MOONWALKING is fire, i can get this song big for you Mathias Printzlau-Vã¥Martveit just look at my cover picture on here it shows how to reach me

Red Ballon #1

IG - iam_ladyheartattack

#electronic #Bjork 

Walls (INSTRUMENTAL)

(un)World Days

Lost Head

Thanks for jamming \m/

Lyrics:

I'm coming unbound and I'm falling out -
I'm gone so often.
I'm lost and enthralled. I'm afraid that I'll fall -
The hole I dig so often.

So happy, no frowns - my hairs falling out.
I'm here so often.
Screaming at the walls, I'm shocked the neighbors haven't called -
Like, fuck, it feels so often.

That wave goodbye - that kiss goodnight.
Cyclic in our way of life.
Grasped so tight, can't let it die.
Need to settle down, it's worth the fight.

I hoped that I'd find some peace of mind as I -
drive for miles.
Instead all I've found's that I'm chasing the ground - 
though, it's gorgeous out here. (It scorches out here...)

All happy, no frowns - it's all just in how I build my worldview.
So what respite comes to mind as the earth starts to die and we rejoice the view.

That wave goodbye - that kiss goodnight.
Cyclic in our way of life.
Grasped so tight, can't let it die.
Need to celebrate what passes by.

Settle down - it's worth the fight...
Need to celebrate what passes by...

All happy, no frowns from the earths falling out - we're here for just a moment.
So let go of the strife, it's not worth all your life - you're here for just a moment.

All happy, no frowns as the Earth's lying down - we had just that moment.

---

Oleka is the awareness of how few days are memorable.

Oleka

A Free to use beat made by Printz V 
(Remember that any use of my beats requires credit in the title    "(Prod. Printz V)"

MOONWALKING

This track was inspired by my ongoing journey to find myself. 'Free' embodies the vibes I wish to feel everyday of this beautiful life ✌🏼

Free

a perspective of the heartbreaker and the broken hearted.

she cries at night // heartbreak interlude

Celtic Blu

Musica Para Claudia

The Book of Goddesses
For Flute, Harp, Percussion, and Optional Choreography
Commissioned by MAYA with funding from the  New York State Council on the Arts
Duration: 36'

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1011

For more information: https://robertpaterson.com/the-book-of-goddesses

PROGRAM NOTES
My initial inspiration for The Book of Goddesses, and the source of the title, is the beautiful, lavishly illustrated book of the same name by Kris Waldherr, a Brooklyn based author, illustrator, designer and cellist. Waldherr’s book contains descriptions and images of hundreds of female deities from around the world, some featured more prominently than others. Rather than focus on goddesses in one particular culture, I highlight a few that seem to evoke something musical, dance-related or sensual. The cultures, countries and continents I draw on for musical material and styles are India, China, Greece, Ireland, North America, Nigeria and Cuba.

The flute and harp parts in each movement are often inspired by similar instruments found in each culture. For example, the harp part in Xi Wang Mu is inspired by the Konghou, and ancient Chinese harp, and the solo bass flute movement, Estanatlehi, is inspired by the sound of a Native American flute. Percussion instruments provide an earthiness, at least with regard to timbre, and each of the trio movements uses instruments that are not common in Western music, including an Indian Gatam, a Middle-Eastern Dumbek, an Afro-Cuban Cajón and the Udu drum, an instrument traditionally played by Nigerian women.

In order to achieve the right feel for each movement, I use non-Western scales, rhythms and other elements, and I occasionally appropriate patterns and other material from pre-existing music. My goal is to merge some of the qualities of traditional music with my own sensibility, and then filter it through flute, harp and percussion.

Many goddesses are associated with dance, certain colors or creativity in general, and with that in mind, I imagine The Book of Goddesses being performed live with choreographed dance. It may be presented in its entirety, although subsets—such as all of the movements for flute and harp—or single movements may also be extracted and performed.

The Book of Goddesses was commissioned by MAYA with funding provided by the New York State Council on The Arts.

The Book of Goddesses

The Book Of Goddesses - II. Xi Wang Mu

Relativity Elementary

https://youtu.be/LvW4cV-l8JI

as the blacks turn into grays 
I can barely hold on to my reflection now
the more I grip the more it slips away
and I can tell it's the fault in my intention now

can't glue back a leaf that's fallen
what silverfish is not used to crawling?

dreams of flying 
is how I lost my war chest
but I did one thing right 
and now I'm at your doorstep

I'm a weary traveler
put me up tonight
If I get too cynical
hold me up into your light

into your light

of all the summers by the noisy lake
what I'll remember is the freshness of every idea
but even paintings turn to grey
winter's here, winter's always been here

not blameless
not stainless
not faithful and yet
not faithless

dreams of flying
is how I lost my war chest
but I did one thing right 
and now I'm at your doorstep

I'm a weary traveler
put me up tonight
and if I get too cynical
hold me up into your light
into your light
into your light
into your light

Support Gom

Weary Traveler

Ain't there yet

Blue Collar

Here I Am - Kristopher Bolin & Combstead

New Prague

From third album - "TOO BLUE"
available where all digital music is sold

Too Blue

Gone Fishing

18 year old Producer from Norway 
Have had a break for a while, but I’ll start posting on Spotify🙌🏼
Hit me up if u want to use any of my beats;)

IMPORTANT:
Any use of my beats requires credit in the title    "(Prod. Printz V)"

I make all sorts of beats. If you want me to make a  custom beat for you, hit me up:) Have any dope loops or samples you want me to use? Send them to me!:)

👻Snapchat: Mathiasprintz 
📸Instagram: Mathias.printz

MOONWALKING

Printz V

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