http://www.4000records.com/artists/sgo

https://4000.fanlink.to/glimmer

Glimmer [Single]

SGO - Glimmer

Delacroix

Debut single from forthcoming album Way Out West, from Matt Owens & The Delusional Vanity Project. Cut live to tape at Bert Jansch studio, the song is about the legendary monthly residency at the Grapes in Bath by Matt and the band.

One For The Grapes - Matt Owens & The Delusional Vanity Project

The Story In Your Eyes

No Way - a newly released single to mark 5 years since Brand New Moon's debut album, 'Difference & Repetition'.

Mike Barrett - vocals, keyboards, percussion
Meg Woof - backing vocals
Rob Shuttz - bass guitar
Phil White - guitar
Jacob Smedegaard - drums

Produced & Mixed by Mike Barrett
Mastered by Peter Fletcher at First Love Studios

LYRICS:

no way
i came here to forget those things
i can't stay
but let me be un-cynical
for one more second
one more lightyear
one imploding sun
wherever this may go
it has begun

far away
far away from earthly troubles
life again
pirouettes among the corals
does every heart
does every alien
get the urge run?
wherever this may go
it has begun

a face you remember
and all those you forget
and then there’s everyone
you’ve never even met
but the question of scale
is easily dropped
as the face across the table
grows larger

no way
got no room
for any major changes
but take this thought wherever you want
and rearrange the furniture
my kidneys and my lungs
wherever this may go
it has begun

no way
and then i find a way of saying
maybe
and then i find a way of saying
yes please
and then i find a way of saying
change me
change me
change me

No Way

A song about a drug syndicate in Chorley where a body was found decaying In the Delph Quarry.

All songs written, performed and recorded by dead things
Produced and mixed by Roo Walker
Recorded in Rachel's Barn, Hoghton, Lancashire.

Terry Clark

BUFFALO, NY- November 16, 2023 – A new #researchpaper was #published in Aging (listed by MEDLINE/PubMed as "Aging (Albany NY)" and "Aging-US" by Web of Science) Volume 15, Issue 21, entitled, “Parental age effect on the longevity and healthspan in Drosophila melanogaster and Caenorhabditis elegans.”

Several studies have investigated the effect of parental age on biological parameters such as reproduction, lifespan, and health; however, the results have been inconclusive, largely due to inter-species variation and/or modest effect sizes.

In their new study, researchers Camille Lenzi, Alexis Piat, Pascal Schlich, Judith Ducau, Jean-Claude Bregliano, Hugo Aguilaniu, and Anne Laurençon from the IM Projet, Caduceum, INRAE, IBDM, Instituto Serrapilheira, and Universite Claude Bernard-Lyon 1 examined the effect of parental age on the lifespan, reproductive capacity, and locomotor activity of genetic isogenic lines of the nematode Caenorhabditis elegans and the fruit fly Drosophila melanogaster. 

“We decided to investigate parental age impact on the lifespan of their progeny on selected genomes of flies and worms to gain insights on the molecular mechanisms at work.”

The researchers found that the progeny of successive generations of old parents had significantly shorter lifespans than the progeny of young parents in both species. Moreover, they investigated the fertility, fecundity, and locomotor activity of C. elegans. Interestingly, both the shorter lifespan and deteriorated healthspan of the progeny were significantly improved by switching to only one generation of younger parents. 

“Collectively, these data demonstrate that the detrimental effect of older parental age on the longevity of the progeny can be reversed, suggesting the existence of a beneficial non–genetic mechanism.”

DOI - https://doi.org/10.18632/aging.205098

Corresponding author - Anne Laurençon - anne.laurencon@ens-lyon.fr

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Keywords - aging, life span, intergenerational plasticity, maternal effect, nematode, drosophila

About Aging-US

Launched in 2009, Aging-US publishes papers of general interest and biological significance in all fields of aging research and age-related diseases, including cancer—and now, with a special focus on COVID-19 vulnerability as an age-dependent syndrome. Topics in Aging-US go beyond traditional gerontology, including, but not limited to, cellular and molecular biology, human age-related diseases, pathology in model organisms, signal transduction pathways (e.g., p53, sirtuins, and PI-3K/AKT/mTOR, among others), and approaches to modulating these signaling pathways.

