Sounds like liondance's beats.lol
Cool;);)

Such a classic, first heard this 6 yrs ago! Still bangin

Free download

Jesus Mi Amigo is taken from Arlet's debut album - 'Clearing', available on Smugglers Records - http://arlet.bandcamp.com/album/clearing

Check out more music from https://soundcloud.com/arlet.

Arlet - Jesus Mi Amigo (Theoish Remix)

Order the gatefold 12" ➥ http://www.hhv.de/shop/de/artikel/robot-koch-unpaved-333800 | http://www.rushhour.nl/distribution_detailed.php?item=73341 | http://www.kudosrecords.co.uk/release/PMC122/Robot_Koch_Unpaved.html | http://www.crosstalkintl.com/node/42449 | http://www.jetsetrecords.net/ROBOT-KOCH-UNPAVED/p/733004710722

Digital version ➦ http://projectmooncircle.bandcamp.com/album/unpaved | https://itunes.apple.com/album/unpaved-deluxe-version-ep/id738456739 | http://www.junodownload.com/products/unpaved/2336779-02

Robot Koch and director Lukas Feigelfeld have teamed up to create a special collaboration project. After Lukas directed the video "Autodreams" ("The Other Side", Project: Mooncircle) in 2011, they wanted to go a step further. The idea behind the release "Unpaved" was to create a short film in which the music and the images are equally important.

Imagine the old mystic character "Pan", which represents nature, animalism and freedom, in a contemporary and realistic setting; becoming a modern vagabond, a drifter, living in the woods and roaming the lands, always accompanied by his friend, the dog. As his path leads him into the city of modern society, he is quickly confronted with its harsh reality -- The conflict between living in an urban space and wanting to be at piece in a remote place in nature. Can we consider ourselves animals or have we already evolved into something too distanced from its natural enviroment and essence?

"When I write music it's always very visual. I have images in my mind that put me in certain moods while I produce -- oftentimes I make music to a film that hasn't been shot yet. This has been something I wanted to do for a long time: compose music for a film." -- Koch

„As a film director, the great aim of this project was to create a symbiotic piece of work that allows the musician and the director to work on an equal level. By bouncing back and forth ideas, images, sounds and moods, we were finally able to combine these elements and establish a harmonious piece that reflects both his and my creative expression." -- Feigelfeld

"Unpaved" will be released on 12" vinyl including a download code for the film.

Buy Gatefold 12"/Digi

Robot Koch 'Moving Objects' Featuring Alek Fin (Unpaved EP + Short Film - Project: Mooncircle, 2013)

The last track from my EP.  Rather fittingly, this song is called 'Curtains'. 
This is how 'an ending' sounds to me.  
From the EP 'To Tell The Truth, I Didn't Lie'.

Curtains

from 'Flesh' [CD|LP|DIGITAL]
Denovali Records · den228
available on all formats at [http://denovali.com/ahkosmos]

AH! KOSMOS is the moniker of Istanbul-based producer and instrumentalist Başak Günak. Her debut EP called FLESH has been released in her native country via Turkish label Müzik Hayvanı back in 2013. Along the release of her first full length BASTARDS in April 2015, Denovali Records will provide a re-issue FLESH, available for the first time on a world-wide scale and on the vinyl format.

Echoing and bouncing off the surfaces, the nuanced metallic droplets of synth-triggered sound interacts with moody sustained cluttering down-tempo beats and unholy choral voices over the trio of ambience on this three-track EP FLESH. From the mysterious catacombs and imagined otherworldly terrains of Istanbul, oozes the enlightened cosmic union of analog and electronic.

Supporting the likes of DARKSIDE, James Holden, Kiasmos, Two Door Cinema Club, Emika, Daddy G (Massive Attack) in her hometown Istanbul, AH! KOSMOS  performed at remarkable festivals as Rock’n Coke, Babylon Soundgarden, Venice Electro Festival, Budapest Punkurica Festival, Piknik Elektronik in Brussels, Tokyo Electronic Music of Arts Festival and CitySonic Festival in Mons.
Başak Günak has also composed and created sound design for contemporary dance and plays, short-flms and site-specifc performances / installations in several art spaces including Rotterdamse Schouwburg, Prague Signal Festival, 18th and 19th Istanbul International Theater Festival (IKSV), ARENA Theater Festival Nürnberg and Venice ElectroFestival. Recently, she has been invited to the highly coveted Red Bull Music Academy 2014 Tokyo as a participant.

Flesh

Preorder / Buy

Ah! Kosmos - Melting Into Rise

Certain things just keep on keeping on seemingly oblivious to era or genre, simply because they are an enduringly good idea - and Penguin Café are the perfect example. The original Penguin Café Orchestra was founded in 1972, created an amazing fusion of minimalist composition, folk, electronics and more - producing several Balearic classics along the way - and continued until founder Simon Jeffes' death 25 years later. However, in 2009, Jeffes's son Arthur picked up the baton, gathered a new set of musicians, and has continued the musical mission as simply Penguin Cafe. Their new EP, forthcoming on 13th April, includes a remix exchange with Japanese legend Cornelius - but it was this bittersweet piece that grabbed us, and we're very happy to have it as our Debut today.

Penguin Cafe "The Track Of The Dull Sun" - Boiler Room Debuts

Joshua Delaney - frontman of ambient outfit Rat & Co - is preparing to make waves under new solo alias Ocdantar (Rat and Co backwards... sort of).

