meltedCortex and related

SOSA - Bugbeat

And just like that, a new label was born!

The humble kick drum. The foundation on which every good dance record is built. The right ones just work, but pick the wrong one and your track will sound like tomato soup in the club. No one likes tomato soup in the club, trust us.

Kick Drums is Kyle Watson's first release on his new label No Context, and it's one of those records that blows up the DM's after it gets teased. He's dug deep into his satchel of saturated sounds and crafted possibly the biggest foghorn hit this side of the Atlantic. Pair that with a simple vocal repeat and a pulsing kick drum pattern that answers the call, and you've got yourself a club weapon right there.

This is just the beginning.

Kyle Watson - Kick Drums

Kick Drums

Kyle Watson - Kick Drums (Original Mix)

Brooks - sC (Glon Daniels 8080 remix)

locked up

Um levante para a sexta-feira é sempre bom, não é? Hoost apresenta 'High' que vem com um swing envolvente.

Hoost - HIGH (Original Mix)

wrapped

eeer

Uquequi é perto (What is near)
uquequi é longe (What is far)

viraipora
quiçåtoran

.... Pensa-se melhor andando...
... Think it better walking ...

Maria Viraipora

Psychotic Surge: An Anti-Musical Cartography

Between Rio de Janeiro's humid nights and the Bay Area's electric fog emerges a sonic territory that refuses naming. Psychotic Surge inhabits the threshold where structured rhythm dissolves into controlled chaos, where the predictable becomes uncanny. Here, experimental improvisations capture fleeting auras—each recording a unique fingerprint of temporal collapse, where early acid techno memories bleed into orchestral synthetic dreams, noise becomes prayer, and minimal compass constraints birth maximal expression.|

This is not music seeking approval but sound demanding participation. Like thought before language, these compositions exist in the space between intention and accident, where repetition becomes difference and structure emerges from its own undoing. The project traces a geography of becoming—each track a deterritorialized moment where voices merge with synthesizers not to communicate but to invoke presence itself. Concrete-musique fragments scatter across avant-garde landscapes, creating soundscapes that remember futures and anticipate pasts.

Listen not to understand but to inhabit. Each track opens a clearing where being precedes meaning, where the ear becomes an organ of ontological investigation. Enter these sound-worlds as you would enter memory—sideways, vulnerable, ready to be transformed. The psychotic surge event is not performance but ritual participation in the moment's aura, an invitation to dissolve the boundary between listener and listened. Here, in the grey area where music questions its own existence, you're called to witness sound's capacity to reveal what language conceals—the raw pulse of existence before it learns to speak. Engage these recordings as maps to territories that exist only in their crossing, where each listen births a new geography of sensation.