Dance / EDM

Drone and experimental

Chill-out and BoC-inspired

A bunch of Berlin-school inspired and otherwise sequence-driven tracks in a similar style.

Berlin School and Sequences

100% Sub Phatty (including percussion) with some reverb and delay. Multi-tracked my new Moog Sub Phatty to see what it really sounds like (7 tracks). It's an angry mutha -- not your typical Moog sound, although you can hear it in the roots for sure.

Do yourself a favor and listen with headphones or something with a good bit of low end. That's where the Sub Phatty lives.

If the start of the sweep at the beginning isn't rumbling your gut, download the source file for the full sound. Phatty loses a lot in soundcloud compression because it has so much bottom end.

If aggressive isn't your thing, I have some smoother sounds here http://www.youtube.com/watch?v=y1vFyoYNsVs

I got a Sub Phatty and it's pissed

The filter on the sub phatty, without any effects of any sort. Download the source file for close to full dynamic range. Recorded into Audacity and exported as 24 bit FLAC at best quality settings.

Made sure it wasn't peaking in the recording; all the distortion is from the phatty.

Many filter sweeps, taking multidrive to zero and back, and playing with the oscillator waveforms.

If aggressive isn't your thing, I have some smoother sounds here http://www.youtube.com/watch?v=y1vFyoYNsVs

Sub Phatty Overdriven Filter

Straight demo of a sound. Nothing musical, just something to exercise the low frequency response of your speakers/phones. 

Fairly massive bass sounds from the Sub Phatty. This is getting into Taurus territory.

Panel settings: https://1drv.ms/i/s!AnUJ1LAGIrMDoh_ujVH1wSk64iaV (updated link)

The key here, not visible in the photo, is having the mod wheel up about 1/5th letting just a slight amount of wave modulation through the LFO. It makes a difference. Also, the two oscillators are overdriving the input. Back them off to around 6 and you get a more subtle version. Lots of interesting sonic possibilities just in tweaking the mix of those two.

24db LP filter.

Recorded straight into Audacity at 48khz without any filters or modifications.

As always, download the file if you want to hear what it sounds like without SoundCloud compression. 24 bit max-quality FLAC file you can listen to using VLC media player.

Moog Sub Phatty Deep Taurus-like Bass

Trying out various settings in my new El Capistan. Sound source is my Synthesizers.com modular synth, sequenced from an Elektron Analog Four. Running a really basic sequence with only a few variations. Focus was to try out different parts of the pedal effect.

DotCom->Pedal->Computer. No other effects.

Modular El Capistan

A long track of some ambient pads and a few others sounds. 

Alchemy, Omnisphere, Moog Sub Phatty, El Capistan and lots of Valhalla goodness.

Cheesy name because I never name stuff, but thought I would give it a shot. :)

Drifting In The Oceans Of Europa

Drone. Listen to it on big ass speakers or a really good set of headphones.

Or "The day the key stood still"

Centerpiece is the Sub Phatty through the El Capistan. 

Supporting parts include some Slim Phatty stuff completely mangled by Valhalla UberMod, several tracks of Camel Audio Alchemy, a track of Spectrasonics Omnisphere and, of course, plenty of Valhalla shimmer.

Many of the pieces in here are very subtle. Listen closely.

Cubase view: http://www.flickr.com/photos/psychlist1972/9462252627/

Proxima Filterii

Drone using just the Sub Phatty and the El Capistan. Recorded into Audacity.

I taped down the low C and played with a number of different controls on the SP to see what types of interesting drone-friendly sounds I could get out of it, without causing too much ear damage with beating and overdrive :)

Starts off seriously low. Great if you have big ass speakers in your room, or some spacious over-ear cans.

Sub Phatty And El Capistan Drone

Crazy resonance sound effects. 

Logically two synthesizers in use here.

Patch included two oscillators in series used to modulate the filter applied to a third oscillator. 

The second synth had another oscillator with a noise source before its input voltage and then had a sequencer modulating its filter. 

Each synth had its own delay which then fed into the mixer and then the output module.

Crazy sounds abound. Recorded directly into Audacity with no effects other than the littleBits themselves.

littlebits / Korg Synth Crazy Resonance Sound Effects

Quick demo just to see what the Shruthi XT sounds like. Not attempting any sort of meaningful performance.