Having already supported the likes of Shigeto, Bicep and DT favourite Nina Kraviz, Delaney's 7-track debut Time in Flux is set for release via Smooch Records in the first half of 2016. The record promises to continue his work within ambient electronica, experimenting further with texture and space.

As expected, second single '0102' is stripped-back beat-wise, yet the Melbourne producer has enriched it with an abyssal low-end that crunches softly under silken harmonies. "Go to sleep," we're told as the vocal floods in, and if it weren't for the promise of more to come from Ocdantar, we just might drift off into serenity.

Stream '0102' here and head to the artist's SoundCloud to keep up with his latest productions:
https://soundcloud.com/ocdantar

Ocdantar - 0102

More info: https://www.xlr8r.com/news/2016/05/premiere-hear-a-new-track-from-martux_m-crew-markus-stockhausen/

More info

Premiere: Martux M Crew & Markus Stockhausen - MM 01

Download: https://www.xlr8r.com/mp3/2016/08/secret-school-heal/

@secretschool
@hush-hush-records

[via XLR8R]

Download

Download: Secret School - Heal (Parts I & II)

PURCHASE EP NOW - http://itunes.apple.com/us/album/acquiescence-ep/id510232868

A companion piece to the upcoming full-length debut ‘Inner Hue’ from Anenon (aka Non Projects founder Brian Allen Simon), ‘Acquiescence’ is a moment in time, frozen. It’s a diary of acceptance, of surrendering into your surroundings and not looking back. It feels unhurried and relaxed, yet was recorded in just under a week in Madrid, Spain at the Red Bull Music Academy, in which Brian was a participant. Production and arrangement took place back home in Los Angeles also in just under a week’s time. Strong yet vulnerable, the music on ‘Acquiescence’ moves with an air of confidence, but also feels tender and exposed - a deer caught in the headlights. A product of both extreme personal highs and lows, the music of ‘Acquiescence’ finds a delicate balance, grand piano and tenor saxophone up front with very minimal processing throughout. The sound of ‘Acquiescence’ uncovers an artist fearless of the tradition, yet fully capable of molding old technologies with new in ways that feel unquestionably modern, always looking deep inside and always moving forward.  

“Clairvoyance” sets the scene with delicately seductive dissonances between slowly repetitive piano chords on top of a curtain of saxophone drones. Harmonic staccato reed slaps from the saxophone arrive and build, polyrhythms budding against each other, a perfect compliment to what comes next. Arguably the standout of the EP, the title track is a push-and-pull dialogue between ivories, breathy and melodic saxophone playing, a string quartet and drum programming. One of Brian’s most cinematic pieces yet, the tension between all elements is palpable - polyphonic lines of highly melodic and reverb soaked saxophone coalescing into each other on top of a bed of stark piano chords and contrapuntal strings, technical yet physically human drum programming pushing each line forward into the ether. “Rites” closes out the set with an affectionate and upfront piano refrain over sequenced 909 kicks and blankets of piano decay and ambience – layers of an artist’s dreams and desires seeping through the speakers throughout.

Acquiescence

London-based Matt Emery is mostly known for his solo piano pieces, which are delicate, nostalgic, and a little bit sad. Last year (right about this time), Emery released his debut on Injazero Records, titled Empire, which immediately shot up to my top piano records, and inevitably made it on the Best of the Year lists, in the "Music For Watching The Snow Slowly Fall In The Moonlight" entry. Emery also shared his selections with us on his Eternal Bliss mix, put together exclusively for the Headphone Commute Podcast. This Friday, September 7th, the composer returns with a new single, titled “I Put a Flame in Your Heart”. I’ll leave the full band version and the edit for you to discover in all due time, but today I wanted to share this very special Vessels remix, premiering on these pages alone.

As you can hear from this piece (and the remix itself), we’re now in a more gritty territory, with percussive and electronic treatments to the track that puts it more alongside Jon Hopkins, Kiasmos, and Moderat, rather than the softer side of Nils Frahm, and even with the up-front expedient vocals, the track ticks all of the right boxes for this fan and follower. Speaking of which, I’ve witnessed Emery sing during his sold-out live performance (on the very last track) and was pleasantly surprised by the quality of his voice [which you will hear clearly on the “Vocal Edit” of the release], and that’s a rare event for me notice, as I’m mostly an instrumental kind of fiend.

The single features a piano-only original of the piece, alongside a more post-rock[y] epic edit, which showcases the versatility of this UK artist. “The full band version sees Emery’s music swell with frantic drums, throbbing synths and a full choir culminating in an expansive interpretation, more aggressive in comparison to his gentle and intricate modern classical piano and string repertoire.” A very nice rework of the original, with the “Vessels Remix”, definitely hitting the spot.

Once again, the single is out this Friday, September 7th, 2018, on Injazero Records, available on all of your favourite digital platforms.

I Put A Flame In Your Heart

TRACK PREMIERE : Matt Emery - I Put A Flame In Your Heart (Vessels Remix)

Solar Year - Magic Idea (Snasen Remix)

Berlin based label and creative collective operating in the left-field sphere of electronic music since 2002.

Robot Koch 'Moving Objects' Featuring Alek Fin (Unpaved EP + Short Film - Project: Mooncircle, 2013)

PROJECT MOONCIRCLE

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