Spotify:
https://open.spotify.com/album/49KGB5POilrAjBpq0hqHEL

Apple Music:
https://music.apple.com/us/album/neptune-ep/1766525589?at=1000lHKX&ct=odesli_http&itsct=odsl_m&itscg=30200&ls=1

Bandcamp (support/free download):
https://prodbykillerbee.bandcamp.com/album/neptune-ep

Everywhere else:
https://album.link/i/1766525589

Description:
For Kanon.

This album is the third in my Sailor series. Damn. It's been almost 10 years since I've started this journey. That's crazy. It's been a blur. I'm trying to be more present and be grateful for all the music I've made and the people it has connected me to. When Sony gave me a copyright strike which subsequently led to Spotify deplatforming the entirety of my 'Venus - EP' I've gotta admit it stung a little. It felt like they were trying to erase a part of my musical journey and by extension- me. But I'm trying not to be attached. Let the universe's will be done. I'm grateful for all of the opportunities it afforded me. I've only ever wanted my music to be there for someone going through hard times, joyful times, and everything in between. And I hope anyone who listens to it can appreciate the respect I approach sampling and how much I look up to all of the artists like Joe Hisaishi who inspire me daily. I'm also grateful it's still up (mostly) on Bandcamp and Soundcloud and I trust the universe will deliver it to the people who need it- one way or another. [cont'd in letter]

Letter+Booklet:
https://drive.google.com/file/d/1uIkQVhT0DyaxqKYFPMkao0k3z_sf-zGg/view?usp=sharing

Join the subreddit:
http://reddit.com/r/prodbykillerbee

Discord:
https://discord.gg/J7deGzp

Instagram:
https://instagram.com/prodbykillerbee

For more:
https://soundcloud.com/prodbykillerbee
https://twitter.com/prodbykillerbee
https://facebook.com/prodbykillerbee
https://prodbykillerbee.bandcamp.com/
https://www.prodbykillerbee.com

STREAM

VII. キラキラ

VI. chrysalis

V. Ritual

IV. fire stone

III. maybe i could be your servant in a past life, benihime

Spotify:
https://open.spotify.com/album/49KGB5POilrAjBpq0hqHEL

Apple Music:
https://music.apple.com/us/album/neptune-ep/1766525589?at=1000lHKX&ct=odesli_http&itsct=odsl_m&itscg=30200&ls=1

Bandcamp (support/free download):
https://prodbykillerbee.bandcamp.com/album/neptune-ep

Everywhere else:
https://album.link/i/1766525589

Description:
For Kanon.

This album is the third in my Sailor series. Damn. It's been almost 10 years since I've started this journey. That's crazy. It's been a blur. I'm trying to be more present and be grateful for all the music I've made and the people it has connected me to. When Sony gave me a copyright strike which subsequently led to Spotify deplatforming the entirety of my 'Venus - EP' I've gotta admit it stung a little. It felt like they were trying to erase a part of my musical journey and by extension- me. But I'm trying not to be attached. Let the universe's will be done. I'm grateful for all of the opportunities it afforded me. I've only ever wanted my music to be there for someone going through hard times, joyful times, and everything in between. And I hope anyone who listens to it can appreciate the respect I approach sampling and how much I look up to all of the artists like Joe Hisaishi who inspire me daily. I'm also grateful it's still up (mostly) on Bandcamp and Soundcloud and I trust the universe will deliver it to the people who need it- one way or another. [cont'd in letter]


Letter+Booklet:
https://drive.google.com/file/d/1uIkQVhT0DyaxqKYFPMkao0k3z_sf-zGg/view?usp=sharing

Join the subreddit:
http://reddit.com/r/prodbykillerbee

Discord:
https://discord.gg/J7deGzp

Instagram:
https://instagram.com/prodbykillerbee

For more:
https://soundcloud.com/prodbykillerbee
https://twitter.com/prodbykillerbee
https://facebook.com/prodbykillerbee
https://prodbykillerbee.bandcamp.com/
https://www.prodbykillerbee.com

II. a bright summer day [free hk]

Spotify:
https://open.spotify.com/track/2S5V68syuA8LZ1DCUuyCGz

Apple Music:
https://geo.music.apple.com/us/album/_/1769761836?i=1769761837&mt=1&app=music&ls=1&at=1000lHKX&ct=odesli_http&itscg=30200&itsct=odsl_m

Bandcamp (support/free download):
https://prodbykillerbee.bandcamp.com/track/in-ur-eyez

Everywhere else:
https://song.link/i/1769761837

For Kanon.

Lyrics:
You can have all that you want
Know I'm not the guy in your heart
He's everything I'm not
I'm running out of memories to write about
So I'll write about the things I see
When you were still around

Your eyes, your eyes, your hazel eyes
Your mouth, your ears, and your eyebrows
Your gaze that cuts like knives
Perceive me and I'll die
Your smile, your lips, your hoop earrings
Your laugh and those cheeks I miss
Your voice when you say my name
Can you feel the same?

Can you feel the same?
Your black hair
I still see your car everywhere
And it feels like you're still there..

Mixed, Mastered, and Produced by Killer Bee

Join the subreddit:
http://reddit.com/r/prodbykillerbee

Discord:
https://discord.gg/J7deGzp

Instagram:
https://instagram.com/prodbykillerbee

For more:
https://soundcloud.com/prodbykillerbee
https://twitter.com/prodbykillerbee
https://facebook.com/prodbykillerbee
https://prodbykillerbee.bandcamp.com/
https://www.prodbykillerbee.com

in ur eyez

Spotify:
https://open.spotify.com/track/3Qjoxr90niOFckCky3gOAQ

Apple Music:
https://geo.music.apple.com/us/album/_/1804275395?i=1804275396&mt=1&app=music&ls=1&at=1000lHKX&ct=odesli_http&itscg=30200&itsct=odsl_m

For Kanon

Lyrics:
Reject me!
Call me out! 
I want to know I’ve got no chance in hell
Break my heart!
I’m not around
Every moment I miss you look cute
Step on me, I’m a shadow to you

I’d follow you down the rabbit hole
Past the thrush in the woods let me know
And I’m a monster so smoke me out, turn my life right upside down

すずらん
I can learn so much from you
The gold in your eyes match the afternoon
And I still think of that month of June

So let’s talk about other things
Like why the sea is boiling 
I drink what you hand to me
A E I O U te quiero aquí
Cuando duermo y sueño de ti

Navidad, 花見
Losing to you on the Switch on a Sunday
My sweatshirt around your waist
Lunch at your parent’s place
And I listen to you as you talk about your sister
I know my art’s a blister to you

Break my heart!
I’m not around!
Every moment I miss you look cute
Step on me, I’m a shadow to you

Step on me…
I’m a shadow to you
And at this point…the ghost in my room..

