Radiants

Ain't docile Automatons, Vol​.​2

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Copyright © 2024 Axel Gautier a.k.a. pert, Esq Pert or pertwillaby
Adaptations - EP

Adaptation #2 - Enjoindre (Allégorie relative à la venimosité de l'herbe) features samples from:
* (parodie) Raiponce en 3 minutes, by Lilou Gauthier - uploaded by Fâcheux Faucheux on YouTube (private video) [Spoken Words]
* Frans leren #Le verbe # enjoindre, by Frans Leren - uploaded by Frans Leren / Franse Les on YouTube [Spoken Words]
* Les fruits cuits, by Dranem, Roger Guttinguer & Paul Briollet on YouTube [Spoken Words]
* Regret / Marche nuptiale, by Antoine Bouscatel on YouTube [Spoken Words]
* Noël De Requista, by Chorale de la Solidarité Aveyronnaise [Vocals]
* Jibberish Jungle ~ The Darktoon Chase, by Christophe Héral & Billy Martin [Hook]
* Black Bag, by Carl Sherlock Holmes - uploaded by magrosi65 [Noise]
* Kashmere, by Kashmere Stage Band [Drums]
* Lost In The K-Hole, by The Chemical Brothers [Drums]
* Around the Fur, by Deftones [Drums]
* Zone Out (from Break Beats), by Myor [Drums] {Original Sample not found}
* Fresh 7 (from Break Beats), by Myor [Drums] {Original Sample not found}
* B-Boy 162 (from Jungle Warfare Vol. 1), by Zero-G [Drums] {Original Sample from Movement (feat. Sweet Pea), by S.L. Troopers}
* King Tubby Meets Rockers Uptown, by King Tubby [Drums]
* On a Roll (from Jungle Warfare Vol. 1), by Zero-G [Drums] {Original Sample not found}
* Amen, Brother, by The Winstons [Drums]

Adaptation #2 - Enjoindre (Allégorie relative à la venimosité de l'herbe)

MASSIVE THANKS TO BRYN OLDFIELD FOR SOME FUCKING COMPETENT GEETAR, SORRY IT DIDN'T SURVIVE ENTIRELY

noisy, goes nowhere thanks brian for gutar

Our next offering comes from the Highlands of Scotland as Beira presents her debut, “Scry”.

Beira is a producer from Inverness that draws influence from occultism, mythology, paganism and Wicca.

The blueprint and construction of this release is a little different than usual….

Beira came up with the idea for the “Scry” project whilst doing a deep dive through the Bricolage catalogue looking for inspiration.

Her idea was to take stems/samples from eight different producers on the label and rework them into and alongside some of her own 'WIP' productions that she had been struggling to find further motivation for.

Adding these extra potions to an already simmering cauldron of her own sounds and breathing new life into what she describes as a "dormant elixir".

The result is a fascinating collections of disintegrated and mercurial soundscapes that conjure up all manner of moods but also leave room for the imagination. Atmosphere and woven textures take precedence in the process.

The more ambient numbers that begin the EP bring a raw and abstract tension before the pace picks up and we're introduced to some dark and dubby, bass driven, rhythmic tracks. Hacked apart beats that get stitched back together and swirled around. The surreal and otherworldly tension remains in the second half but now with a late night fire burning and an invitation to dance around it.

There's a strong nod to feminism and Scottish mythology throughout that tells a tale of Witchcraft and days gone by. The perfect soundtrack for the Halloween season.

"Scry" melts, bubbles, froths and crackles. It's a beguiling record from a nascent producer that gives us a peek into the past and the present. Into the potential that's yet to come. Into the future. Into oneself. Thus, to scry.

https://bricolageglasgow.bandcamp.com/album/scry-bc088

Scry

Beira - Yggdrasil (from the "Scry" EP)

Spirit voices is my fifth release and the first one self-released on my own label ETRNL

it’s a landscape of ethereal, haunting melodies that embraces a mix of influences, from dark emotional industrial techno to dreamy shoegaze, crafted entirely with analog synthesizers

this ep explores the existential thirst for the divine and the mysterious

artificial light shines in the darkness of a deserted house, and the sound resonates through empty rooms from which the spirit has departed

written and produced by Lina Filipovich
mixed and mastered by Lina Filipovich and Leonid Diaghilev
artwork by Margot Anquez Bariseau

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