date: June 10, 2014

Sub Rosa presents another release as a part of their early electronic series. Drone-based experiments from Angus MacLise (notably with Tony Conrad extremely present on the album, and John Cale), and purely electronic compositions -- a path (almost) nobody knew MacLise had explored. Miraculously salvaged by Gerard Malanga, these archives provided a new perspective on the artist's whole body of work and considerably expanded his artistic palette. And so Sub Rosa is able to present a whole record's worth of MacLise's early electronic music. Angus MacLise, born March 4, 1938 in Bridgeport, Connecticut, was a percussionist, composer, poet, and calligrapher. He was a member of La Monte Young's Theater Of Eternal Music with John Cale, Tony Conrad, Marian Zazeela and sometimes Terry Riley. He contributed to the early Fluxus newspaper V Tre, edited by George Brecht and George Maciunas, and was also an early member of The Velvet Underground, having been brought into the group by flatmate John Cale when they were living at 56 Ludlow Street in Manhattan. MacLise played bongos and hand-drums during 1965 with the first incarnation of The Velvet Underground. Although the band regularly extemporized soundtracks to underground films during this era (The Invasion of Thunderbolt Pagoda by Ira Cohen, Chumlum by Ron Rice), MacLise never officially recorded with them. Later in the 1960s, Angus and his wife Hetty traveled around between Vancouver, Paris, Greece and India, finally settling in Nepal. They also had a son, Ossian Kennard MacLise, who was recognized by Rangjung Rigpe Dorje, the 16th Karmapa, as a reincarnation of a Tibetan saint, or tulku, and at age four became a Buddhist monk. MacLise died of hypoglycemia and pulmonary tuberculosis in Kathmandu in 1979, aged 41. He recorded a vast amount of music that went largely unreleased until 1999. These recordings, produced between the mid-'60s and the late-'70s, consist of tribal trance workouts, spoken-word, poetry, drones and electronics, as well as many collaborations with his wife Hetty. In 2008, Hetty MacLise bequeathed a collection of her husband's tapes to the Yale Collection of American Literature.

A1. Electronic Mix for "Expanded Cinema" (27:49)
B1. Tunnel Music #1 (2:51) 
B2. Tunnel Music #2 (4:49) 
B3. Tunnel Music #3 (3:09) 
B4. Trance #1 (5:23) 
B5. Two Speed Trance (5:07) 
B6. Four Speed Trance (3:19)

- Sub Rosa presents a collection of early drone-based experiments and electronic work by poet, composer, occultist, and percussionist Angus MacLise, produced between the mid-'60s and the late-'70s. 
- Previous member of La Monte Young's Theater Of Eternal Music and the original drummer of <B>The Velvet Underground</B>.
- Features prominent contributions from artists John Cale and Tony Conrad.
- Includes a historical text by poet/photographer Gerard Malanga and many unpublished photographs.
- Limited first edition of 500 copies pressed on solid silver vinyl.

Also available:
(SR 182CD) Angus MacLise: The Cloud Doctrine CD [EAN #5411867111825]


PREORDER

Angus MacLise: Tunnel Music #1 (from New York Electronic, 1965)

ARTIST: DESTROY ALL MONSTERS
TITLE: Hot Box 1974-1994
LABEL: MUNSTER RECORDS (SPAIN)
FORMAT: 2CD / 3LP BOX
CAT#: MR 348CD / MR 348LP
OUT NOW!

Destroy All Monsters are known by some for their role as a bastion of resistance of Detroit's rock; for being, during their second period, the band in which Ron Asheton would reappear. For others, they are a pivotal reference point in the copious but relatively unknown avant-garde underground from the same city, after Thurston Moore and Byron Coley dug up their first recordings in 1996 and the original line-up reunited. Destroy All Monsters comprises two complementary and interconnected poles throughout the saga of the Motor City's music scene, from the University of Michigan's Cooperative Studio for Electronic Music to The Stooges, through to the White Panther Party. In its two incarnations, the experimental -- led by Cary Loren, Jim Shaw and Mike Kelley -- and the high energy one -- with Asheton and Michael Davis from MC5, both featuring the phantasmagorical Niagara in the role of doped-up priestess, Destroy All Monsters are the object of one of the most devotional cults of America's cultural underground, as testified by their abundant artistic and record production. Hot Box 1974-1994 is the first anthology to bring together the best outcome of those two hemispheres, including much unreleased material. Includes a generously-illustrated booklet featuring photos and artwork never seen before. All tracks have been remastered from recently discovered tapes.

