So Destroyed

Taken from the album Forever Dolphin Love. Available now:

Mexican Summer: http://bit.ly/ConnFDL 
iTunes: http://smarturl.it/ConnanFDLiT
Amazon: http://amzn.to/1y8GS4n
Spotify: http://smarturl.it/FDLspfy

Connan Mockasin - Forever Dolphin Love

John Maus - No Title (Molly)

Au Pairs - It's Obvious

Single from upcoming debut self-titled album. Out November 1st on Captured Tracks.

Time Travel

Debut release from Brooklyn's Black Marble.

Black Marble is one of the latest and greatest additions to the Brooklyn synthwave lexicon.  Their stark, alienating textures cloister a vaguely hopeful intensity, like hearing a lone and distant rhythm echoing from the hull of a lost deep sea vessel.   Reminiscent of early DIY synth recordings that sought to pit emotional undercurrents against wan dystopian landscapes, one gets the sense that Black Marble is somehow trying to squeeze blood from monolithic concrete.  Clearly, these two take inspiration from a disparate group of past musicians who mixed punk ethics with cold electronics, as their ultra-private, handmade style recalls the isolated but uplifting feeling of early European minimal synth.  Triumphantly bleak with undeniably infectious tracks, Black Marble's debut EP Weight Against the Door arrives just in time for winter.



Weight Against the Door

Pretender

Black Marble - Pretender

'Some Like It Hot' is taken from the band's forthcoming debut LP 'First World Record', out October 6th on Upset The Rhythm.

Available to pre-order here: http://upsettherhythm.bigcartel.com/

First World Record

The World - 'Some Like It Hot'

Lead single from ShitKid's new EP "This Is It", the follow-up to the acclaimed debut LP "Fish". "This Is It" is due on January 19th, 2018 via PNKSLM Recordings on limited edition vinyl and digital. "Fish" available on vinyl, cd and digital. Order at www.PNKSLM.com/store

www.facebook.com/shitkidmusic
www.facebook.com/PNKSLM

ShitKid - "Favourite Thing"

'Bennington' is from John Maus' A Collection of Rarities and Previously Unreleased Material' out on CD, LP and digitally July 17th in North America and July 16th in the rest of the world. 

Find out more info on the release here: http://www.ribbonmusic.com/label/?p=313
Pre-order the Special Edition translucent pink vinyl limited to 500 copies here: http://bit.ly/mausraritieslp

TOUR DATES
07-12 New York, NY - Pier 84 * (River Rocks)
07-14 San Diego, CA - Casbah
07-21 Seattle, WA - Capitol Hill Block Party
08-09 Oslo, Norway  - Oya Festival
08-10 Gothenburg, Sweden - Way Out West Festival
08-14 London, UK - Scala
09-01 Los Angeles, CA - FYF Festival
09-03 San Francisco, CA - The Independent
09-06 Portland, OR - Doug Fir Lounge (MusicFest NW)

* w/ Dan Deacon

John Maus - Bennington (2007)

Psychic TV- Godstar

Dirty Beaches - 'Casino Lisboa'

“What the hell is that?” is a question pretty familiar to the controversial Brooklyn band Prince Rama. The answer is far from simple; sisters Taraka and Nimai Larson have lived in ashrams, worked for utopian architects, written manifestos, delivered lectures from pools of fake blood, conducted group exorcisms disguised as VHS workouts and have now finished inventing an apocalypse on which to base their new pseudo-compilation album, Top Ten Hits of the End of the World, comprised of ten singles “channeled” from fictional deceased pop bands. Their often unpredictable live shows incorporate elements of psychedelic ceremony, performance art, and dancefloor initiation rite, and when Animal Collective’s Avey Tare discovered them in a Texas dive bar in 2010, they were equipping the audience with handmade shoes clad with broken chimes. They signed to Paw Tracks shortly thereafter, and have since released Shadow Temple and Trust Now, which peaked at #3 and #6 on the Billboard New Age Charts respectively. In only four years, Prince Rama have released a prolific six albums and toured in four of the seven continents, recording with members of Animal Collective and Ariel Pink’s Haunted Graffiti. Their art has been exhibited internationally at the Whitney Museum of Art, Indianapolis Museum of Contemporary Art, and the MoMA PS 1 VW Dome, to name a few. Taraka recently published a manifesto on the “NOW AGE” that puts forth Prince Rama’s aesthetic and metaphysical philosophies, which has been met with both hatred and praise from art and music worlds alike. One thing is certain: whatever it is they are, Prince Rama are constantly breaking the mold of what is acceptable to forge a dizzying universe that is wholly their own.


So Destroyed

_PrinceRama_

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