----

Mixed, mastered and produced by Killer Bee

Bandcamp (support/free download): 
https://prodbykillerbee.bandcamp.com/track/white-rabbit

Everywhere else:
https://song.link/i/1804275396

Join the subreddit:
http://reddit.com/r/prodbykillerbee

Discord:
https://discord.gg/J7deGzp

Instagram:
https://instagram.com/prodbykillerbee

For more:
https://soundcloud.com/prodbykillerbee
https://twitter.com/prodbykillerbee
https://facebook.com/prodbykillerbee
https://prodbykillerbee.bandcamp.com/
https://www.prodbykillerbee.com

white rabbit

Spotify:
https://open.spotify.com/track/3ZnR51COx6WqTjweow2A6v

Apple Music:
https://geo.music.apple.com/us/album/_/1810616122?i=1810616123&mt=1&app=music&ls=1&at=1000lHKX&ct=odesli_http&itscg=30200&itsct=odsl_m

Bandcamp (support/free download): 
https://prodbykillerbee.bandcamp.com/track/uzumaki

Everywhere else:
https://song.link/us/i/1810616123

For Kanon

Lyrics:
I'm afraid of happiness 
'Cause I'm scared of the fall
But I want you to call..

On your IG creeping
See your face at night when I'm sleeping
When I hear your voice
Start to feel the sunlight creep in

And the city’s getting loud
City's running out
I see you run around

'Cause Kanon you want to see me spin
Your eyes that make me spin
The sunlight's coming in again

You make me spin around
You want me to fall down
And I can for you
Just tell me what you want me to do	

You want to spin me around
Kanon, let me out
Let me down…

I don't want you to be what I think you are
Can you break my heart?
Knew it from the start..

Yeah I'm losing it
Yeah I think I'm losing it
Yeah I think I’m used to it
They all think I’m choosing it
Oh I think I’m losing it
Yeah I think I’m cruising it
Oh I think I’m losing it
They all think I’m choosing it
[Indistinct]

mmhm..yeah I feel the sunlight creep in..
かのんさん君は僕の心だよ

--
Mixed, Mastered and Produced by Killer Bee

Join the subreddit:
http://reddit.com/r/prodbykillerbee

Discord: 
https://discord.gg/J7deGzp

Instagram:
https://instagram.com/prodbykillerbee

For more:
https://soundcloud.com/prodbykillerbee
https://twitter.com/prodbykillerbee
https://facebook.com/prodbykillerbee
https://prodbykillerbee.bandcamp.com/
https://www.prodbykillerbee.com

uzumaki

Follow @dreamentact

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1ghXgudbSVd2LZIYLGvwrhWOxA5tqDpBE?usp=drive_link

I named the genre Dream-Hop because I wanted to give it the dreamy feel of lo-fi with the hard drum patterns of hip-hop. Many things inspired the project: Anime (Sailor Moon, SAO), Japanese culture, Spirited Away, Nujabes, Maruchan ramen, sushi, Edinburgh, my muse Annasophia Robb, lofi producers (bsd.u, Entact, O K H O), vinyl records, and much more. I wanted to make a standalone dream-hop album that people can just relax or do homework to. The cover art is inspired by a cassette tape, and it features Venus from the Japanese anime Sailor Moon which I used to love as a kid.

Finally, I'd like to thank my fellow ODT collective mates Melrose and RSTY, as well as Bernard Willis and Entact for providing dope verses and remixes. Thanks to the whole ONEDAYTHOUGH family, to my family for always supporting me, and thank you to the fans for giving me a reason to do all this.

Information -
Limited to streaming and sharing. No outside commercial use. If remixed, please give credit i.e. (Prod. Kirā Hachi). For the licensing information, check the .pdf included in both bundles. Happy streaming!

FREE DOWNLOAD

Twilight.x (Entact Bootleg) [Bonus Track]

Follow @BernardWillis

BUY CASSETTE:
https://prodbykillerbee.bandcamp.com/album/venus-ep

SPOTIFY:
open.spotify.com/album/0YsuObPPJFmMScTr6UH6F0

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1ghXgudbSVd2LZIYLGvwrhWOxA5tqDpBE?usp=drive_link

I named the genre Dream-Hop because I wanted to give it the dreamy feel of lo-fi with the hard drum patterns of hip-hop. Many things inspired the project: Anime (Sailor Moon, SAO), Japanese culture, Spirited Away, Nujabes, Maruchan ramen, sushi, Edinburgh, my muse Annasophia Robb, lofi producers (bsd.u, Entact, O K H O), vinyl records, and much more. I wanted to make a standalone dream-hop album that people can just relax or do homework to. The cover art is inspired by a cassette tape, and it features Venus from the Japanese anime Sailor Moon which I used to love as a kid.

Finally, I'd like to thank my fellow ODT collective mates Melrose and RSTY, as well as Bernard Willis and Entact for providing dope verses and remixes. Thanks to the whole ONEDAYTHOUGH family, to my family for always supporting me, and thank you to the fans for giving me a reason to do all this.

Information -
Limited to streaming and sharing. No outside commercial use. If remixed, please give credit i.e. (Prod. Kirā Hachi). For the licensing information, check the .pdf included in both bundles. Happy streaming!

SPOTIFY

VII. Wave Emoji (ft. Bernard Willis)

BUY CASSETTE:
https://prodbykillerbee.bandcamp.com/album/venus-ep

SPOTIFY: 
open.spotify.com/album/0YsuObPPJFmMScTr6UH6F0

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1ghXgudbSVd2LZIYLGvwrhWOxA5tqDpBE?usp=drive_link


I named the genre Dream-Hop because I wanted to give it the dreamy feel of lo-fi with the hard drum patterns of hip-hop. Many things inspired the project: Anime (Sailor Moon, SAO), Japanese culture, Spirited Away, Nujabes, Maruchan ramen, sushi, Edinburgh, my muse Annasophia Robb, lofi producers (bsd.u, Entact, O K H O), vinyl records, and much more. I wanted to make a standalone dream-hop album that people can just relax or do homework to. The cover art is inspired by a cassette tape, and it features Venus from the Japanese anime Sailor Moon which I used to love as a kid.

Finally, I'd like to thank my fellow ODT collective mates Melrose and RSTY, as well as Bernard Willis and Entact for providing dope verses and remixes. Thanks to the whole ONEDAYTHOUGH family, to my family for always supporting me, and thank you to the fans for giving me a reason to do all this.

Information -
Limited to streaming and sharing. No outside commercial use. If remixed, please give credit i.e. (Prod. Kirā Hachi). For the licensing information, check the .pdf included in both bundles. Happy streaming!