CD1:
01. Ripped
02. That's My Ideal
03. Children of the Night
04. From Edger Cayce
05. Confession? I Love You but You're Dead
06. I Want to Live
07. Silver Noise - Kill, Kill
08. The Queen
09. Take Me with You
10. Unplugged in San Diego
11. Paranoid of Blondes
12. Bored
13. You're Gonna Die
14. November 22, 1963
15. Meet the Creeper
16. What Do I Get?
17. Nobody Knows
18. Goin' to Lou's

CD2:
01. These Boots Are Made for Walkin'
02. Jesus Is a Shotgun
03. Anyone Can (Fuck Her)
04. Enough Is Enough
05. I Just Wanna Be Sleepy
06. Bored
07. Party Girl
08. Fast City
09. Go Away
10. Sweet Dreams
11. Little Boyfriend
12. The Right Stuff
13. Ground Zero

Disc 1
Early Warning: Side A
01. 	Intro (fragment)
02. 	That's My Ideal
03. 	Children of the Night
04. 	From the Edgar Cayce Foundation
05. 	Confession (fragment) - I Love You but You're Dead
06. 	I Want to Live
Early Warning: Side B
07. 	Magic Bag (fragment) - You Can't Kill Kill
08. 	The Queen
09. 	Take Me with You
10. 	Unplugged in San Diego (fragment)
11. 	Iron Man (rehearsal fragment) - Paranoid of Blondes

Disc 2
Studio-Singles: Side A
01. 	Bored
02. 	You're Gonna Die
03. 	November 22, 1963
04. 	Meet the Creeper
05. 	What Do I Get?
Studio-Singles: Side B
06. 	Nobody Knows
07. 	Goin' to Lou's
08. 	These Boots Are Made for Walkin'
09. 	Jesus is a Shotgun
10. 	Anyone Can (Fuck Her)

Disc 3
Live: Side A
01. 	Enough Is Enough
02. 	I Just Wanna Be Sleepy
03. 	Bored
04. 	Party Girl
05. 	Fast City
Live: Side B
06. 	Go Away
07. 	Sweet Dreams
08. 	Little Boyfriend
09. 	The Right Stuff
10. 	Ground Zero		

- An anthology which compiles, for the first time, both the experimental period and the high-energy years (with Ron Asheton and Michael Davis) of Destroy All Monsters. 
- Includes a generously-illustrated booklet featuring photos and artwork never seen before. 
- All tracks have been remastered from recently discovered tapes, including previously-unreleased material.


DESTROY ALL MONSTERS: Bored (Taken from Hot Box 1974-1994)

AA Bronson speaking on the history of Printed Matter, New York, at Artspeak, Vancouver, in 2008.

AA Bronson: A History of Printed Matter

"Quadrupel Konzert" was held on February 23, 1977 in the Musik Akademie Basel’s Great Hall. The concert, which ran for 1 hour and 26 minutes, featured Roth playing four instruments: a Hammond organ, the Great Hall’s house organ, a piano, and a French horn. The work is structured around four phases, each approximately 20 minutes in length, in which Roth plays the four instruments while occasionally singing and giving instructions to the sound engineer David Johnson. The first phase was recorded by Johnson and played back for the second phase, allowing Roth to play along, accompanying himself. These steps were repeated for phases three and four, the last of which was followed by a series of encore performances lasting a total of 1 hour and 5 minutes. Both the concert and the encore are included here as well as a 116 minute remix of the concert that Roth later produced but never released. 
For more information on Dieter Roth or Primary Information, please visit www.primaryinformation.org. These recordings were originally presented on 
blogs.fhnw.ch/dieterrothmusic/publikation/

Special thanks to Michel Roth and Meike Olbrich for their help in collecting these works and to the Dieter Roth Estate and Hauser & Wirth for allowing us to present them here.

© Dieter Roth Estate
Courtesy/Hauser & Wirth

Dieter Roth: Quadrupel Konzert (Four Feedback Phases)

produced by : @dronedisco
label : @primaryinformation
release date: 15 November 2017

https://bizaarbazaar.com/2017/11/22/premiere-c-spencer-yeh-track-v-from-the-rca-mark-ii/

C. Spencer Yeh - Track V from The RCA Mark II

Live set from the NYC PAN Records Festival. June 21st, 2013.

PANFestIssue June 2013

Primary Information is a non-profit organization founded in 2006 to publish artists’ books and artists’ writings. Our mission is to publish out-of-print books that remain vital to ongoing conversations around artistic practice and to publish contemporary books by emerging, mid-career, and established artists. All of our publications are distributed internationally and priced at cost so that they are affordable and accessible to the largest possible audience.

Dieter Roth: Quadrupel Konzert (Four Feedback Phases)

Primary Information

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