I just built the XT this week and don't yet have any patches on it, so all the sounds you hear are from me tweaking waveforms, filter, envelopes, LFO etc. on the front panel.

I'm waiting for my TubeOhm Transistor Ladder filter PCB. Once I have that, I'll be able to use the awesome Moogish filter they've built. For now, the XT has the stock SMR4 filter which is ok, but not exciting. It's even less exciting because I haven't calibrated it yet and so the resonance seems really off.

About halfway through this I found the cool "vowel" wave. I had a lot of fun with that :)

I set up a loop on my FutureRetro Orb, connected it to the XT and then MIDI out/thru from the XT to the beats for synchronization. 

The Shruthi is running through my Strymon El Capistan because it's painful to go dry.

This is the Shruthi XT. If you have any kit building experience, you'll find the build a breeze.
http://mutable-instruments.net/shruthi_xt/

Shruthi XT And Volca Beats

Stuff used:
- Dotcom modular: pulsing bass and main sequences(four oscillators, one sequencer, lots of LFOs and other stuff)
- Strymon el capistan: on the main dotcom line
- Oberheim SEM: gurgling background
- Moog Sub Phatty: noise

Valhalla shimmer and valhalla vintage verb on the tracks
Recorded live in Ableton Live.

Sorry about the clipping. I'll blame it on me being new to Ableton Live and not having a template with all the right levels all set.

I should be sleeping

Journey to another world to find the source of the transmission.

I spent a fair bit of time with this, trying to get better at mixing in a way that isolates different sounds and lets them stand out. I still have a lot to learn. :) There's still a little distortion in there, but that's from the input side on the modular.

Equipment:
=====================
Smooth lead sound: Sub Phatty
Explosion-ish sounds: Sub Phatty
Main Sequence: Three MOS-LAB Moog 921b oscillators, 904 LP filter, and lots of modulation points. STG Pulse matrix for added fun. Other support modules as well.
Secondary Sequence: Same CV as main sequence, but through two dotcom oscillators and LP filter plus a Super Sawtor. Also modulated, enveloped, and tweaked. Towards the end I patch this into a slew limiter and start messing by hand with the envelope as well as the filter frequency and resonance.
Drums and assorted mini sequence bits: Analog 4. The A4 is also running the show here through its CV outs. I vary the total length of the sequence between 4, 8, 12, and 16 steps a number of times throughout.
Pads: Alchemy and Omnisphere
Radio sound: Tune in Tokyo

Recorded in cubase. Main sequence and sound effects all live with some editing. Lead and pads overdubbed.


Transmission Source

Nothing musical here. Just demonstrating the types of sounds you can get from this combination of oscillators, mixer, and filter.

Ran the Three MOS-LAB Moog 921 Oscillators through the 904a filter (oscillators mixed using STG mixer), and messed with it a bit. You'll hear the three sawtooth waves followed by the three square/pulse waves (with PWM). I add in a second envelope and do a bit of arpeggio while noodling a bit.

No effects or any processing. Recorded directly into audacity. I wanted you to hear the raw sound of this synth voice. It's friggin *huge*.

MOS-LAB 921 And 904a Test 2

A piece created entirely with the Intelljel Atlantis. All sounds, including drums and leads, are from that module, recorded in multiple takes.

Sequencer for drums, bass, etc: Intellijel Metropolis.

Leads and other misc stuff performed via MIDI->CV interface and a keyboard.

MIDI Clock and keyboard CV interface: Mutable Instruments Yarns.

Effects: Bunch of Valhalla DSP stuff.

Intellijel Jam

I'm supposed to be preparing to present the workflow for this (unnamed) upcoming third-party app, but I got so engrossed in the simplicity of combining all the available loops and beats. I don't usually work that way (this is literally 21 tracks of all pre-made loops with some minor manipulation and effects), but especially for a beginner, the workflow is excellent.

First evening using this app myself.

Test Project 1

Started by recreating the "Sub Phatty Girth" patch as close as I could in a short time. It's close, but not there yet.

Then, walked through every patch. Playing blows, but the point is to hear the patches and let them speak for themselves.

Youtube version http://www.youtube.com/watch?v=bjdv1w81tUY

Moog Sub 37 Preset Patches (not musical)

One of my favorite presets is "Lyrical Theremin". I played a few notes while I changed the filter frequency, oscillator mix, sub oscillator, oscillator waves, feedback, multidrive, resonance, and more. This is a very hands-on instrument.