VI. Twilight.x

BUY CASSETTE:
https://prodbykillerbee.bandcamp.com/album/venus-ep

SPOTIFY: 
open.spotify.com/album/0YsuObPPJFmMScTr6UH6F0

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1ghXgudbSVd2LZIYLGvwrhWOxA5tqDpBE?usp=drive_link

I named the genre Dream-Hop because I wanted to give it the dreamy feel of lo-fi with the hard drum patterns of hip-hop. Many things inspired the project: Anime (Sailor Moon, SAO), Japanese culture, Spirited Away, Nujabes, Maruchan ramen, sushi, Edinburgh, my muse Annasophia Robb, lofi producers (bsd.u, Entact, O K H O), vinyl records, and much more. I wanted to make a standalone dream-hop album that people can just relax or do homework to. The cover art is inspired by a cassette tape, and it features Venus from the Japanese anime Sailor Moon which I used to love as a kid.

Finally, I'd like to thank my fellow ODT collective mates Melrose and RSTY, as well as Bernard Willis and Entact for providing dope verses and remixes. Thanks to the whole ONEDAYTHOUGH family, to my family for always supporting me, and thank you to the fans for giving me a reason to do all this.

Information -
Limited to streaming and sharing. No outside commercial use. If remixed, please give credit i.e. (Prod. Kirā Hachi). For the licensing information, check the .pdf included in both bundles. Happy streaming!

V. Sleepwalking.

features @imnotmelrose

BUY CASSETTE:
https://prodbykillerbee.bandcamp.com/album/venus-ep

SPOTIFY: 
open.spotify.com/album/0YsuObPPJFmMScTr6UH6F0

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1ghXgudbSVd2LZIYLGvwrhWOxA5tqDpBE?usp=drive_link

I named the genre Dream-Hop because I wanted to give it the dreamy feel of lo-fi with the hard drum patterns of hip-hop. Many things inspired the project: Anime (Sailor Moon, SAO), Japanese culture, Spirited Away, Nujabes, Maruchan ramen, sushi, Edinburgh, my muse Annasophia Robb, lofi producers (bsd.u, Entact, O K H O), vinyl records, and much more. I wanted to make a standalone dream-hop album that people can just relax or do homework to. The cover art is inspired by a cassette tape, and it features Venus from the Japanese anime Sailor Moon which I used to love as a kid.

Finally, I'd like to thank my fellow ODT collective mates Melrose and RSTY, as well as Bernard Willis and Entact for providing dope verses and remixes. Thanks to the whole ONEDAYTHOUGH family, to my family for always supporting me, and thank you to the fans for giving me a reason to do all this.

Information -
Limited to streaming and sharing. No outside commercial use. If remixed, please give credit i.e. (Prod. Kirā Hachi). For the licensing information, check the .pdf included in both bundles. Happy streaming!

IV. Night (ft. Melrose)

BUY CASSETTE:
https://prodbykillerbee.bandcamp.com/album/venus-ep

SPOTIFY:
https://open.spotify.com/album/0YsuObPPJFmMScTr6UH6F0

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1ghXgudbSVd2LZIYLGvwrhWOxA5tqDpBE?usp=drive_link

I named the genre Dream-Hop because I wanted to give it the dreamy feel of lo-fi with the hard drum patterns of hip-hop. Many things inspired the project: Anime (Sailor Moon, SAO), Japanese culture, Spirited Away, Nujabes, Maruchan ramen, sushi, Edinburgh, my muse Annasophia Robb, lofi producers (bsd.u, Entact, O K H O), vinyl records, and much more. I wanted to make a standalone dream-hop album that people can just relax or do homework to. The cover art is inspired by a cassette tape, and it features Venus from the Japanese anime Sailor Moon which I used to love as a kid.

Finally, I'd like to thank my fellow ODT collective mates Melrose and RSTY, as well as Bernard Willis and Entact for providing dope verses and remixes. Thanks to the whole ONEDAYTHOUGH family, to my family for always supporting me, and thank you to the fans for giving me a reason to do all this.

Information -
Limited to streaming and sharing. No outside commercial use. If remixed, please give credit i.e. (Prod. Killer Bee). For the licensing information, check the .pdf included in both bundles. Happy streaming!

III. Fantasy

II. Lotus (Demo)

BUY CASSETTE:
https://prodbykillerbee.bandcamp.com/album/venus-ep

SPOTIFY STREAM: https://open.spotify.com/album/0YsuObPPJFmMScTr6UH6F0

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1ghXgudbSVd2LZIYLGvwrhWOxA5tqDpBE?usp=drive_link

I named the genre Dream-Hop because I wanted to give it the dreamy feel of lo-fi with the hard drum patterns of hip-hop. Many things inspired the project: Anime (Sailor Moon, SAO), Japanese culture, Spirited Away, Nujabes, Maruchan ramen, sushi, Edinburgh, my muse Annasophia Robb, lofi producers (bsd.u, Entact, O K H O), vinyl records, and much more. I wanted to make a standalone dream-hop album that people can just relax or do homework to. The cover art is inspired by a cassette tape, and it features Venus from the Japanese anime Sailor Moon which I used to love as a kid.

Finally, I'd like to thank my fellow ODT collective mates Melrose and RSTY, as well as Bernard Willis and Entact for providing dope verses and remixes. Thanks to the whole ONEDAYTHOUGH family, to my family for always supporting me, and thank you to the fans for giving me a reason to do all this.

Information -
Limited to streaming and sharing. No outside commercial use. If remixed, please give credit i.e. (Prod. Kirā Hachi). For the licensing information, check the .pdf included in both bundles. Happy streaming!

I. Intro

SPOTIFY:
https://open.spotify.com/album/6s2f2h3rk1knrsQlb3Fpbz

APPLE MUSIC
https://music.apple.com/gb/album/alone/1290623189

MERCH
https://prodbykillerbee.bandcamp.com/merch

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1DEHDSGr9GAe8FQLIIsyujDaHYAfKANPZ?usp=drive_link

Description -

This album means a lot to me. First full length solo instrumental/beat album. Damn. It's been in the making officially for 7 months, unofficially since I was 16.

I don't like to write sappy things but if Take Care-era Drake taught me anything, it's worth giving an album a backstory and thanking those who helped you make it.

I officially started this project in the summer before my senior year in college. A lot of shit was happening. The album is a culmination of how I felt at the time, or how I've felt for a while. I wanted to make an intimate album. I hope the tone and visual aesthetics of the project convey some of the raw emotion that went into making it. [..] There are no standards I have to live up to except for the ones that I create for myself.

For now, it's just me. And what I've felt these past few months: the fear of not getting a job, the guilt I feel for basically failing my parents after they paid for my education, the want to let go and just pursue music instead of getting a legitimate job in anything not music related. The fear of dying alone. The loneliness of not being loved by someone. The want to be liked by people.

