enxpl series [collaboration with PSYCHIC LIBERATION]

there are no words to describe it
the way we feel

https://perilazone.bandcamp.com/album/there-are-no-words-to-describe-it

stay together
wish hope unite believe support each other
look for a home inside

love you all
try to heal whenever you can in sound in nature in hug
sending warm warm warm energy

>>>>all proceeds will be donated to humanitarian funds and organisations fighting for justice helping political prisoners and freedom

hope it all to stop
hope it all to stop
'

@champ_doner

❊ Champ Döner
David Attenborough speaking about sloth
l'ocelle mare - Téléphone, Guitare, Interrupteurs, Membrane​.​.​.
Serpente - Esteiros
Tarta Relena - Christos (Dungeon Mix) (Remix Shelly)
Dj Python - Club Sentimiental Vol Three
Ciccio & 2mo - Abdel 
Hassan Wargui - Azmz 
Naaljos Ljom - Gorriaus 
Muqata'a - Marj Ibn Amer 
Mafia K'1 Fry - Guerre
Charles Hayward - Make Believe 

❊ Jihem Rita
Zazou/Bikaye/CY1 - He ! Yaye
Zev - Elementalities - First movement
Extreme music from Africa - Dunia wanja wa fujo
Whitehouse - mouthy battery beast
The Bug - Warning
Sebastiao Tapajos & Pedro Dos Santos - Estudio n°1
Henry Flint - The snake
Zureba - Puriwamwam
France Sauvage - Brex me down
Jeanne Lee & Ran Blake - He’s got the whole world in his hands

❊ AIR LQD
à venir

Champ Döner Invite Jihem Rita & AIR LQD

distortions, inversions of all this chamber made music to replace nightlong shakings between white or red horrors, fermented words; an imperfection being committed, beneath helpless intoxication, searching for a safe side of distance, libera, dreadful mourning. a spark of hope to all, bearing in mind a massive silence to be stopped by cheering from all around. 

when russia invaded ukraine it altered everything. writing music in these troubled days, during these historical events has become more sublimated than it has ever been; habitual leisure has been replaced by volunteering, the territorial defense of hometown, or the front line in the army. despite everything, music remains a significant part of our lives and continues to be the voice of history, communication, time, and memory. 

all revenues go to the ukrainian charities and defense forces.

cover designed by ratx.cc 
mastered by all options

tofudj - geo

𝐼𝑛 𝑡ℎ𝑒 𝑏𝑜𝑢𝑛𝑑𝑙𝑒𝑠𝑠 𝑜𝑐𝑒𝑎𝑛
𝑜𝑓 𝑚𝑦 𝑏𝑒𝑖𝑛𝑔
𝑡ℎ𝑒 𝑤𝑖𝑛𝑑 𝑜𝑓 𝑡ℎ𝑒 𝑚𝑖𝑛𝑑
𝑑𝑖𝑒𝑠 𝑑𝑜𝑤𝑛

For 𝑊ℎ𝑜𝑙𝑒, Berlin-based Alie illustrates a selection from the Ashtavakra Gita with a sprawling excursion of narration-infused ambient and pointed club music selections. Alie’s recorded output and sound practice is a multifocal one: a body of generously considerate DJ mixes, appearances on Angelo Harmsworth’s Lime Lodge label, multiple remixes throughout the enmossed catalog, and the new recording project Awa Awa. 𝑊ℎ𝑜𝑙𝑒 is a subtextual primer to the recorded output Alie has amassed to date. Alie’s attention to momentum on 𝑊ℎ𝑜𝑙𝑒 is prescient as the selections expand over the generous seventy-two minutes of listening experience over sides A and B. 𝑊ℎ𝑜𝑙𝑒 provides joyous catharsis through well-earned reflection.

---

Alie functions as a channel, space and expression of sounds, frequencies and vibrations. These may materialize in form of tracks, sound pieces or co-creations, ready to be transmitted to all - vibrating on a resonant frequency. When playing records, Alie’s focus creates an oscillating flow between ambient, experimental and fast forward sounds.

