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Outrora - 218

Lindi II Rmx - Vs Tsune

…in the end, even stars choose destruction over life…

𝐭𝐡𝐞 𝐁𝐥𝐚𝐜𝐤𝐦𝐞𝐭𝐚𝐩𝐡ø𝐫 (@xblackphillipx & @nementia-astrophe)

Mixing & Mastering by: Nementïa Astrøphe

Memory and the process of interpretation and representation

Memory is a curious quality, for it shadows the reflection of the image that we hold in our minds, a plastic nature of associative thought experience that is subtracted from its context and that mutates each time it is recalled upon. This capacity of recalling the past becomes itself in a sort of relative necromantic experience, as it summons upon the dead, the banishing shadows of an event that is no longer present, and it uses it to pay tribute to the fulfilment of our needs. 

The transgression of time is the capacity of memory, the liability in which we sustain the very essence of our ego-based personality, as it gathers a notion of identity structured by contextual culture, which implicitly inherits certain models of relation on how to remember things and why to remember certain events (not meaning sociologically, but rather in a phenomenological experience), inquiring deeply into the reasons on why and how is it that we are triggered to this flashback of imaginary and scenarios and how does memory interact or interfere with the perceptual reality of an individual paradigm.

The conscious act of memory is triggered by a stimuli of sensorial quality, a thing on which we react rather than act upon. We decide to externalize the emotion, but for that suspense (that can become eternal or pass as unperceived) between receiving sensorial information and choosing to react accordingly, there is a physiological reaction pulls the body to want to assume certain expressions and gestures. Overwhelmed by an inner abstract force build from the core unconscious nature and expelled through associative/mimetic experience to our own endocrines, muscles and nerve systems. 

Nevertheless, scenarios within the art-related experience, there can be a places of conscious, conducted memory playfulness, as the individual not only lets itself be affected by the experience but also wonders on the sensations caused by the experience and by so, it applies dialogue into the thing that perceives the phenomenological experience, a volitional jump through the atemporalities of time that are being revived in flesh and sometimes even shared socially. The thing with playfulness though, is that it mediates error, it acts upon a model of imagery resemblance and it variates as it is being processed by different backgrounds that ultimately traces a web into the collective subconscious.

The Blackmetaph​ø​r

Mnemosyne Complex

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the Blackmetaphør - Mnemosyne Complex

Limited time [210BPM]

Na escuridão oculta e profunda da noite,
Desperta a magia proibida, sombria e afoita,
Segredos ancestrais, feitiços de poder sinistro,
No véu da obscuridade, ela tece seu manto misterioso.

Sussurros de sombras, rituais em segredo,
Cruzando o limiar do mundo conhecido,
Invocando forças que a mente não ousa sondar,
A magia escura proibida começa a dançar.

Em caldeirões fumegantes, poções se misturam,
Palavras em línguas antigas, que os lábios murmuram,
O olhar de um bruxo, profundo e penetrante,
Conduz à magia que é poder, mas também maldição constante.

No coração da noite, onde o medo reside,
A magia escura proibida encontra seu guia,
Mas aqueles que ousam buscar o seu poder,
Devem pagar o preço, que é sempre temer.

Pois a magia negra, com sua sedução traiçoeira,
Promete glória e poder, mas traz uma fronteira,
Entre o que é certo e o que é errado, entre luz e escuridão,
A magia proibida cobra seu tributo sem perdão.

Então, cuidado, ó alma inquisitiva e curiosa,
Com a magia escura proibida, sedutora e perigosa,
Pois o caminho das trevas é traiçoeiro e frio,
E quem se perde nele, muitas vezes perde-se no vazio.

The Obscurum Forbidden Spell

Dazkull Eghyrth x Ghost - Alta Visio Nocturna - [CinderVOMIT Master]

Cap V Dualidade (Ritual Banho De Sangue)

4) Psycorange- IKIGAI

"Chessboard As Code Art" by V.I.T.R.I.O.L. sounds like a fascinating exploration into the realm of computer-generated music and its philosophical implications. The EP seems to challenge traditional notions of music by embracing the capabilities of computational technology to create unique sonic landscapes.

The idea of music evolving beyond the traditional paradigm of musician and instrument, and instead being orchestrated by lines of code, opens up new possibilities for artistic expression. It democratizes music-making by making it more accessible to a wider range of people, while also pushing the boundaries of what can be considered "music" in the traditional sense.

The EP's questioning of what constitutes music in the artistic sense versus "just noise" is particularly thought-provoking. As technology advances and computational tools become more integrated into music production, there is a need to reassess our definitions and perceptions of music. Rather than dismissing computer-generated music as inferior or lacking in "feeling," it invites us to embrace the potential for innovation and creativity that these new tools offer.

The mention of sinuous and rhizomorphic plots suggests an organic and dynamic approach to composition, where traditional notions of representation and structure are challenged or discarded in favor of experimentation and exploration.

Overall, "Chessboard As Code Art" appears to be a bold and forward-thinking work that invites listeners to reconsider their assumptions about music and the role of technology in its creation. It serves as a reminder that art is constantly evolving and that embracing new forms and methods of expression can lead to exciting and transformative experiences.

Chessboard as Code Art

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3. Your ''self'' In Defragmentation (250 BPM) By V.I.T.R.I.O.L - EP Chessboard As Code Art

Lisdexamfetamine [FULL INSTRUMENTAL]

Plena Triticum - Goblenipi

Marya Sensolo (AKA Psycorange) was born in 1989 in Padova, Italy. She grew up in a family of musicians. At the age of 7 she begun to study piano with the support of her mum who is also an experienced classical musician. Later she branched out from the piano and took up what has thus far been an 8 year practice on mastering the cello, as well as exploring any other compelling aspects of influence, instrumentation and musical composition. 

Even though she was very immersed  in classical music, she felt the calling of modern electronic and psychedelic styles and influences. She found herself dancing and enjoying this energetic music attending many events in Italy and India and establishing her place in the community. During that time period an epiphany struck her pushing her towards the art of sound engineering and electronic composition she realized that this would be perhaps the ultimate step in her personal exploration of music, and the next step in the search of what to her is perceived as the most pure sound she can achieve. 

With that she began promptly producing her first psychedelic tracks. Early on in her explorations she began to realize that there were rules and standards in place with the pre-existing styles she had been exposed to and because of that she felt compelled to begin manipulating and bending the rules of these genres. 

Loosely classified as Darkpsy/Experimental psychedelic music,  Psycorange smoothly flowing arrangement style combines retro classical elements with futuristic grooves, spacious sound design, and a mixing aesthetic that is just so clean. Psycorange tracks  swell with feeling-envoking crescendos of complex sound design masterpieces that leave the listener checked out of body while being led through a skillfully composed flow of frequencies in the mind.

4) Psycorange- IKIGAI

Psycorange

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