And of course other things inspired this album: anime (Akame ga Kill, Deadman Wonderland, W Dimension), Japan, lofi hip hop (bsd.u, swum, lord apex), nujabes, knxwledge, J Dilla, Flying Lotus, Dev Hynes, The Life of Pablo by Kanye West, Rodeo by Travis Scott, 90's/2000's R&B (Joe, Donnell Jones, Floetry, Goapele), Motown (Brass Construction, The Manhattans), jazz (Robert Glasper, John Coltrane, Ramsey Lewis, Pharaoh Sanders), Janet Jackson, Ten City, Jodeci, Yuji Ohno, Ryuichi Sakamoto, Jean Luc Godard, Francois Truffaut, Suehiro Maruo, and hundreds of other things that have filtered their way into my music one way or the other. The album cover is a drawing by Suehiro Maruo that I edited, and thought it reflected the album nicely.

I don't know what the overall mood of the project is. [..] I want people to listen to it when they are happy, sad, in love, nostalgic, partying, skating, or anything in between. Music affects all of us differently and that's what I love about it. [..] This album was made to reflect how I feel. How I've felt since I broke up with my ex 4 years ago - alone. But also to connect to anyone who has ever felt alone too.

But I can't front. My family is incredibly supportive. The pressure of getting a real job sucks, but they love my music. My friends are also very supportive. And the fans I have are amazing. Slowly but surely, I'll affect everyone. I want to become the best.

I made the entirety of this album in my dorm room in college. I produced it, mixed it, created the visuals for my live shows, edited the artwork, sent it out to press etc. etc. Don't limit yourself. Pursue your passion, and learn everything you can about it. Don't wait for inspiration, search for it constantly. And to anyone feeling alone — just know that you're not. "Everybody is something to somebody" and if not, you're somebody to me.

Thank you to everyone who supports me and helped make this album, especially Tim Cross, Hassan El Hobo, Justah Phase, and Burger for providing dope verses. Shout out to bsd.u for including me in the first lofi.hiphop forum compilation, and finally, thank you if you're reading this letter. I hope you like it.

Notes/Sample
https://drive.google.com/file/d/1OOEIWGPBzkOU-xhPCVoWYffAEUuG6Cwo/view?usp=sharing

Letter
https://drive.google.com/file/d/10LwGpBU_eYk3-lbHOmmc4iVg2Lew5IV9/view?usp=sharing

[Full .pdf letter and .pdf of notes/samples in bundle]

Remastered by beauvallis

lost in parad[i]se

features the young wave @quicklyquickly

artwork by popsicleillusion.me/

..dont u?

kauai ~ Killer Bee x Quickly, Quickly

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1nWioKw85C7TU8co2nU7hO-0xc4jQVpUK?usp=drive_link

SPOTIFY:
https://open.spotify.com/album/2KWccGocOqplgYN4P650sa

FREE DOWNLOAD OR SUPPORT:
https://prodbykillerbee.bandcamp.com/album/otaku

BUY THE OFFICIAL DRUM KIT HERE:
https://sellfy.com/p/XdRm/

FOLLOW ME ON SPOTIFY http://spoti.fi/2hXQnT1  
FOLLOW ME ON SONGKICK http://bit.ly/2iuNeaj

About
I named the album 'Otaku' to poke fun at myself and my love for anime/Japan. It also falls in line with Lofi Hip Hop's obsession with the anime aesthetic. I always joke with my friends that I'm a step away from getting a body pillow. I also wanted to explore the stigma behind it and question its definition. I don't think people should judge each other so harshly.

The album is inspired by many things: Anime (Mob Psycho 100, Re:zero, Cowboy Bebop, Golden Time, Durarara!!, Seven Deadly Sins, Neon Genesis Evangelion), TV shows (Freaks & Geeks, Stranger Things), certain genres like future (Quickly, Quickly, Lido), lofi hiphop (Knxwledge, sleepy eyes, O.S.L., ohbliv, bsd.u, SwuM, wuntwo, mt. marcy, Josh Hey, Beat Haus, Paxico Records, Stones Throw, dil withers, a.bee,), Funk/soul (Sade, Milton Wright, George Duke, Prince Phillip Mitchell), Jazz (John Klemmer, Shigeo Sekito, Larry Willis, John Coltrane), 80s/90s rap (Eazy E, Ice Cube, Queen Latifah, AZ, De La Soul), 80s acid house (Phil Fearon & the Galaxy), and 90s/2000s R&B (Xscape, Musiq Soulchild, Lalah Hathaway, Alicia Keys, Silk).

Certain rappers (Kendrick Lamar, Drake, Kanye West, Earl Sweatshirt, Max B, Skepta/BBK, Lord Apex), certain albums (Blonde by Frank Ocean, Freetown Sound by Blood Orange, JEFFERY by No My Name Is Jeffery, P3 by PARTYNEXTDOOR), food channels and respective foodies/chefs (Munchies, Matty Matheson, Eddie Huang, Sean Evans, First We Feast's Hot Ones, Gordon Ramsay, Morimoto's 'Momosan' on Lex), and other things like Akai, reel to reel machines (Akai 1720w), cassette culture, Roy Woods, Rihanna, Rick Rubin, Sven Libaek, Zen Buddhism, and a lot of other things that inspired me in one way or another. The album art is done by zomkashwak (instagram.com/zomkashwak) and is inspired by a past muse..


I took the summer off to study beatmaking and this is the culmination of that effort. I would watch videos for seven hours a day every day of the week. I probably watched upwards of 300 hours of video tutorials from legends like Matt Weiss and Echo Soundworks. I also read the Art of Mixing by David Gibson. I dedicate this album to my family who continues to support and love me unconditionally — more than I deserve. Thanks to everyone who helped make this album, especially dylAn for getting the interlude in on time and ISBA for providing dope background vocals. Big thanks to Jux Chemist for the art direction/helping me find the aesthetic of the album. Thanks to the Grifo Tapes family for putting me on, sponsoring my broke ass, and for being patient with me haha. Thanks to Inner Ocean Records for pressing the tapes and big up to zomkashwak for providing the trill album art. Finally, thank you to the fans. You guys telling me you vibe with my songs is the reason I do this <3

Love —

Bee

FREE DL

racks (demo) [Bonus Track]

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1nWioKw85C7TU8co2nU7hO-0xc4jQVpUK?usp=drive_link

SPOTIFY:
https://open.spotify.com/album/2KWccGocOqplgYN4P650sa

APPLE MUSIC:
https://geo.itunes.apple.com/us/album/otaku/id1190643140?mt=1&app=music

FREE DOWNLOAD OR SUPPORT:
https://prodbykillerbee.bandcamp.com/album/otaku

BUY THE OFFICIAL DRUM KIT HERE:
https://sellfy.com/p/XdRm/

FOLLOW ME ON SPOTIFY http://spoti.fi/2hXQnT1  
FOLLOW ME ON SONGKICK http://bit.ly/2iuNeaj

Released by @grifotapes. Art by zomkashwak (instagram.com/zomkashwak/)

About
I named the album 'Otaku' to poke fun at myself and my love for anime/Japan. It also falls in line with Lofi Hip Hop's obsession with the anime aesthetic. I always joke with my friends that I'm a step away from getting a body pillow. I also wanted to explore the stigma behind it and question its definition. I don't think people should judge each other so harshly.