---

recorded by Alie
audio finalized by Glyn Maier
artwork by Alban Rosenberger
all proceeds to Viveka Hermitage - vivekahermitage.com

Whole

Alie - Whole [Side A Excerpt] (ENMX-17)

Though recorded before the Russian invasion of Ukraine in February of 2022, Oleksandr Demianenko’s 𝐼𝑛 𝑀𝑒𝑚𝑜𝑟𝑦 𝑂𝑓... cassette very much serves as a meditation on the importance of preserving art, culture and roots at a time when war threatens to erase all of them. Dedicated to the memory of the late Olga Fedoseevna Sergeeva (1922-2002), a folk artist whose voice is featured in legendary director Andrei Tarkovsky’s 1983 film 𝑁𝑜𝑠𝑡𝑎𝑙𝑔ℎ𝑖𝑎, Demianenko immerses tape-looped snippets of Sergeeva’s singing - culled from field recordings made in her village - in layers of synthesizers and pedals. The result is an invocational auditory experience that, bridging the worlds of traditional folk music and modern ambient, coaxes Sergeeva’s spirit out of the past and into our tumultuous present. The fact that Demianenko used first-takes exclusively only intensifies the living presence already embedded in this striking music.

At the same time, 𝐼𝑛 𝑀𝑒𝑚𝑜𝑟𝑦 𝑂𝑓... contains deeply personal dimensions for Demianenko. “As a child, I spent a lot of time in my homeland. I often heard the folk singing of my grandmother and her friends,” he says. “To me, [this music] is also a fond memory of my childhood and adolescence in my native village in the forests of Ukraine.” So while the pieces certainly exude the aforementioned somberness, they’re also gently pastoral and heartening reminders of a homeland and Demianenko’s love for Ukraine.

eleases July 26, 2022

Recorded by Oleksandr Demianenko in one take
Audio finalized by Glyn Maier
Source 120mm photograph for design by Oleksandr Demianenko
Design by RJM Vanderheyden
Text by Justin Farrar

IN MEMORY OF...

ENXPL BANDCAMP $

ENXPL14 - OLEKSANDR DEMIANENKO - A2. SEGMENT 2

Five mixes, around five hours of music going from old school industrial to dub to ambient to field recordings and beyond!

@ideal-recordings
@shane-english

Tracklist :
Human Head Transplant - Beyond Time (1987, US)
P. Children - Social Life (1988, US)
La Sonorité Jaune - La Boucle Du Desir (1987, France)
Duppi - はつねつのみやこ (1986, Japan)
Vendrame - Mind (1987, Switzerland)
Kaiser Nietzsche - As This Is (1988, Canada)
Raksha Mancham - Asleep Behind The Death (1987, Belgium) Bernard C. - Night In Cold Desert (1981, France)
Mentocome - Untitled (1986, Germany)
Solanaceae Tau - Animal Touch (1988, Germany)
Maybe Mental - Quiet (1985, US)
Polidrico - Segunda Muestra [excerpt] (1984, Spain) Capricorni Pneumatici - Adramelech (1989, Italy)

iDEAL Recordings Takeover • S.English "Oracular Patterns"

info: https://radio.syg.ma/episodes/fermata-steel-songs
https://soundcloud.com/nikitamillennialrain

fermata

fermata – steel songs

info + tracklist: https://radio.syg.ma/episodes/fermata-w-geklaper
https://geklaper.bandcamp.com/music
https://soundcloud.com/geklaper

fermata w/ Geklaper

two zero two three

Forty third episode of our "States United" show on @n10-as, with guest @tofudj

States United 43: tofudj

@tofudj played an hour of deep tactile tracks for our latest show on Noods.

Twin System with tofudj // NOODS // 8.7.23

Watch the music video here: https://www.youtube.com/watch?v=kJEos2XfIiE

listen/buy the full album,  𝑾𝒊𝒔𝒉 𝒀𝒐𝒖 𝑾𝒆𝒓𝒆 𝑵𝒊𝒄𝒆𝒓 [ENXPL19]:
https://enmossed.bandcamp.com/album/wish-you-were-nicer
https://psychicliberation.bandcamp.com/album/enxpl19-wish-you-were-nicer

Video by Adriana João
Sound by usof
Audio finalized by Glyn Maier

https://adrianajoao.com
https://linktr.ee/usofusofusofusof
https://enmossed.org
https://nickklein.work

Wish You Were Nice

watch

Brat [ENXPL19]

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, and is interested in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series. Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed.
Glass elevators, an unknown hotel lobby piano recital, office toilet rants, window side night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as “Sound Fiction”, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue. She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled ‘Sound Fiction,’ she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event ‘Sorrow Club Seoul’ since 2019.

ACCEPT ALL COOKIES

PURCHA$E

ENXPL22 - JIYOUNG WI - A3. SWIPE LEFT

Makoto Oshiro, from Okinawa and now based in Berlin, has developed an artistic practice spanning sound, site installation, field recording, language, instrument design, and more for over a decade. His performances and installations have spanned the globe, regularly appearing in Japan, China, Taiwan, Germany, England, the US, and further - often collaborating with other artists, most recently with Nick Klein on the album 𝑺𝒑𝒂𝒄𝒆𝒅 released by the cult Italian label Superpang last year.

