16 bit stereo WAV format
44.1 kHz sampling rate

street repairs in Tiohtià:ke (Montréal)

recorded on 2023/05/23

using a Zoom H4n

Heavy Machinery 04

Payada

2024/01.04
Title/Perfect Day Life
Vocals, song and lyric/Khan
Beat, mix and prod/Tot

Tot url
https://soundcloud.com/tot-beat

Perfect day and life

What’s  the perfect day
What’s  the perfect day
What’s  the perfect day

Perfect day 
Perfect day
Perfect day 
Perfect day
What is the Perfect day 
Nothing you have to do for perfect day
Nothing you have to do for perfect day

‘Cause everyday is perfect day
‘Cause everyday is perfect day
We all need perfect day 
We all need perfect day 
We all need perfect day 
We all need perfect day 

Oh ,Come here Lord 
We all need perfect life
We all need perfect life
We all need perfect life
We all need perfect life

Oh ,Come here Lord 
We all need perfect life
We all need perfect life
We all need perfect life
We all need perfect life

What is the Perfect day
We all need perfect day 
We all need perfect day 
We all need perfect day 
We all need perfect day 

What is the Perfect day
What is the Perfect day
What is the Perfect day
What is the Perfect day



完璧な日って何
完璧な日
完璧な日
完璧な日
完璧な日
完璧な日のために
しなくてはいけないことなんて何もないんだ
だって
全ての日は完璧なんだ
みんな完璧な日を求めてる
みんな完璧な人生を求めてる
ねえ神様ここへきて
みんな完璧な日を求めてる
みんな完璧な人生を求めてる

Perfect Day Life(Tot.Prod)

A undoubtedly danceable piece taking the listener on a ground subway journey through the shady neighborhoods of the Bronx in the late '90s. This musical narrative ranges from the pulsating rhythms of urban streets taken down to underground clubs, to the lavish realms of wealthy kids at the end of the decade. The track undoubtedly radiates dance energy, drawing richly from the legacy of various electronic genres. It's a musical experience where ultratribe resonances intertwine with exotic sounds, creating a multi-layered tale of contrast and harmony in the urban landscape of the '90s.

Layered Ultratribe Ego Trip Ritual

Cast of Characters:
Llanpsych -- @llanpsych -- Tez – bass, mix, and production

J.J. Terrell–@j-j-terrell – electric piano and original composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-guitar  


 artwork is a painting entitled "Dogpack" by artist Margaryta Yermolayeva
Please check out her other works at margaryta-yermolayeva.pixels.com

This one started off nearly a year ago, when the Eclectic Collective was just coagulating, and is the first one to feature Tez, Ken, JJ, and me on a song. JJ came up with it, drawing from his deep well of creativity, on the electric piano and bass, and shared it with the rest of the us. Starting with Ken, who added a phenomenal drum track to work with. I then added my guitar in a way that tried to emulate Miles Davis, albeit just an impression. Then we asked Tez to mix it for us, which he did ably as ever, and we released it early last spring. 
  However, Tez, being the always tinkering producer that he is, decided to dust it off and give it a new bass line to match the ferocity of Ken's drums. He then remixed it and added some production effects, making the song it was meant to be. We hope you enjoy listening to this as much as we enjoyed making it.

In a Quiet Way Redeux (Eclectic Collective)

Peaceful piano pieces composed during a trip across Europe, from Paris to Kyiv, with tracks about places in France, England, Wales, Scotland, Ireland, Iceland, Germany, Netherlands, Switzerland, Poland, Czech Republic, Hungary, Italy, Spain, Portugal, Norway, Sweden, Estonia, Latvia, Ukraine & more

Alsace

You open up those tired eyes
And the world is as bad as it seems
Just close your eyes and jump the jump
And you'll soon be living in dreams
Like Rapunzel letting down her hair into the mud
I turned around one second and I heard a thundering thud

CHORUS
I really should take sound advice from your wanting eyes
You're holding me between your thighs with your wanting eyes
I fell right for recurring lies of your wandering eyes
It really should be no surprise
Believe it or not you've got wanting eyes

I'm cuddled up - a babe in wrap
Its a second life I guess
I always fall for games and traps
And I was never much good at chess
I'm the average prince that's turned into an average frog
There's no trash or gimmick that you wouldn't try to flog

CHORUS

A candy house was eaten yet I was left with nought
But somehow you just win me over with a single pout

CHORUS

Wanting Eyes

This song is an ode to my origins in classic country. 

Late Country Nights

Music by Stefan van Walsum
Words Original by Lawrence Farr, Melbourne Australia, with some changes by Stefan van Walsum

All Instruments and Vocals by Stefan van Walsum
Drums arranged with Toontracks´s EzDrummer-3


GONNA LIVE IN HELL (Lyrics)
V1
My mama told me, don't be too bad.
My mama told me son, don't play with fire!
Did I listen, I was bad sometimes.
And sometimes I was not!
V2
My mama told me, she said son be well.
Don't you give anyone, your living hell.
My mama told me, be a little a a angel!
(Or I gonna live in hell.)

Chorus
Do you believe me, please believe me. I was good!
I -  yeah , I was I a saint, I was everything she said.
Was I everything - that my - mama said?
Sometimes , I was not!
V3
I played with fire, I got my fingers burned.
Yeah - Maybe just a - little bit singed.
And I know –
Yes I know, I committed some sins.
V4
We turned the world, upside down.
Because my mama said son, be good!
Love and respect.  Love and respect boy,
give it all you got.

Chorus
Will you forgive me, will you forgive me? Can I be good?
Can you forgive - this sinner. Can you let me move on?
We turned the world upside down.
The world - The world upside down.
I´m not sure – is this good?

Break
Mama said boy, don't be too bad.
And a little love and respect!
Outro
Yes mama, oh yes mama! Love and respect.
Yes mama, oh yes mama! Love and respect.
Love and respect? What's that?
Love and respect? What's that?
Yes mama, oh yes mama!

Gonna live in hell (Part 1&2)

Gonna Live In Hell (Parts 1 & 2)

A Warm Spring Afternoon

NEW: Match Game 'Hollywood Squares' (1983) - TV Themes & Cues - Edd Kalehoff

Gil Gámez : producción.
Mía León : diseño y edición.
Diógenes Tacuara : letra y arreglos.

Proyecto5813 pertenece al laboratorio audiovisual de CERCo21 (Centro de Estudios y Revisión Conrinuum). Un espacio que investiga lo que tienen en común una torre eléctrica y una palmera, los andes y los rascacielos, un microchips y una hélice de ADN. P5813 es un sintetizador que sondea las proporciones para orquestar sonidos, esculpir piedra, edificar ciudades y construir herramientas. Alquimia de Valores. No hay lugar para el arte por el arte mismo sino como producción estética. No es un deleite a los sentidos sino un choque psicológico que utiliza los sentidos como medio. Música para la vista. P5813 es la armonía entre la arquitectura de frecuencias  y un oscilador de punto-línea.
El ruido de la tecnología. Música hecha con los deshechos del capitalismo.

Payada

# p r o y e c t o 5 8 1 3

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