The album is inspired by many things: Anime (Mob Psycho 100, Re:zero, Cowboy Bebop, Golden Time, Durarara!!, Seven Deadly Sins, Neon Genesis Evangelion), TV shows (Freaks & Geeks, Stranger Things), certain genres like future (Quickly, Quickly, Lido), lofi hiphop (Knxwledge, sleepy eyes, O.S.L., ohbliv, bsd.u, SwuM, wuntwo, mt. marcy, Josh Hey, Beat Haus, Paxico Records, Stones Throw, dil withers, a.bee,), Funk/soul (Sade, Milton Wright, George Duke, Prince Phillip Mitchell), Jazz (John Klemmer, Shigeo Sekito, Larry Willis, John Coltrane), 80s/90s rap (Eazy E, Ice Cube, Queen Latifah, AZ, De La Soul), 80s acid house (Phil Fearon & the Galaxy), and 90s/2000s R&B (Xscape, Musiq Soulchild, Lalah Hathaway, Alicia Keys, Silk).

Certain rappers (Kendrick Lamar, Drake, Kanye West, Earl Sweatshirt, Max B, Skepta/BBK, Lord Apex), certain albums (Blonde by Frank Ocean, Freetown Sound by Blood Orange, JEFFERY by No My Name Is Jeffery, P3 by PARTYNEXTDOOR), food channels and respective foodies/chefs (Munchies, Matty Matheson, Eddie Huang, Sean Evans, First We Feast's Hot Ones, Gordon Ramsay, Morimoto's 'Momosan' on Lex), and other things like Akai, reel to reel machines (Akai 1720w), cassette culture, Roy Woods, Rihanna, Rick Rubin, Sven Libaek, Zen Buddhism, and a lot of other things that inspired me in one way or another. The album art is done by zomkashwak (instagram.com/zomkashwak) and is inspired by a past muse..


I took the summer off to study beatmaking and this is the culmination of that effort. I would watch videos for seven hours a day every day of the week. I probably watched upwards of 300 hours of video tutorials from legends like Matt Weiss and Echo Soundworks. I also read the Art of Mixing by David Gibson. I dedicate this album to my family who continues to support and love me unconditionally — more than I deserve. Thanks to everyone who helped make this album, especially dylAn for getting the interlude in on time and ISBA for providing dope background vocals. Big thanks to Jux Chemist for the art direction/helping me find the aesthetic of the album. Thanks to the Grifo Tapes family for putting me on, sponsoring my broke ass, and for being patient with me haha. Thanks to Inner Ocean Records for pressing the tapes and big up to zomkashwak for providing the trill album art. Finally, thank you to the fans. You guys telling me you vibe with my songs is the reason I do this <3

Love —

Bee

swim

STREAM (Spotify, Apple Music, etc.):
https://album.link/us/i/1190643140

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1nWioKw85C7TU8co2nU7hO-0xc4jQVpUK?usp=drive_link

SPOTIFY:
https://open.spotify.com/album/2KWccGocOqplgYN4P650sa

APPLE MUSIC:
https://geo.itunes.apple.com/us/album/otaku/id1190643140?mt=1&app=music

BUY THE OFFICIAL DRUM KIT HERE:
https://sellfy.com/p/XdRm/

FOLLOW ME ON SPOTIFY http://spoti.fi/2hXQnT1  
FOLLOW ME ON SONGKICK http://bit.ly/2iuNeaj

Released by @grifotapes. Art by zomkashwak (instagram.com/zomkashwak/)

About
I named the album 'Otaku' to poke fun at myself and my love for anime/Japan. It also falls in line with Lofi Hip Hop's obsession with the anime aesthetic. I always joke with my friends that I'm a step away from getting a body pillow. I also wanted to explore the stigma behind it and question its definition. I don't think people should judge each other so harshly.

The album is inspired by many things: Anime (Mob Psycho 100, Re:zero, Cowboy Bebop, Golden Time, Durarara!!, Seven Deadly Sins, Neon Genesis Evangelion), TV shows (Freaks & Geeks, Stranger Things), certain genres like future (Quickly, Quickly, Lido), lofi hiphop (Knxwledge, sleepy eyes, O.S.L., ohbliv, bsd.u, SwuM, wuntwo, mt. marcy, Josh Hey, Beat Haus, Paxico Records, Stones Throw, dil withers, a.bee,), Funk/soul (Sade, Milton Wright, George Duke, Prince Phillip Mitchell), Jazz (John Klemmer, Shigeo Sekito, Larry Willis, John Coltrane), 80s/90s rap (Eazy E, Ice Cube, Queen Latifah, AZ, De La Soul), 80s acid house (Phil Fearon & the Galaxy), and 90s/2000s R&B (Xscape, Musiq Soulchild, Lalah Hathaway, Alicia Keys, Silk).

Certain rappers (Kendrick Lamar, Drake, Kanye West, Earl Sweatshirt, Max B, Skepta/BBK, Lord Apex), certain albums (Blonde by Frank Ocean, Freetown Sound by Blood Orange, JEFFERY by No My Name Is Jeffery, P3 by PARTYNEXTDOOR), food channels and respective foodies/chefs (Munchies, Matty Matheson, Eddie Huang, Sean Evans, First We Feast's Hot Ones, Gordon Ramsay, Morimoto's 'Momosan' on Lex), and other things like Akai, reel to reel machines (Akai 1720w), cassette culture, Roy Woods, Rihanna, Rick Rubin, Sven Libaek, Zen Buddhism, and a lot of other things that inspired me in one way or another. The album art is done by zomkashwak (instagram.com/zomkashwak) and is inspired by a past muse..


I took the summer off to study beatmaking and this is the culmination of that effort. I would watch videos for seven hours a day every day of the week. I probably watched upwards of 300 hours of video tutorials from legends like Matt Weiss and Echo Soundworks. I also read the Art of Mixing by David Gibson. I dedicate this album to my family who continues to support and love me unconditionally — more than I deserve. Thanks to everyone who helped make this album, especially dylAn for getting the interlude in on time and ISBA for providing dope background vocals. Big thanks to Jux Chemist for the art direction/helping me find the aesthetic of the album. Thanks to the Grifo Tapes family for putting me on, sponsoring my broke ass, and for being patient with me haha. Thanks to Inner Ocean Records for pressing the tapes and big up to zomkashwak for providing the trill album art. Finally, thank you to the fans. You guys telling me you vibe with my songs is the reason I do this <3

Love —

Bee

STREAM (Spotify, Apple Music, etc.):
https://album.link/us/i/1190643140

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1nWioKw85C7TU8co2nU7hO-0xc4jQVpUK?usp=drive_link

Cassette:
https://prodbykillerbee.bandcamp.com/album/otaku

SPOTIFY:
https://open.spotify.com/album/2KWccGocOqplgYN4P650sa

APPLE MUSIC:
https://geo.itunes.apple.com/us/album/otaku/id1190643140?mt=1&app=music

BUY THE OFFICIAL DRUM KIT HERE:
https://sellfy.com/p/XdRm/

FOLLOW ME ON SPOTIFY http://spoti.fi/2hXQnT1  
FOLLOW ME ON SONGKICK http://bit.ly/2iuNeaj

Released by @grifotapes. Art by zomkashwak (instagram.com/zomkashwak/)

About
I named the album 'Otaku' to poke fun at myself and my love for anime/Japan. It also falls in line with Lofi Hip Hop's obsession with the anime aesthetic. I always joke with my friends that I'm a step away from getting a body pillow. I also wanted to explore the stigma behind it and question its definition. I don't think people should judge each other so harshly.

