Name: La maison de mes rêves by Prosper Proper
Duration: 3 min 19 s
Description: Une composition inspirée des rêves parfois étranges où rien ne se passe comme prévu, et dans un ordre contestable...

Bravo! C’est bizarre comme j’aime! Chouette arrangement, texte qui me parle et belle interprétation.

T'as encore pris des produits hillicites pour écrire les paroles ???!!!! lol. J'étais passé à côté de ce morceau ... très bien ! Peut-être la voix un peu trop en avant .... mais c perso ça

TRESALIS - Collab with Jonas and Yannic Kramer(Heartles Human Harvest)
Composer: Jonas Kramer and Tresalis
Jonas: Guitar
Yannic: Drums
TRESALIS: Synthesizer


Image: pixabay.com (CC0 Creative Commons)

No return / Collab with Jonas and Yannic Kramer (Heartless Human Harvest)

A poem about this political internet climate , long gone love, friendship, forgiveness and of course musical collaboration, The beautiful body of this song is an ambient work from Wilfried Hanrath.. I have added a bassline from a Roland bass machine, lyrics and vocals, and a complimentary musical background made with a Fender strat and Melotron..  Fyi, Wlifried has done another version of this song with an added intrumental verse in the middle that is very beautiful and well worth a listen that can be found on his page..!!

Lyrics:
Insular depravity, and  narratives so Bizarre and Brazen, stuffed full in cavities with hand grenades, chocolate bars, and mason jars full of unfamlliar items.
Please sit a spell and help me with the truth, it's hard to tell sometimes, and it can hurt like hell.
You gave me water from that spring that filled the tank, it was the sweetest coldest, cleanest, clearest water that i ever drank, But now i have to let it go and not a moment waste on life long gone and lived in reckless haste.

LONGINGS***Take 2  ( A collaboration with W:I:L-o' the-wisp. WILFRIED HANRATH..)

Oblivion is meant to be played Load & Often.

Featuring Hetriani on Lead guitar: https://www.youtube.com/user/Hetriani

See the video Here:  
https://youtu.be/5HL9-t55bvw

(V1)
Lost her life
In the back of a limosine
Tripped the night
At a club down in New Orleans
Took a punch
from a junkie on the Soylent green
Lost her mind 
Swimming in the vasoline

(V2)
See the man with the plan
That you can't deny
Put to task
Don't ask him for an alibi
On your feet - down in front
Tell me what it is
Cosmic Sense
In need of a renaissance

(C)
Oblivion - And you can't get away
Oblivious how it happened that way

(V3)
Looking Glass
A junkie in a Sexy dress
Tried to run
From the things her Daddy said
A Shooting Star
Blazing cross the nighttime sky
Lost control
Never really knowing why

(V4)
See the man with the plan
For another taste
Get a fix
Watch it all go to waste
On your feet - down in front
Tell me what it is
Cosmic Sense
Dusted with some Heroine

(C)
Oblivion - And you can't get away
Oblivious how it happened that way

(V5)
Little girl
Sittin on her Daddy's Lap
Threw her down
She said she'd never give him that
Just because 
He hid a little sickly need
A life once lived
Ended by a tragedy 

(V6)
See the man with the plan
To forget your pain
In a blink
History repeats again
On your feet - down in front
Tell me what it is
Cosmic Sense
Screamin for the innocent

(C)
Oblivion - And you can't get away
Oblivious how it happened that way

Oblivian

Une composition inspirée des rêves parfois étranges où rien ne se passe comme prévu, et dans un ordre contestable...

La maison de mes rêves

Composé pour le challenge PMMM22.
Illustration : Lamiot, CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0), via Wikimedia Commons

Télécharger

La Petite Maison

Live from the attic, two tracks. 
The beginning played on Roland D70/Roland Gaia
Outdoor recording of birds, bee's is my own.
Last part is played on the Roland D70(string) with bassounds from the BARP2600 and lead sound from the Gaia.

Kveldssol

DIE BÖSE HEXE VERLIERT AM ENDE

Autumn fantasy by Roger Tastet 10/2022
Violin with Spitfire Solo Strings
Strings with VSL Elite Strings
Choirs with Soundiron Requiem light

Writen with Notion 6 Realized with Logic Pro

Ma musique

Fantaisie automnale (Autumn fantasy)

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

Bandcamp

Notre-Dame

naviarhaiku482 – dark and light

dark and light
balanced vernal equinox
marginal breath

haiku by Andy Perrin https://twitter.com/aperrincycling

picture by Wonderlane https://unsplash.com/@wonderlane

Vårjevndøgn [naviarhaiku482]

im a dope (unfinished vocal)

Je chante, je joue, je compose, je produis... Du moins j'essaye, sans prise de tête.. C'est pas parfait, mais j'y travaille.

Je publie pas hyper régulièrement, mais n'hésitez pas à me suivre si ce que je fais vous amuse, je passerai probablement voir ce que vous faites, je suis curieux :)

La maison de mes rêves

Prosper Proper

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