Even though I don't know the words your say I'm feeling really cool creativity and gritty attitude in your music. Rock on! 🤘👍😎

Shock the Algorithm

Taken from the upcoming debut full length album (planned to be released March 1st - "Rock and Roll Kills").
(p) & (c), 2024.
Youtube link: https://www.youtube.com/watch?v=80YWaTAt8Gc
-------------------------------------------
lyrics:
We've been through a lot, a lot of shit
now it's time to fight, fight against
against this depression and evil vibe
this is the time we will take over our lives

We've been submersed deep deep down
we've lost our faith into this evil town
we have to get back, get back to our own feet
we had enough, enough with this shit!

and now we have our head up high
we know what it's true and never dies
and now we step up with god's command
we won't take it anymore, not get stuck into the sand

It won't take forever just to reach our dream
it won't take forever to delete the bad scene
it won't take forever to hold your hand
it won't take forever to the promised land

it won't take forever to live again
it won't take forever to face the sun
it won't take forever, it won't take forever!

Rock and Roll Kills

It Won't Take Forever

雲は流れる

čekam te u jarku(demo)

I Wanna Be A Monkey

iza lica(demo)

She should have left that damn bird alone

Mama Saw A Bird

This is the original instrumental version of the Hip-Hop track I did before I decided to add lyrics and collaborated with the talented Ian Greaves (aka @IPG1). After composing this instrumental track, Ian was kind enough to let me use his lyrics/vocals from his song ‘Modern Times’.

Here is the version with lyrics:
https://soundcloud.com/user-432503709/modern-times-the-digital-age-collab-with-ipg1

And here's the link back to IPG1's original vocal track; please give him a listen!:
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm

Most of the music is performed by me, with the exception of the sampled vocalization in the middle bridge and ending, and a few sound effects here & there. The beginning starts off normal enough, but the middle section takes a bit of a left turn before I 'go off' on the synth in the second half. I kind of enjoyed working the sliders on the live synth performance.   ;)

AI image designed & created using ChatPGT 4o
This is the same image I used in the vocals version, just inverted. 

Thanks for listening!

Modern Times - the digital age (instrumental)

little jam over Paul's track: https://soundcloud.com/paploviante-and-friends/on-the-air-open-collab-offer
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
joerxworx: Alto Saxophone, EWI Trumpet, final Mix

On The Air // Paploviante & joerxworx

Words and music By Roger Whittlesey. Saxophone arrangement by Georg Boehme. Boehme plays soprano, alto, tenor, and baritone saxes. He also plays the bass clarinet. Noel Barrett plays the bass guitar. All other sounds by Whittlesey. © 2024.

Dear Reader, 

In Shakespeare's play "Hamlet," Ophelia drowns herself in what is a terrible and tragic scene late in the play. 

The idea for this song came when I recognized that the grief of loss, missed opportunities, and mistakes compound as we age, and they don't leave us. Instead, these emotions seem to haunt us—often surprising us when we least expect it. And so, these feelings are akin to the tragic drowning of Ophelia, except that they seem to happen again and again—hence the title of the song. 

Georg Boehme, a brilliant arranger, composer, and horns player from Cologne, Germany, joined me on this piece. I sent Georg the basic tracks and gave him no instructions. He knows what to do, and he always exceeds my expectations. His playing on this piece is amazing. As you get to know Georg's music, you will begin to see that he has a unique style, and it shines through in all that he plays. Thank you, Georg, for lending me your immense creative talents. 

Last week, I sent what I believed was the finished version of this song to Noel Barrett, an outstanding bass player from Cork City, Ireland. I knew he would dig the work that Georg did on the track. And he did. Without any prompting, he replaced the bass part that I laid down—and improved the tune tenfold in the process. Noel has rock-solid time and brings a melodic sensibility to everything he plays on the bass. It is a great pleasure and honor to have him guesting on this song. 

Finally, I thank you, my devoted listeners, for your comments and for your repeated returns to my channel. 

I have much more music to write. This is only the beginning of the journey. 

Highest Regards, 

Roger Whittlesey
July 9, 2024

Ophelia Drowns Again

Orchestral stealth w/ tense pauses & worrying moments
Flowing and dismal, featuring floating oboe and strings that create a mysterious, elusive mood.

Night Creatures

'facetious feces'

Insecure.
Sins a blur
when you're livin'
in the fast lane.
Feel no pain,
until you come 
crashing down.
Lasting frowns
seem to stick around 
endlessly. 
No retreat,
until you get
high again.
Bliss.
Heaven.
The cycle it
never ends.
Repeat. 
Repent.
Be careful or
you'll be dead.
Catchin' zeds,
stuck in a bed 
permanently. 
Germinate seeds
of love within yourself. 

Crashing down.
Masking frowns
until I get high again.
Will it end?
Or is this just life?

facetious feces

method: employing the presets of the arpeggiator on the a50 to narrow in on philip glass, bbc's celts, orinico flow, the moldau, pata pata or sonamos or whatever your enlarged and numerous senses might perceive
narration: a flow, a bend, afloat
image: copyright jo richter

poem / copyright jo richter

striations of birthing she bore
as though no one had suffered before

shattercone . the final couplet

shattercone - the final couplet

The monkeys always chose the path of pain, chaos and destruction...don't  give them guns.

Don't  give Monkeys guns

have a great day

solo (prod. reactance)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

čekam te u jarku(demo)

Protorazum

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