Name: PSEUDOCIDE: Flying The Drone (at 78RPM) by Pseudocide
Duration: 4 min 41 s
Description: performed by Kadin Contois and Will Thornton - June 25/July 9, 2014 - remixed September 3, 2014. - This is what happens when you take the original version of "Flying the Drone Over Hostile Territory," 11 minutes in length and played at 33 1/3RPMs, and you speed it up to 78RPM.

performed by Kadin Contois and Will Thornton - June 25/July 9, 2014 - remixed September 3, 2014. - This is what happens when you take the original version of "Flying the Drone Over Hostile Territory," 11 minutes in length and played at 33 1/3RPMs, and you speed it up to 78RPM.

PSEUDOCIDE: Flying The Drone (at 78RPM)

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Ministry Trax! Box
• The complete Wax Trax! recordings from Ministry mastermind Al Jourgenson!



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for full track listing go to
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Ministry - The Game Is Over (demo 1983) PREVIOUSLY UNRELEASED

DemonEyes

Locust Furnace (Cold Remix)

where de boom

Lead into Gold derives its name from the mystical practice of alchemy. The band is basically a solo project for Paul Barker, a talented and avant-garde bassist who joined forces with Alain Jourgensen in the late '80s to create several influential and powerful Ministry records. Paul and Roland Barker, as well as frequent future collaborator Bill Rieflin, played in a Seattle-based band called the Blackouts. When the Blackouts inked with Wax Trax! Jourgensen (already operating under the Ministry moniker) immediately partnered with Barker and the pair unleashed a multitude of vehicles including RevCo, 1000 Homo DJs, and Lard. Jourgensen and Barker dubbed themselves Hypo Luxa and Hermes Pan (respectfully and respectively) after a pair of free-wheeling Greek prostitutes. In the midst of this plethora of pounding, Lead into Gold emerged as Barker's baby. He wrote and sang each cut on the sole full-length Age of Reason, as well as the extended singles, Faster Than Light, Idiot, and Chicks and Speed: Futurism.

01 Faster Than Light [12  Version]

Salon Betty - Arizona (Live)

Wethey

Classical Hard Times

Complete discography available:
https://pseudocide1.bandcamp.com/
Pseudocide first started with Kadin Contois and Will Thornton during the earlier parts of 2013 at a place performing open mic. It could have been something considered Slamdustrial NoiseDrone in genre. They decided to  do something other people weren't doing in the area: an audio response against the mainstream - a message of what went wrong with the foundations of humanity - oh yeah, and a big middle finger to the wannabe dave matthews acoustical "bands" that are making the music scene around the Fredericksburg area stale and predictable. 
During the first half of 2014 this became more of a solo project with Kadin Contois. The genre focused more on the spoken word, industrial, noise, glitch and mechanical drum beats than it did a year earlier.
The 2nd half of 2014 brought Will Thornton back into the mix with Paul Keily (and James Balster for a few songs). 
.
The whole purpose of Pseudocide was to record ten worthy cds of material in a one year period (and this is at an age when most bands struggle with writing ONLY ten songs in the same time frame). This has been accomplished and we are still moving forward with newer recordings.


PSEUDOCIDE: Flying The Drone (at 78RPM)

Pseudocide

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