Reverb is via Valhalla plugs. Recorded into Cubase.

Moog Sub 37 Lyrical Theremin Patch

Took one of the preset patterns on the analog rytm and made a very minor change, and then noodled over it in multiple tracks, repeating the same short theme throughout.

The drums and occasional chord are from the rytm (you hear them at the very beginning, before the Sub 37 bass kicks in). The rest is the Sub 37.

Proper Motion (Sub 37 and Elektron Analog Rytm)

All sounds from the Korg Mono/Poly (with scratchy pots I need to clean)

Mono/Poly Mission

I'm working on a polyphonic Moog Slim Phatty setup. (You can also do this with Moog Little Phatty, Moog Sub 37, Moog Minitaur, and I believe with the Voyager.)

I've been slowly building it over some time, buying used Phatty synths from Craig's list and eBay. (in addition to the one I bought new, years back)

I thought I'd post this very short two-voice teaser of what it can sound like. First, without any effects, and then with a fair bit of reverb and a little chorus.

I didn't care for the Slim/Little Phatty as a mono instrument, but as a monster poly, it's got real potential.

The final version will have 6 voices. I'll use my modular for additional modulation. My intent is to use it mostly as a pad machine, and see how far it'll go. If I come up with good patches for this (the presets are mostly useless for poly), I'll make them available to others who want to do the same.

Poly Phatty: Two-Voice quick sample (Moog Slim Phatty)

Patch demo, not music.

Same effects chain as the two voice demo (long reverb and slight chorus), but with four voices this time.

The synth is almost complete. I have the rack, power, and four phatty synths. Waiting on the patch bay, rack mixer, and final two phatty synths.

Moog Poly Phatty Four-Voice

Six Slim Phatty modules in a poly chain.

Crap playing while I was leaned over tweaking knobs in a rack (I don't yet have my controller set up for editing the phatty sounds).

No effects. Recorded directly into Audacity.

6 Voice Poly Phatty - Raw

Another demo of my 6 voice Moog Poly Phatty (6 slim phatty synth modules treated as a single synth)

Focus this time is more on the type of pad sounds I'm going for with this.

I still haven't experimented with things that are off the front panel (filter poles, for example), but it gives you a good idea of what it can do.

Effects:
- Just enough chorus to make it stereo (this deserves a nice analog chorus. Might need to get an old Roland)
- Simulated tape delay

No reverb or anything else. Most of the detuning, tails, and "cloud" are all from the poly phatty itself.

The pads in the last half or so (right after the keys sounds) are some of the types of sounds I was shooting for with all this.

Thread with build details:
http://www.gearslutz.com/board/electronic-music-instruments-electronic-music-production/967799-building-out-my-poly-phatty-slim-phatty-poly-chain.html

Moog Poly Phatty 6 Voice 2

Simple drone. Mostly low register, so you need good speakers or headphones.

My Moog Poly Phatty through a Roland RE-301 Chorus echo. No other effects. Recorded into Audacity.

Osireion (Poly Phatty RE - 301 Drone)

Testing out brand new Akai Rhythm Wolf. I don't use the bass from the wolf at all, but instead have the gate out clocking the arpeggiator on my SH-101

Teardown photos: https://www.flickr.com/photos/psychlist1972/sets/72157648484581013/

My SH - 101 Cried Wolf

Messing around live. 

Bass is on-board Akai bass. Sound effects are the Dreadbox Erebus, being gated by the Rhythm wolf. Playing with delay there.

I use the tube overdrive on the synth output of the Rhythm Wolf at times. Not sure I really care for that sound, but this is just messing around anyway.

Next time, I'll play with the bass parameters more to see if it can get at all squelchy.

Rhythm Wolf and Erebus

Ran the Rhythm wolf synth part through a Behringer Vintage Tub Monster.

Nothing fancy, just wanted to see what the synth could sound like. It doesn't have a ton of character, but it's workable.

Dirty Rhythm Wolf

A little something vaguely in the style of Boards of Canada. Mostly trying out my Rhythm Wolf and learning what it can do, and what it's good at.