The album is inspired by many things: Anime (Mob Psycho 100, Re:zero, Cowboy Bebop, Golden Time, Durarara!!, Seven Deadly Sins, Neon Genesis Evangelion), TV shows (Freaks & Geeks, Stranger Things), certain genres like future (Quickly, Quickly, Lido), lofi hiphop (Knxwledge, sleepy eyes, O.S.L., ohbliv, bsd.u, SwuM, wuntwo, mt. marcy, Josh Hey, Beat Haus, Paxico Records, Stones Throw, dil withers, a.bee,), Funk/soul (Sade, Milton Wright, George Duke, Prince Phillip Mitchell), Jazz (John Klemmer, Shigeo Sekito, Larry Willis, John Coltrane), 80s/90s rap (Eazy E, Ice Cube, Queen Latifah, AZ, De La Soul), 80s acid house (Phil Fearon & the Galaxy), and 90s/2000s R&B (Xscape, Musiq Soulchild, Lalah Hathaway, Alicia Keys, Silk).

Certain rappers (Kendrick Lamar, Drake, Kanye West, Earl Sweatshirt, Max B, Skepta/BBK, Lord Apex), certain albums (Blonde by Frank Ocean, Freetown Sound by Blood Orange, JEFFERY by No My Name Is Jeffery, P3 by PARTYNEXTDOOR), food channels and respective foodies/chefs (Munchies, Matty Matheson, Eddie Huang, Sean Evans, First We Feast's Hot Ones, Gordon Ramsay, Morimoto's 'Momosan' on Lex), and other things like Akai, reel to reel machines (Akai 1720w), cassette culture, Roy Woods, Rihanna, Rick Rubin, Sven Libaek, Zen Buddhism, and a lot of other things that inspired me in one way or another. The album art is done by zomkashwak (instagram.com/zomkashwak) and is inspired by a past muse..


I took the summer off to study beatmaking and this is the culmination of that effort. I would watch videos for seven hours a day every day of the week. I probably watched upwards of 300 hours of video tutorials from legends like Matt Weiss and Echo Soundworks. I also read the Art of Mixing by David Gibson. I dedicate this album to my family who continues to support and love me unconditionally — more than I deserve. Thanks to everyone who helped make this album, especially dylAn for getting the interlude in on time and ISBA for providing dope background vocals. Big thanks to Jux Chemist for the art direction/helping me find the aesthetic of the album. Thanks to the Grifo Tapes family for putting me on, sponsoring my broke ass, and for being patient with me haha. Thanks to Inner Ocean Records for pressing the tapes and big up to zomkashwak for providing the trill album art. Finally, thank you to the fans. You guys telling me you vibe with my songs is the reason I do this <3

Love —

Bee

luvsick (intro)

follow @yungburger

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1Zszc7HgiEyO9oGorZjTT4wP3MIyiNCFB?usp=drive_link

MERCH
https://prodbykillerbee.bandcamp.com/album/lnr-02

SPOTIFY
https://open.spotify.com/album/7mj6WvRGbYipw3cJ6dDZhS

APPLE MUSIC
https://music.apple.com/nz/album/lnr-02/1266337846

LNR_[02] is the second installment in my "Late Night Ramen" beat tape series. The title is a nod to bsd.u's 'Late Night Bumps' series. The second installment consists of random loosies that didn't make it to my next album 'DESIRE'as I strive for perfection with each release. So hopefully it doesn't sound messy, but instead provides another insight into my music-making process. And personally I think it's cool to hear how an artists' demos develop, where they re-use certain music elements etc. etc.

I figured some people might enjoy listening to these demos but this isn't an official album or anything. Just a random beat tape that people can hopefully vibe to. Which is why I probably won't draw up a .txt file with all the sample information, inspirations, etc. like I usually do with my other albums or serious projects since the majority of the tracks were made in the 'DESIRE' time frame and thus more context will be provided later on. But who knows, if I get enough requests maybe I will. Since it's all for u.

Love —

Bee

tomoyo (feat. Burger)

SPOTIFY:
https://open.spotify.com/album/6s2f2h3rk1knrsQlb3Fpbz

APPLE MUSIC
https://music.apple.com/gb/album/alone/1290623189

MERCH
https://prodbykillerbee.bandcamp.com/merch

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1DEHDSGr9GAe8FQLIIsyujDaHYAfKANPZ?usp=drive_link

Description -

This album means a lot to me. First full length solo instrumental/beat album. Damn. It's been in the making officially for 7 months, unofficially since I was 16.

I don't like to write sappy things but if Take Care-era Drake taught me anything, it's worth giving an album a backstory and thanking those who helped you make it.

I officially started this project in the summer before my senior year in college. A lot of shit was happening. The album is a culmination of how I felt at the time, or how I've felt for a while. I wanted to make an intimate album. I hope the tone and visual aesthetics of the project convey some of the raw emotion that went into making it. [..] There are no standards I have to live up to except for the ones that I create for myself.

For now, it's just me. And what I've felt these past few months: the fear of not getting a job, the guilt I feel for basically failing my parents after they paid for my education, the want to let go and just pursue music instead of getting a legitimate job in anything not music related. The fear of dying alone. The loneliness of not being loved by someone. The want to be liked by people.

And of course other things inspired this album: anime (Akame ga Kill, Deadman Wonderland, W Dimension), Japan, lofi hip hop (bsd.u, swum, lord apex), nujabes, knxwledge, J Dilla, Flying Lotus, Dev Hynes, The Life of Pablo by Kanye West, Rodeo by Travis Scott, 90's/2000's R&B (Joe, Donnell Jones, Floetry, Goapele), Motown (Brass Construction, The Manhattans), jazz (Robert Glasper, John Coltrane, Ramsey Lewis, Pharaoh Sanders), Janet Jackson, Ten City, Jodeci, Yuji Ohno, Ryuichi Sakamoto, Jean Luc Godard, Francois Truffaut, Suehiro Maruo, and hundreds of other things that have filtered their way into my music one way or the other. The album cover is a drawing by Suehiro Maruo that I edited, and thought it reflected the album nicely.