Please visit our website at https://www.Aging-US.com​​ and connect with us:

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Aging (Aging-US)

Parental Age Effect on the Longevity and Healthspan of Flies and Worms

“UNIVERSOS OSCILANTES” ... an experimental tribute to Aimé Painé.

Too much to say. We could elaborate on themes like colonization, identity and culture; on territorial and political vindication, sung as a form of insurrection in the younger generations of the Mapuche people. On the “Sons of Lautaro” who migrated to the city, working in construction sites and as servants of the white people. But, not being myself part of the Mapuche culture, I would only be able to talk almost exclusively from the outside, from a “half race”, that uncomfortable position in the middle, undefined, where many of us mestizos are found; that, nevertheless, was noticeable enough so that they asked us about it; profound enough to fell a cold shriek in our own flesh.

That is why I would not want this tribute to be merely aesthetic, a soft and nice gesture for an obliging audience. It is a spiritual homage, but not tepid. It is experimental, yes, due to the passage of that sacred song through the body, but it is not an intellectual one, and in no way one made by a scholar. It is a sonic re-reading of Aimé Painé: an orphan who was raised by winkas; a teenager raised in Catholicism, who had her first experiences as a singer in the liturgical chorus of her school; a young woman who, in search of her identity, returns to the indigenous community, where she stays and becomes part of the Mapuche culture: she learns the Taiel from the voice of the grandmothers, and sings it; a woman who, after taking those songs to several stages, accompanied only by her kultrun, dies young, without having ever recorded an album. A woman whose voice survived only in the home-made recordings made by those who were closest to her, who stored them carefully, only to have, years later, apocryphal audios going around in the Internet, falsely attributed to her.

And this is a re-reading, as well, made from my own culture: the culture “in the middle”, that unconformable, undefined place that, nevertheless, when traversed, evokes –with the strength of the Taiel– a song of rebellion and pride, where we can also hear the ashes of this dying regime. “Universos Oscilantes” is an experimental homage to Aimé Painé (1943-1987), a Mapuche singer whose interpretations, the Taiel –sacred songs– were compiled in the album “De lo profundo de la madre Tierra” (From the depths of Mother Earth) by Don Juan Namuncurá.

To create this record I conducted an investigation that took me far from the movies that have portrayed Aimé’s life, and into the importance of her singing and the profound meaning that the sound has for the Mapuche people; from the communities in the mountains to the “colonies”, the settlements in the Patagonia closest to the ocean, where the prejudice against the indigenous people is present to this day.

I found the history of the rivers, the trees, the animals and the mountains, that precede human language. In the Taiel, the sacred song, you can sing like the Luan – the dear–, the Huala –the duck– or maybe the Ngürü –the fox–, and every song has in it a bit of the spirit of each animal, and some of what the people want to remember and honor. In the Taiel there are rumours of life and an inner song that is one of a free man. Because the Mapuche believe that the life of each person is a path to find your own Taiel. That is how I learned the one singing it in a circle is not the best singer, but he who has the appropriate spirit to make the soul of the whole community go forward.

In this album is found the result of this search. Together with female artists who I invited to be part of these reinterpretations, we went in a journey back and forth from our culture to the sonic heritage of a brave people, with the conviction that there, in the culture of sound, dwell as well the imagination, the strength, and the dignity to not be defeated."

- Paula Zustovich (Minicomponente) 

@minicomponente

[JGT107] “Universos Oscilantes”

"Luan Taiel II (ft. Juli Papi)" - Minicomponente

Ex Terra Lucem

Buy on Bandcamp

Winterlude

From the beginning of 2023, in France, there are protests against the reform raising the retirement age from 62 to 64.
By the end of June, there were 14 official strikes and several dozen demonstrations covering almost the entire country.
It is estimated that several million people took part in them.

The photos used in the video below - taken by amazing photographer Rafał Wekiera - present a reportage of two days of demonstrations and are a fragment of a project regarding the broadly understood "culture of protest".

VIDEO LINK:
youtu.be/P2hV6nXEtyM

Written by Dominik Półtorak & Mark Magick

Composed by Give Up To Failure who is:
Mark Magick
Krzysztof Młyńczak
Michał Szczypek
Jarosław Mendrek

Mixed and mastered by: Mark Magick (Black City Sounds)
www.facebook.com/blackcitysounds

Cover art photo by: Rafał Wekiera
www.instagram.com/rawekio

What You're Made Of

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