YouTube version: https://www.youtube.com/watch?v=MAY7rV8-m4c

Percussion: Akai Rhythm Wolf
Main four bar riff: Dreadbox erebus
Lead : Roland SH-101
Intro: SH-101 with the Rhythm Wolf synth under it.
Deep bass in second half: Roland JD-800

80bpm using the internal clock in Rhythm Wolf.


Original photo source:
"sidewalk" by Flood G.
Thank you for making this photo available via Creative Commons.
Direct link:
https://www.flickr.com/photos/_flood_/8194589648/in/photolist-du8q1q-p99Fin-5rgCj-ikdUPj-5fasm7-8LHqKb-5sQB8-oVMQL-dEzMQg-fd9grL-pvjaDN-jSyzs-jbskb-oVRPk-bbdXEv-dEzMDk-6fawgA-jSEJZ-jSGj6-5C2czd-asEwxa-jSy9r-jSCHG-jSAzJ-oVQFG-oHcYJY-govuMA-moboJ-oeJsZ-9mjBeV-7S1mW-jSxLL-4TsrPj-jSB3i-mcXTjb-jSATi-9WsQ5C-mBtVN-7GqAh4-87kdhF-9bKYn-9XYmpn-fTsATk-8nn2i2-6hJTqV-oVQ3W-jSHnw-jSEWW-qhJW5o-jjtDz

Sidewalk

Ambient/Drone from my Erebus, JD-800, and Rhythm-Wolf. Lots and lots of effects. 

Be careful of your ears and speakers. This howls a bit at times.

Europan Ice

I was asked for a version 5-6 minutes long for internet radio. Here you go :)

Details in longer version here:
https://soundcloud.com/psychlist1972/sidewalk

Original photo source:
"sidewalk" by Flood G.
Thank you for making this photo available via Creative Commons.
Direct link:
https://www.flickr.com/photos/_flood_/8194589648/in/photolist-du8q1q-p99Fin-5rgCj-ikdUPj-5fasm7-8LHqKb-5sQB8-oVMQL-dEzMQg-fd9grL-pvjaDN-jSyzs-jbskb-oVRPk-bbdXEv-dEzMDk-6fawgA-jSEJZ-jSGj6-5C2czd-asEwxa-jSy9r-jSCHG-jSAzJ-oVQFG-oHcYJY-govuMA-moboJ-oeJsZ-9mjBeV-7S1mW-jSxLL-4TsrPj-jSB3i-mcXTjb-jSATi-9WsQ5C-mBtVN-7GqAh4-87kdhF-9bKYn-9XYmpn-fTsATk-8nn2i2-6hJTqV-oVQ3W-jSHnw-jSEWW-qhJW5o-jjtDz

Sidewalk (Radio Edit)

Sequence I made last night while trying out the new Korg SQ-1 sequencer.

Equipment:
- Chords and drones: Roland JD-800
- Lead: Roland SH-101
- Bass Sequence: Hypersynth Xenophone
- Second sequence: Dreadbox Erebus
(Both the Erebus and the Xenophone were sequenced with a Korg SQ-1)
- Sound effects: Camel Audio Alchemy

Recorded in Cubase 8.

Retrograde Transit

Both basslines: Dreadbox Erebus
Higher sequence and lead: Yamaha CS-15
Strings: JD-800
Choir and radio: Omnisphere 2. Radio was processed with Plogue Chipcrusher.
Misc synth: Korg Mono/Poly
Sequencer: Korg SQ-1
Effects; Mostly Valhalla DSP

Recorded in Cubase over a couple takes.

Perigee

I build a little adapter box so I could integrate the Phenol with my other synths, and I wanted to test it out. A live jam with the Kilpatrick Audio Phenol, Yamaha CS-15, Korg Mono/Poly, and a Strymon El Capistan.

Starts off with a drone from the Mono/Poly. Then a sequence with the CS-15 comes in. Finally, I add in a sequence with the Phenol. Live-played stuff is on Oscillator 2 on the CS-15. Oscillator 1 is sequenced.

Grungy recording. Lots of lo-fi stuff going on. Bunch of clipping, too. No apologies. :)

I ended up taking the Phenol sequence here (not the recording, just the sequence itself) and working it into a new piece:
https://soundcloud.com/psychlist1972/major-atways-nightmare

CS15 - Phenol - MonoPoly Jam

A little something in an approximation of the Tangerine Dream/Berlin School style, with maybe some Carpenter thrown in to confuse things. Really love the tightness of the MOS-Lab moog modules on that pluck bass.