I don't know what the overall mood of the project is. [..] I want people to listen to it when they are happy, sad, in love, nostalgic, partying, skating, or anything in between. Music affects all of us differently and that's what I love about it. [..] This album was made to reflect how I feel. How I've felt since I broke up with my ex 4 years ago - alone. But also to connect to anyone who has ever felt alone too.

But I can't front. My family is incredibly supportive. The pressure of getting a real job sucks, but they love my music. My friends are also very supportive. And the fans I have are amazing. Slowly but surely, I'll affect everyone. I want to become the best.

I made the entirety of this album in my dorm room in college. I produced it, mixed it, created the visuals for my live shows, edited the artwork, sent it out to press etc. etc. Don't limit yourself. Pursue your passion, and learn everything you can about it. Don't wait for inspiration, search for it constantly. And to anyone feeling alone — just know that you're not. "Everybody is something to somebody" and if not, you're somebody to me.

Thank you to everyone who supports me and helped make this album, especially Tim Cross, Hassan El Hobo, Justah Phase, and Burger for providing dope verses. Shout out to bsd.u for including me in the first lofi.hiphop forum compilation, and finally, thank you if you're reading this letter. I hope you like it.

Notes/Sample
https://drive.google.com/file/d/1OOEIWGPBzkOU-xhPCVoWYffAEUuG6Cwo/view?usp=sharing

Letter
https://drive.google.com/file/d/10LwGpBU_eYk3-lbHOmmc4iVg2Lew5IV9/view?usp=sharing

[Full .pdf letter and .pdf of notes/samples in bundle]
Remastered by beauvallis.

about U

BUY CASSETTE OR FREE DL:
https://prodbykillerbee.bandcamp.com/album/venus-ep

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1ghXgudbSVd2LZIYLGvwrhWOxA5tqDpBE?usp=drive_link

Old demo that was made within the Venus EP timeframe. I wanted to upload it as a bonus track for the cassette pre order.

Venus EP

BUY CASSETTE

VIII. Go (Secret Demo)

SPOTIFY
https://open.spotify.com/album/4nzfvHnnGMZ1GZn9zhioo6

FREE DOWNLOAD
https://drive.google.com/drive/folders/1ocUz7NrEOtwGlMwsxdrJAPMHpjwFRM81?usp=drive_link

'DESPAIR' is the first part of my DEVOTION trilogy. It's kind of like the B-Side to 'DESIRE'. The third part, 'DESTINY,' will be released far into the future, with 'DESIRE' releasing hopefully by 2018. I want to make it perfect for you guys and that takes time (at least with me lmao). I'm constantly trying to push the boundaries of my sound and experiment with genres, thus it has been taking me a while to deliver something cohesive. The photo was taken and edited by Isabella Barrionuevo (@belnuevo).

I had a full album this past Summer '17, but I trashed half of it. The other half ended up on LNR_[02] (4reel, Tomoyo, Juicyfruit, remember_) because I felt like I could do better. There's also the pressure of following up on 'Otaku', as well as the potential 'Sophomore Slump' pitfall. Hopefully I don't allow my creative ambition to crush me, but I believe with time I will be able to find balance between expectations and my own DESIRE. For now, this album is called 'DESPAIR' because that's what I've felt since 'Otaku' dropped. A lot has happened. My grandfather died and I ruined the first good thing I've had since my ex.

So I apologize for the delay and the lack of new songs, I just wanted to compile the loosies I had on Soundcloud and put them up on Spotify since people were asking and stuff. I've also been in a creative rut, stuck between a rock and a hard place with my own expectations, progression, and my DESIRE to make the best/most interesting music I possibly can. Not wanting to be stuck in the box that is the lofi genre, this EP is just a reflection of these feelings and I will speak more of it in the letter I will include in DESIRE. After that, I actually plan to make a lofi follow up to 'Venus' entitled 'Saturn EP' because I want to. And I think that is really important with avoiding being boxed in musically - making the music that YOU want to make. I was talking to my friend Scott who runs lo-fidelity in NZ and I mentioned to him how I want to make a Jazz album, a video game soundtrack/concept album, and an orchestral album. I don't expect all of my fans to f*** with all of my work, but hopefully they can recognize the vision across all of it and know that it is the music that I truly want to make. It's just going to take some time for me to master 90s Acid House lmao. Anyway, I think that's how artists can stay unique and that's what I've always tried to do.

Love - 

Bee

my dream girl a goth like Hotaru 🌙

SPOTIFY
https://open.spotify.com/album/4nzfvHnnGMZ1GZn9zhioo6

FREE DOWNLOAD
https://drive.google.com/drive/folders/1ocUz7NrEOtwGlMwsxdrJAPMHpjwFRM81?usp=drive_link

'DESPAIR' is the first part of my DESIRE trilogy. It's kind of like the B-Side to 'DESIRE'. The third part, 'DESTINY,' will be released far into the future, with 'DESIRE' releasing hopefully by 2018. I want to make it perfect for you guys and that takes time (at least with me lmao). I'm constantly trying to push the boundaries of my sound and experiment with genres, thus it has been taking me a while to deliver something cohesive. The photo was taken and edited by Isabella Barrionuevo (@belnuevo).

I had a full album this past Summer '17, but I trashed half of it. The other half ended up on LNR_[02] (4reel, Tomoyo, Juicyfruit, remember_) because I felt like I could do better. There's also the pressure of following up on 'Otaku', as well as the potential 'Sophomore Slump' pitfall. Hopefully I don't allow my creative ambition to crush me, but I believe with time I will be able to find balance between expectations and my own DESIRE. For now, this album is called 'DESPAIR' because that's what I've felt since 'Otaku' dropped. A lot has happened. My grandfather died and I ruined the first good thing I've had since my ex.

So I apologize for the delay and the lack of new songs, I just wanted to compile the loosies I had on Soundcloud and put them up on Spotify since people were asking and stuff. I've also been in a creative rut, stuck between a rock and a hard place with my own expectations, progression, and my DESIRE to make the best/most interesting music I possibly can. Not wanting to be stuck in the box that is the lofi genre, this EP is just a reflection of these feelings and I will speak more of it in the letter I will include in DESIRE. After that, I actually plan to make a lofi follow up to 'Venus' entitled 'Saturn EP' because I want to. And I think that is really important with avoiding being boxed in musically - making the music that YOU want to make. I was talking to my friend Scott who runs lo-fidelity in NZ and I mentioned to him how I want to make a Jazz album, a video game soundtrack/concept album, and an orchestral album. I don't expect all of my fans to f*** with all of my work, but hopefully they can recognize the vision across all of it and know that it is the music that I truly want to make. It's just going to take some time for me to master 90s Acid House lmao. Anyway, I think that's how artists can stay unique and that's what I've always tried to do.

