hold it there under wood 
you can even unhinge my jaw 
my face glows prolapsed grows 
into the shape of a prawn 
I bought him a nice box 
he just filled it with socks 
I'm filing for divorce 
balding man hairless stud 
flexed and tense erect the flag pumped out through its blood 
hot waste flows through tight holes 
drilled round the side of a knife plunged down mouth stuck in yawn hold it there under wood til it drowns

Filing For Divorce

Eric's Sounds 2.14

Drums Rattling In Car 2.19

Written (unless stated otherwise) and performed by Alex Brownstein-Carter and David Sigler
Additional guitars on #6 and additional samples by Eric Buller
Recorded at home from 2017-2020 by Alex Brownstein-Carter and David Sigler
Produced by Alex Brownstein-Carter
Mixed by Joe Ceponis at Artisound Productions
Mastered by Will Killingsworth at Dead Air

Alex Brownstein-Carter - vocals, guitar, bass, percussion, keyboard, samples, production
David Sigler - vocals, guitar, bass, keyboard
Eric Buller - guitar on #6, samples

Primpce live is: David Sigler, Alex Brownstein-Carter, Joe Ceponis, Eric Buller, David Sabludowsky

#1 is by Dirashe Tribe, from the album Staring Into the Sun: Ethiopian Tribal Music, © 2014 (Olivia Wyatt) Sublime Frequencies
#2, 5, and 7 created from looping song bank tunes on a 2002 DSI Toys Kawasaki Keyboard.
#3 samples a rhythm from a CASIO PT-80 Keyboard. The chorus is an interpretation of “Qa Choubi” by Mohammad al Madloul, from the album Choubi Choubi! : Folk and Pop Sounds from Iraq Volume 1, © 2015 Sublime Frequencies
#6 created from TRAIN sound on a CASIO SA-76
#8 samples YouTube video “CAVAD Recebov - Ritm (Sankt-Peterburq şəhərində toyda)” uploaded in 2014 by Yusif Limani.
#8 and #15 sample various YouTube videos of testimonials and exorcisms uploaded by Emmanuel TV, the television station of SCOAN (Synagogue Church of All Nations), a Christian megachurch located in Lagos, Nigeria and founded by televangelist TB Joshua.
#9 is created from the sound of cicadas recorded at Wisner Tract, City Park, New Orleans
#10 is created from samples of various toy commercials including “Magic Nursery Baby” (1990), “Barbie Glamour Bath & Shower” (1985), and “Baby Check-up” (1993).
#11 contains lyrics that are assembled from automated spam emails and samples the sound of the 2019 failed demolition of the Hard Rock Hotel in New Orleans.
#12 samples a conversation recorded at a thrift store in Chalmette, LA in 2017. #12 also features lyrics and rhythm taken from a passage from the novel The Bluest Eye by Toni Morrison © 1970.
#13 samples a rhythm from the song bank of The Beat, a drum pad kit for children and its lyrics are sourced from found Facebook posts from 2013.
#14 is an interpretation of “Gourmi Praise Song for the Sarki (Hausa)” by Moussa & Issa, from the album Folk Music of the Sahel Vol. 1: Niger © 2015 (Hisham Mayet) Sublime Frequencies.
#16 is created from samples of various toy commercials including “Magic Nursery First Surprise Baby” (1990), “Baby Alive Doll” (1990), and “Puppy Surprise” (1991).
#17 is created from the sound of a urinal flushing slowed down.
#18’s lyrics are sourced from dialogue from “The Librarian” and “Chacing Pavements”, both scripts written by Paul G. Chester Alcantara.

Primpce

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