Video version:
https://www.youtube.com/watch?v=dGX6JEJwOcc

Flute: Omnisphere
Bass drone : Korg Mono/Poly, latched (introduced with flute)
High sequence: Kilpatrick Phenol, Korg SQ-1 (first sequence heard)
Classic-sounding sequence: 3-osc MOS-Lab Moog-style Modular, SQ-1, El Capistan (second sequence, introduced with drums)
Drums: Roland TR-8, clocked from SQ-1
Resonance sequence: Yamaha CS-15, two 8 step sequences, one per oscillator. Korg SQ-1 (tuning went all funky on the CS-15, but I kept it in anyway)
Explosion: Camel Audio Alchemy

Everything except flute and explosion recorded live in one take into Cubase 8 on Windows 10.

A bit of a hint on the name https://en.wikipedia.org/wiki/Tangerine

Major Atway's Nightmare

Messing around with the arps and sequences on the new DeepMind 12. Restricted myself to just presets.

Multi-tracked in PreSonus Studio One on Windows 10, with no additional effects. All sounds as-is from the DeepMind 12

DeepMind 12 Sequence

Gave a shot at something with a beat. Listen to it on something with decent low end -- the second half has quite a bit.

Video: https://www.youtube.com/watch?v=NhuckXYxPHI

HW Synths: Korg Monologue, Arturia Matrixbrute, Novation Bass Station II
SW Synths: Plogue Chipsounds, and Plogue Chipspeech

Voice Sample is from the movie Electric Dreams.

Recorded and arranged in Bitwig Studio 2.1

120bpm

I am the Computer

A sequence I quickly recorded this evening. Enjoy with headphones or good studio monitors. Lots going on in the low-end here.

No melody or anything, and minimal movement. Mostly just enjoying the sound of various ladder filters.

Equipment used:
3x Moog Mother 32 (mostly the drone stuff)
2x Behringer Model D (two sequences)
1x Moog Model D Reissue (big farty sound)
2x Korg SQ-1 Sequencers (sequencing the Behringers)

Recorded live into Presonus Studio One on Windows 10.

Master bus had iZotope Neutron and also Valhalla Vintage Verb to tie things together.

One of the Mother 32 tracks also had the AudioThing OuterSpace (Roland Space Echo tape clone)

Video version: https://www.youtube.com/watch?v=jaFYPNWrIAg

Endless Ladders [Mother 32, Behringer D, Moog Model D Reissue]

Big Behringer D Sweep

YouTube video version:
https://www.youtube.com/watch?v=raZpmmfsm2I

All sounds from Novation Peak. A couple presets, and some of my own stuff. Sequences done using on-board arpeggiator on the Peak, clocked from Studio One. Multi-tracked, of course.

Very slight EQ and limiter after the fact, using Ozone. Otherwise, no external effects. Some distortion was intended, some was not. 

In case folks are interested:

- Intro feedback pads are modified preset. Love this patch.
- Bells starting around 1:04 are preset. I recorded it twice and use those clips throughout
- Supersaw drone/pad starting around 0:53 is from scratch
- Robot noises at around 1:20 are preset
- Berlin bass is a simple 3 osc patch I made, 8 voice unison (sounds about the same at 4 or even 2 voice because I didn't use a lot of spread)
- Secondary bass around 2:21 is modified preset
- Drums starting at 2:29 are modified percussion preset combined with modified bell preset. Like the bells, I recorded this once and then duplicated it on the grid.
- High sequence starting at 2:54 is a variation on that Berlin Bass patch
- Pad you hear starting around 3:30 is modified preset
- Closing high sound that comes in around 3:54 is preset

Distortion came in from four places
- Intentional distortion effect use
- Filter overdrive
- Adding noise to patch (just sounds like distortion)
- High resonance (mostly unintentional)

My audio interface was never overdriven.

Screen shot of Studio One project here:
https://www.flickr.com/photos/psychlist1972/44361671612/in/album-72157656152472382/

Hybrid Horizon [Novation Peak Berlin Sequence / Demo]

I asked Synth Memes what I should title this. There were a lot of replies, but Pierre-Alexandre Laberge, Johan Zeitler, and Jan Jansens won here, creating a title as enormous as this masterpiece :)

This is not music. It's the sound of my 8 voice Moog Poly Phatty calibrating through a Dreadbox Hypnosis. I have recorded it to feed your pleasure, or misery. You decide.