Love - 

Bee

holy ghost luv

SPOTIFY:
https://open.spotify.com/album/5NjewD3frYMyvyqzBTrL6Y?si=qrVew0dvQ_6yXjM0XoaTqw

FREE DOWNLOAD:
https://drive.google.com/drive/folders/1jtLJHu4DMQ-hUUTHm2KPMrtZ0GkXTamV?usp=drive_link

APPLE MUSIC/EVERYWHERE:
https://album.link/us/i/1440604087

BUY CASSETTE/FREE DL:
https://prodbykillerbee.bandcamp.com/album/lnr-03

Liner notes:
https://drive.google.com/file/d/1fmcSdjed75Sn5oXIzqXkfY1uUsoK9PP0/view?usp=sharing

About
LNR_[03] is the third installment in my "Late Night Ramen" beat tape series. The title is a nod to bsd.u's 'Late Night Bumps' series. This album means a lot to me because it is dedicated to my grandfather Jorge who passed away last November. It's been almost a year now and I wanted to release it on the day he died - 11/7. The number seven has always been important to me because I'm actually the 7th. I wanted to release the album on the day he died so he could be reincarnated in a sense as something eternal - music. If I make a classic, he'll live in our memories forever since he's on the cover of the album. So I decided to make this a full fledged album unlike the other LNRs by drawing up liner notes and sample information because I wanted to do something special in his memory, as well as the significance that the number 3 has in my life. 

After he passed, I became fascinated with the impermanence of being. I researched things like destiny and astrology, tarot cards, and numerology. I re-read "The Unbearable Lightness of Being" by Kundera. I tried to investigate the meaning of death in different contexts, including Zen Buddhism, and find a way to incorporate it into the music. I ended up typing in my information online and found out that my life path number is 3, and the number has become very important to me as of late. I also found out that my zodiac sign Scorpio is affiliated with the death card in a tarot deck. I'm still trying to find out what this all means, if it even means anything.

And of course this album was inspired by a ton of other things: Anime (Darling in the Franxx, Saint Seiya, Tsurezure Children, Kimi no Todoke, Seven Deadly Sins, My Hero Academia, Erased), TV Shows (Parks & Rec, The OC, Futurama, Rick & Morty), genres (Future Bass, Lofi HipHop, Deep House, UK Garage, Acid House, Lofi House, EDM, Indie Rock), fashion houses like CDG, Prada, and Chanel, artists like Ross From Friends, Burial, Tim Maia, 88 Rising, Yumi Zouma, Ella Mai, Giggs, Lil Uzi Vert, Birocratic, Toshifumi Hinata, A$AP Rocky, Mall Grab, bsd.u, SwuM, Tomppabeats, Shamana, T.I., UGK, James Clarke, Rico Nasty, Jamie XX, Knxwledge, J Dilla, Frank Ocean, Larry Heard, Lil Wayne, SOPHIE, Men I Trust, Carseat Headrest, Playboi Carti, and tons more artists have influenced me and filtered their way onto this album.

Finally I wanted to say thank you to everyone who has supported me throughout this process, especially my family. Shouts to Melrose for linking up just in time and killing the feature. Shouts to Ben and Jeff for always supporting, and finally thank you to my fans. You guys reaching out and telling me you rock with my music/have it helped you through rough times is the reason I do this. Thank you so much, I hope you like it <3 

- Bee

🔮(CRYSTAL BALL EMOJI)

w/ the homie @jinsku

instagram.com/prodbykillerbee
instagram.com/jinsku_

SUBREDDIT

busy001.wav (w/ jinsku)

SPOTIFY:
https://open.spotify.com/album/2uGrHWPJKT5tqE766z3Qe4

APPLE MUSIC:
https://geo.music.apple.com/us/album/_/1526473430?mt=1&app=music&at=1000lHKX

FREE DOWNLOAD:
https://drive.google.com/drive/folders/13S1HE15mHavAUkEopu_iHxcGn3eD0qno?usp=drive_link

BUY CASSETTE:
https://prodbykillerbee.bandcamp.com/album/saturn-ep

PATREON:
https://patreon.com/prodbykillerbee

About
This album is the second in my Sailor series after 'Venus - EP'. I always viewed 'Venus' as my love letter to lofi, and thought it would be the end of that chapter because as a human and artist, I knew it was only natural for me to grow and explore new genres and techniques. It's impossible to recapture the feeling/magic of a first project and I knew that if I forced myself to drop something similar to "Fantasy" it would flop and I wouldn't like it. So this project has been in the making since then, trying to re-contextualize what lofi means to me now and reconciling it with my obsession for minimalism.

Some of it was made during quarantine and during the BLM movement in 2020 after George Floyd's murder that is still going on today. During quarantine I felt trapped (as I'm sure so many of us did) so some of the songs reflect that and are just bursts of ideas - but bursts of ideas that I really loved. I also wanted to contribute what I could to the ongoing protests with music to help uplift Black people and other POC who have been murdered and face harassment by a power structure that routinely oppresses the most vulnerable in society. "Injustice anywhere is a threat to justice everywhere." Many other things also influenced the tape, too many to count as I have been working on it since 2016, but a few stick out to me: 

Artists like David Rudnick, Jean-Michel Basquiat, Tyler Mitchell, Genesis Tramaine, Kristina Micotti, and George Condo, Musicians like slowdive, My Bloody Valentine, Playboi Carti, Playa, Hi-Five, jarjarjr, cumulus frisbee, eevee, Sur Stone, o k h o, Killer Mike, tajima hal, ∆KTR, Nujabes, Lil Mama, Wu-Tang Clan, Lil Uzi Vert, RADWIMPS, and so many more. Animes like Vinland Saga, Fruit Baskets, and Fate Zero, Movements like Black Lives Matter, Authors like James Baldwin and so much more that I plan to share on my next album 'DESTINY'.

Thank you to everyone who has supported me and helped me finish this album. Shouts to my family for supporting me, to all the people in the subreddit/discord, and most importantly to my fans and anyone who listens to my music. It's all for u.

Love - 

Bee


Credits
All tracks mixed, mastered, and produced by Killer Bee.

For More
www.prodbykillerbee.com

Subreddit:
https://reddit.com/r/prodbykillerbee

Discord:
https://discord.gg/J7deGzp

Social:
https://instagram.com/prodbykillerbee
https://twitter.com/prodbykillerbee
https://facebook.com/prodbykillerbee
https://prodbykillerbee.bandcamp.com
https://soundcloud.com/prodbykillerbee

VI. Eyes

prodbykillerbee@gmail.com

Patreon:
https://patreon.com/prodbykillerbee

Drum Kits:
https://gumroad.com/prodbykillerbee

it's all for u

Killer Bee

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