𝑺𝒕𝒂𝒄𝒌𝒆𝒅 documents four live and studio performances from 2020-2023 in Tokyo and Berlin, and marks Oshiro’s first solo album since 2014. Small electro-mechanical devices made by Oshiro, which he calls 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴, are coaxed into physically generating sound by rapidly opening and closing relays. The speed of the relays is controlled by Oshiro, producing a distinctive clicking (“𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪…”) at lower speeds - then bursting into squeals, squawks, and drones at their maximal activity, occasionally creating sympathetic harmonics with the surface they have been placed upon. Functioning as acoustic oscillators, numerous 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴 build a richly layered environment, approaching sonic phenomenon at its most fundamental aspects.

These recordings bridge installation and performance, machine and organism, abstract and physical, subconscious and rapture - especially on the title track 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, with over 40 minutes of densely unfolding square waves and their superpositions.

Listen loud, lay down, walk around, meditate, stretch, and wander through the void.

STACKED

ENXPL21 - MAKOTO OSHIRO - A1. TALK TALK TALK

Makoto Oshiro, from Okinawa and now based in Berlin, has developed an artistic practice spanning sound, site installation, field recording, language, instrument design, and more for over a decade. His performances and installations have spanned the globe, regularly appearing across Asia, Europe, North America, and further - often collaborating with other artists, most recently with Nick Klein on the album 𝑺𝒑𝒂𝒄𝒆𝒅 released by the cult Italian label Superpang last year.

𝑺𝒕𝒂𝒄𝒌𝒆𝒅 documents four live and studio performances from 2020-2023 in Tokyo and Berlin, and marks Oshiro’s first solo album since 2014. Small electro-mechanical devices made by Oshiro, which he calls 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴, are coaxed into physically generating sound by rapidly opening and closing relays. The speed of the relays is controlled by Oshiro, producing a distinctive clicking (“𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪…”) at lower speeds - then bursting into squeals, squawks, and drones at their maximal activity, occasionally creating sympathetic harmonics with the surface they have been placed upon. Functioning as acoustic oscillators, numerous 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴 build a richly layered environment, approaching sonic phenomenon at its most fundamental aspects.

These recordings bridge installation and performance, machine and organism, abstract and physical, subconscious and rapture - especially on the title track 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, with over 40 minutes of densely unfolding square waves and their superpositions.

Listen loud, lay down, walk around, meditate, stretch, and wander through the void.

𝑻𝒂𝒍𝒌 𝑻𝒂𝒍𝒌 𝑻𝒂𝒍𝒌 and 𝑵𝒆𝒘 𝑷𝒉𝒂𝒔𝒆 recorded at UdK Berlin Sound Studies and Sonic Arts Studio in 2022.
𝑾𝒂𝒏𝒅𝒆𝒓 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝑽𝒐𝒊𝒅 recorded at Morphine Raum (Berlin) in 2023.
𝑺𝒕𝒂𝒄𝒌𝒆𝒅 recorded at Permian (Tokyo) in 2020.

–--

Makoto Oshiro is a Berlin-Tokyo based performer and artist. His primary medium is sound, but he also combines other elements including light, electricity and movement of objects. In live performances, he uses self-made tools and instruments that are based on electronic devices, every day materials, and junk. His installation work handles sound as a physical and auditory phenomenon, and focuses on characteristics such as vibration and interference.

He is also a member of the live installation / performance group The Great △(夏の大△) with Takahiro Kawaguchi and Satoshi Yashiro, and runs the label Basic Function. 

---

Audio finalized by Glyn Maier
Design by Dominique S

Stacked

Makoto Oshiro - Wander Through The Void (ENXPL21)

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, with an interest in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series.

Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed. Glass elevators, an unknown hotel lobby piano recital, office toilet rants, windowside night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

---

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue.

She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event 𝘚𝘰𝘳𝘳𝘰𝘸 𝘊𝘭𝘶𝘣 𝘚𝘦𝘰𝘶𝘭 since 2019. 

---

Voices by Windy Kim, Carl G., Schang09
Piano by Sungeun Lee
Audio finalized by Glyn Maier
Design by Dominique S

Accept All Cookies

Jiyoung Wi - Walking Tumor (ENXPL22)

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

Label ran by @nick-klein
contact: psychicliberation@gmail.com

For the physical and digital purchasing of PSYCHIC LIBERATION/PRIMITIVE LANGUAGES :

www.psychicliberation.bandcamp.com

ENXPL14 - OLEKSANDR DEMIANENKO - A2. SEGMENT 2

PL/PSYCHIC LIBERATION/PAIN LIBERATION

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