Recorded in Audacity, so kind-of a DAWless Jam, too :D :D

Recommended uses:
- Crank up and leave running in loop in your apartment while you shower, or go out for groceries, or go on vacation.
- Play at full volume to see it it contains the brown note
- Use to scare off synth-unaware kids at Halloween
- Play on an airplane and keep asking what that noise is

Sounds from OMG MAKE IT STOP

Calibrations IV: Wild Moog ASMR Mating sounds (the most boring thing you can do with 8 Moogs)

Not music. 

I had to amplify the hell out of this. But this is the background noise with the Hypnosis set on some pretty extreme settings for output level, etc. Super cool. It's like an electronic beach.

Robot Beach - Dreadbox Hypnosis Background Noise

Beginning segment of a track i'm messing with. Currently uses a Rhodes Chroma Polaris (most of the intro) and Behringer Odyssey (sequence and some drone stuff)

Final track here: https://soundcloud.com/psychlist1972/polaris-c

2019 - 10 - 16 - Snip - WIP (Incomplete)

Berlin school track.

Created with the Behringer Odyssey and Rhodes Chroma Polaris

YouTube version:
https://www.youtube.com/watch?v=dJWQkpvx8jk

Polaris C

Don't mind me. :) I found it amusing that this was basically the instant early Danny Elfman Edward Scissorhands-era-type patch once you add reverb.

Eric Scissorhands - Eric Whitacre Choir patch

A bit movie soundtrack, a bit classic Diablo, a bit of ... well, who knows? :)

Starts off with ambient soundtrack-type things going on, and then ventures into some classic Berlin school-type work, with a twist or two.

Title is a bit of an homage to a game I used to play in 5th grade on the C64.

YouTube Video
https://www.youtube.com/watch?v=mZuXMA5MzC4

YouTube Video (just part 2 with the Berlin sequence and drums)
https://www.youtube.com/watch?v=GiMiQE_4414

Image source and license link:
https://www.flickr.com/photos/14079872@N00/14958276333/in/photolist-oMP5q6-89m4v2-89m4yv-arfo5J-bGB3Z-78Vn5T-4XYyoo-LScht-24CurCX-UEZPmM-9gDZei-47rYqp-2GxPZ-bL2YxT-6k6aLx-3g56C-7c4TNp-K4VoM-6HPpnb-bp4W1-fuGzrj-e4oUHw-2hjxxq1-44xSJr-6LPG2s-QMe17d-4UYsPi-6PquQd-2wrnJE-5maMmr-4D11tV-8MXrsp-51ivQw-Zx7kmd-28hkkzi-24Fa8NZ-pWYqeZ-RR5RnF-2hyQr52-8zrQkY-5zoP4A-c64Q-t1V3F-vfYZJb-5XXYoN-nS4Efv-4DUtZH-t1V3C-3aRhCG-7cHmNQ

Below The Root Parts 1 And 2

It's noisy out here at 5:30 in the morning

Birds At 5:30am

Noisy recording of frogs on the outskirts of our yard, at around 10pm during the last week of June

Frogs At 10pm

Very much a work in progress.

Posting because I played it for my almost-12yo daughter and she asked "Why do you always make elevator music?" Much ouch.

Oh, and from my own listening: the snare sounds like a staple gun.

Excerpt Of WIP Dub With Crap Snare

I went back to this track because the original wasn't quite what I wanted. This is closer. This one has a little more virus and a little more omnisphere (the squeaky arps in the middle) than the previous one. Instruments are all the same. It has veered quite far from the original BoC influence, but that's ok with me :)

HW Synths: Roland JP8080, Moog Slim Phatty. Main riff on an Access Virus TI snow. 
SW Synths: Omnisphere
Drums: Maschine (shamelessly ripped from stock patterns)
Reverb: Valhalla Shimmer
DAW: Cubase 7

Related YouTube video http://youtu.be/u4h1tV8FakQ

Downtempo v2

Author. Speaker. C64/SID Fan. Electronics n00b. Programmer. Woodworker. Amateur deep space astrophotographer. Work at Microsoft, on MIDI and more, to fund my hobbies and help invent new ones. I like to play with sound. I'm Chair of the MIDI Association executive board.

Pete Brown

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