Name: barcelona by Prosumer in Tech Deep
Duration: 1 h 19 min 21 s
Description: recording from the Warm and Electric Minds party at BeCool barcelona in june

Tech Deep

This mix is all music from 1984. It is a special live vinyl mix that I recorded on July 19, 2011 as a promotion for the A.D. (After Disco) series of parties here in Chicago.  The mix has been hosted for a few years on the Loves Podcast and I decided to upload it here to my Soundcloud for the first time.  Here’s a few words I wrote to go with the mix:  

1984 is an amazing year in music. At the time, "house" was still a colloquialism for the music played by Frankie Knuckles at the Warehouse. House was not yet a music form in its own right. "Fresh," on Vince Vince Lawrence’s fledgling label Precision, is the only house-qua-house track on the mix. The other tunes are properly considered proto-house -- the music which formed the milieu of dance music which we now describe (rather clumsily) as:

*Electro (e.g., Solo – “Girls, Girls” produced by John Robbie; JellyBean – “The Mexican”); 
*Garage (e.g., Circuit - "Release the Tension" a Timmy Regisford production; Colonel Abrams – “Music Is The Answer”); 
*Italo (e.g., Stop – “Wake Up”; Pancho Ballet – “Dancing Shoes”); 
*Synth and industrial dance (e.g., 52nd Street – “Can’t Afford” produced by New Order’s Stephen Morris; Palais Schaumburg – “The Beat Of Two” produced by Gareth Jones who also produced Depeche/Nitzer Ebb); and 
*Post-disco (e.g., Stephanie Mills – “Medicine Song”).

This music from 1984 is ‘proto’ in the sense that it was establishing the necessary elements of house – e.g., use of certain instruments (drum machines, synths, samplers) – but there are some stark differences.

Although much of the music in 1984 was released on small independents and remained quite underground, there were major successes for dance music at the time and investment in dance music by major labels. There was A&R structure at all record labels and radio play. "Trapped" (1985) by Colonel Abrams sold over 5 million copies worldwide. Earon’s “Land of Hunger” hit the top 40 on the soul singles chart. John “JellyBean” Benitez placed nine songs in the Top Ten of the U.S. Hot Dance Music/Club Play chart.

The democratizing force that would be house music had not been fully realized. It was still expensive to make dance music. For example, most of the tracks on the mix feature vocalists, session players or a full band. Although the epic ensembles of the disco era had long passed in fashion and economic viability, dance records were still recorded in professional studios and engineered by individuals like Bob Blank and Herb Powers. The E-max Sampler hit the market in 1984, but the studio standard were samplers like the Fairlight and Synclavier (which had more than $100,000 price tags), each of which were prohibitively expensive for use by most musician/producers.

By 1984 the relatively inexpensive Roland gear was just finding its way into the hands of Chicago, Detroit and New York’s new roots musicians. A year before, Larry Sherman acquired Musical Product’s pressing plant, the only one in Chicago. Ron Hardy was playing "Penthouse and Pavement" by Heaven 17 and "DumDum" at the Music Box. Dance music was about to fall off the edge, for better and for worse.

1984 Track List:

1. Citispeak Featuring Jeanne Harris – I Don't Need Your Handouts (Inst.) – Partytime Records 
2. Pancho Ballet – Dancing Shoes (Instrumental) – Best Record 
3. Jellybean – The Mexican (Funhouse Mix) – EMI America 
4. Nuance Featuring Vikki Love - Take A Chance (Dubapella) - 4th & Broadway  
4. Samson & Delilah – I Can Feel Your Love Slippin' Away (Long Mix & Inst) – Saturn Records 
5. Hugh Masekela – Don't Go Lose It, Baby (Stretch Mix) – Jive Afrika 
6. Colonel Abrams – Music Is The Answer (Dub Version) – Streetwise 
7. The Earons – Land Of Hunger (Extended Version) – Island Records 
8. Wet – That's The Game (Instrumental) – Bellaphon 
9. Circuit – Release The Tension (Dub) – 4th & Broadway 
10. Stephanie Mills – The Medicine Song (Dub Version) – Casablanca Records 
11. Anne Clark – Our Darkness (Remix) – Ink Records 
12. Solo – Girls, Girls (Ah-Ah-Hi) - Next Plateau Records Inc. 
13. 52nd Street – Can't Afford – Profile (on license from Factory) 
14. The Bridge – Love Dance (Industrial Mix) - Second Vision 
15. Stop – Wake Up – Damabi International 
16. Fresh – Dum Dum – Precision 
17. Palais Schaumburg – The Beat Of Two (Extended Version) – Mercury


1984 After Disco (A.D.)

When DJs and producers @eris-drew and @octoocta first met, they felt an instant connection that has only grown over the years. Kindred spirits in both music and life, the pair released their first split EP entitled Devotion in 2018, sharing the same artistic values that make their music deeply moving in all senses of the word. Their DJ sets, meanwhile, light up the dancefloor — their back to backs can be as bombastic and high-energy as they are personal and emotive, speaking to a healing force that seems to drive all of their work. 

In this episode, we discuss their b2bs, their joint tour and label, @T4TLUVNRG, and their collaborative project Alchemical Sisters — the latest addition to a cosmic world in full colour.


