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Komet - Rausch clips

I was in the UK last year after a massive summer of touring, caught the train down to Brighton with some friends, and ended up in an incredible studio overlooking the beach. I was missing home a bit, but feeling really inspired and wanted to write a feel-good record, reminding myself of the importance of saving time for the ones I care and love. Whilst (In the studio) overlooking the same site Fatboy Slim hosted his ‘Big Beach Boutique’, I was thinking about the UK’s dance music history, it inspired me, and decided to lean into the idea of writing something that sounds sampled, but isn't. I often like to write records completely on my own, but it feels so perfect to have written this one alongside some good pals — Clementine Douglas, Caitlin Stubbs & Toby Scott.

Saving Up

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The Game, 50 Cent - Hate It Or Love It (BVRNOUT Remix)

Unequal cycles in search of synchronous experiences: On his new album »Pounding«, Frank Bretschneider tells of distance, convergence and congruence in a continuous, ever-changing flow of events. What is often regarded as an unquestionable dogma in club music (for which Bretschneider has provided significant impetus since the 1990s) – the groove – appears precarious, unstable, and in motion. Pulse and accent are volatile encounters and have to be found again and again for short, delightful moments. Music becomes a constant process of negotiation.
In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means - conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, such as dub effects that listen to themselves disintegrate; but also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.
Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through small manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never obvious, always restless and exciting.

Pounding

Frank Bretschneider »Evening News« taken from »Pounding«

BAND4BAND Remix

frank bretschneider’s new project SINN + FORM (MEANING AND FORM) is based on the idea of a fundamentally chaotic world as we know it from mathematical or physical theories and models (dynamical systems, probability theory, stochastic systems), and the constant attempt of man to recognize and to describe, predict, control and change this world.

musically, this system is simulated electronically using a modular synthesizer system. various modules produce a constant flow of randomly generated data that modulate the decisive musical parameters (pitch, note length, volume, tone). the attempt of SINN + FORM in this context is to transform this stream of events into a musically relevant system of chaos and order, dynamics and statics, content and form by means of an improvised but deliberate process of constant control and influence.

aesthetically, the project recalls the electronic music of the mid 20th century: studios such as the IRCAM in paris, stockholm’s EMS (elektronmusikstudion), the WDR »studio for electronic music« in cologne, or new york’s »columbia- princeton electronic music center«. SINN + FORM also captures the dynamics and energy of a spontaneous improvisation, last but not least as a reaction to a complex world, a world in permanent crisis.

the material was recorded in july 2014 at EMS, stockholm, using the buchla and serge analog synthesizer systems. 

frank bretschneider. free market (excerpt). taken from frank bretschneider. sinn + form

Fantasy

Make It Hot

Feel Good 2.0

Toms

Sometimes

Full stream of Frank Bretschneider's dubby "Elastik," a track from his forthcoming album 'Lunik,' out February 16 on Shitkatapult. 

More info: https://www.xlr8r.com/news/2018/02/premiere-hear-a-dubby-cut-from-frank-bretschneiders-new-album/

@frankbretschneiderofficial
@shitkatapult

BAND4BAND Remix

Prod. By Komet

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