++ 

Music: 
"Late Night Love" - Octo Octa (2023)
"My Body is Powerful" - Octo Octa (2019)
"Trans Love Vibration" - Eris Drew & Octo Octa (Eris Goes to Church)
"A Howling Wind" - Eris Drew (2021)

++

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AIR 058 / Eris Drew & Octo Octa

With over twenty years in the game as founder of Rush Hour music, Antal has garnered global prestige through his improvisational lessons in tempo and love for music beyond singular categories.

http://www.instagram.com/antalheitlager
https://soundcloud.com/antalrushhour

Antal / Rush Hour Music @ The Lot Radio 10-31-2024

Deep house with heaps of soul to guide spring into summer.

"House music to me is about emotion… it's about how it moves you," says Suze Phaff, better known as Suze Ijó. Emerging from a thriving Dutch scene, Ijó belongs to a generation of DJs reshaping dance culture from the ground up, restoring soul and musicality to the centre of house music. It's a conversation happening not just in her home town of Rotterdam, but globally, among kindred spirits like MUSCLECARS and Dee Diggs in New York, Errol and Alex Rita of Touching Bass in London, and OMOLOKO in Belo Horizonte.

You could call Ijó a deep house DJ, but it's much deeper than that. Her sets embody house music in its most musical sense, rich in nimble percussion, woodwinds, calypso drums, gospel vocals, and romantic string sections. They channel the jazz-inflected heartbeat of the East Coast, the breeze of Balearic shores, and the light-footed rhythms of the Caribbean.

As Ijó explains in her Q&A, her RA Podcast "hopefully feels like a loving embrace." Opening with Key Trunks Ensemble's "Calypso of House (Paradise Mix)," she sets a buoyant, life-affirming tone that carries through the next 90 minutes. As the mix unfolds, her affinity for timelessness is clear, with selections that hark back to the golden age of house, from Lonesome Echo Production's "Sweet Dream (Shrine Sweet Mix)" to the euphoric swell of Blaze's "Klubtrance."

Listening to RA.986, it's no surprise that The Loft—David Mancuso's legendary, much-missed New York party—serves as a key influence for Ijó. "He wasn't confined to just one genre but would just play 'good music' in the right context," she explains. "He allowed the music to breathe."

If ambient music is defined by its ability to breathe in and reflect its surroundings, then Ijó's RA Podcast is ambient in the truest, most human sense: a deep, enveloping soundscape that feels like sunrise, like community, like home—wherever you may choose to listen.

@suze_ijo

Find the tracklist and interview at ra.co/podcast/986

RA.986 Suze Ijó

The lover that you are - Ed white

Gerd Janson is the influential label boss, journalist, DJ and producer behind the Running Back imprint an doesn't need any introduction nowadays. With a fine ear for unearthing new artists and developing them on his label, Gerd has a very busy schedule and puts out a dizzying amount of music from ambient to disco, house to techno. As a DJ, he has no identifiable style but is a master of many and is someone who can play to just about any crowd and make them move. As if that wasn't enough, as one half of Tuff City Kids he kicks out the club-ready jams that keep kids dancing. 

Back on New Year’s Eve 2015, he played back-to-back with Irishman Krystal Klear, who is at the heart of the modern house scene in his hometown Manchester. His fresh take on a classic sound has seen him win plenty of favour with the youth of the day, as well as getting him signed to Kerri Chandler’s MadTech label. Only active for six years, he has already become a regular on the global circuit and now heads up his own Cold Tonic label as well as hosting an influential show on Rinse FM. With a great sense of humour that always permeates his music, former Hoya: Hoya resident Krystal Klear has a passion for a wide range of sounds. 

Our latest mix is taken from the five hour b2b the pair played that NYE. As such it really found them stretching their legs and playing across the board. From slow disco to playful r&b grooves, 80s synths to classic house, it is a truly playful set that is chock full of jams, all carefully mixed into one explosive and loved-up whole. 

Dekmantel Podcast 062 - Gerd Janson X Krystal Klear

Like us on Facebook: www.facebook.com/theclassicmixcdseries
Buy it here: www.discogs.com/sell/release/772763?ev=rb

First upload of 2017, have a great one folks. Shout out to Drew again for the share.

Cassy

Buy on Discogs

303 - Cassy - Panorama Bar 01 (2006)

Read our interview with @octoocta here: bit.ly/OctoPod

Groove Podcast 113

Interview

Groove Podcast 113 - Octo Octa

dj-set @ panorama bar, berlin 2012-01-22 
sunday night

booking requests: romy@magnet-musik.de 
http://www.myspace.com/moufang 
http://www.residentadvisor.net/dj/moved 
http://www.discogs.com/artist/Move+D

move d @ panoramabar 2012-01-22

recording from the Warm and Electric Minds party at BeCool barcelona in june

barcelona

242 minutes recorded at Robert Johnson on Friday, 8 February 2019

Robert Johnson Archive 0004: Gerd Janson b2b Roman Flügel

Het Amsterdam Dance Event 2012 kende een HELE speciale editie van SUB in club NL.
De Belgische helden San Soda en Red D waren in de hoofdstad en vereerden SUB met een verrassingsoptreden. 

Na een heerlijke warm-up set van de jongens van Club De Loods en resident Reuben Alexander, was het publiek er klaar voor en kon het échte zweten beginnen..

FCL (zoals deze mannen tezamen heten) draaide, zoals de jongens uit de We Play House stal gewend zijn, een vinyl-only set van ruim drie uur. Het zwarte goud deed zijn werk en tot in de kleine uurtjes stonden alle fans met hun handjes in de lucht, te juichen en te joelen.. 

Een fantastische avond.

SUB bedankt FCL.
Van harte.

----------------------------------------------------------------------
VOLGENDE SUB: 30 novemberrrrr, club NL, 23:00-04:00.



barcelona

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