Name: Ma Aandi Had (Part 2) (ft. Anissa Hassan) by pSYKOK
Duration: 3 min 16 s
Description: A sonic journey filled with mystery, introspection, and pulsating energy.

The journey ends where it began drifting into the vast unknown, where new mysteries await beyond the stars.

Returning to the Void

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

Une prière chantée, un hommage à l’infini. L’amour et l’exil se fusionnent en une seule mélodie sans fin. La voix de Ghost Of Maya est un souffle d’éternité, où chaque mot semble flotter dans l’air, gravé dans les âmes comme un fil d’espoir qui ne cesse de vibrer.

J'espère que ces gats capturent l'esprit de ton univers ! Si tu veux ajuster un élément ou ajouter d'autres touches, fais-le moi savoir.

Elle était et demeure [Dark Earl Edit]

"When We Sit Upon the Veranda" is the latest release from The Bartenders and Emma Hope. This captivating track is an adaptation of the Persian poem "Man o To," seamlessly blending modern blues, soulful grooves, and rock elements with ethereal vocals and poetic depth. The song showcases the band's evolution and the enriching addition of Emma Hope, offering listeners a unique and transcendent musical experience.

The Bartenders and Emma Hope
Originally formed in Toronto, Canada, by Johnny D. and Stephaan Rayes, The Bartenders have been renowned for their modern blues infused with soulful grooves and a touch of rock. Their signature track, "Hey Bartender!", captivated audiences with its infectious energy and catchy riffs. Known for their captivating live performances, they transformed every stage into a vibrant mix of rhythms, blending classic influences with a refreshing modern twist.
The band's evolution took a significant turn with the integration of Canadian artist Emma Hope. Emma brings a graceful feminine touch to the ensemble, enriching their sound with her ethereal vocals and artistic depth. Her presence has added new dimensions to their music, leading to a harmonious blend of styles and a more dynamic stage presence.
Together, as "The Bartenders and Emma Hope," they continue to explore and innovate, creating music that resonates deeply with their audience. Their latest release, "When We Sit Upon the Veranda," is a testament to their collaborative synergy and artistic growth.

Lyrics: 
When We Sit Upon the Veranda

O sweet the hour when we shall rest, 
 upon the veranda, thee and I,
 Two figures drawn, two forms apart, 
 yet breathing in one soul, thee and I.
 Unburdened by the world’s cruel lore, 
 its whispered doubts, its wayward sigh,
 O free from fate’s entangled threads, 
 we shall be lost in rapture high.

O sweet the hour when we shall rest, 
 upon the veranda, thee and I,
 Two shadows cast upon the earth, 
 yet bound as one beneath the sky.
 No weary thought, no restless woe, 
 shall steal the hush of love’s embrace,
 For thee and I, yet not as two, 
 shall merge beyond both time and space.

Two figures drawn, two forms apart, 
 yet breathing in one soul, thee and I,
 Unburdened by the world’s cruel lore, 
 its whispered doubts, its wayward sigh.
 For thee and I, yet not as two, 
 shall merge beyond both time and space,
 O sweet the hour when we shall rest, 
 upon the veranda, thee and I.


When We Sit Upon the Veranda (Man o To)

#Day_04 - Dusk Bloom 🌆 The sky deepens, colors fade—guitars swell in slow motion as twilight unfolds.


#Day_04 - Dusk Bloom

#Day_07 - Midnight Glow 🌙  Neon-lit rain, distant city echoes glimmering yet melancholic in its flickering beauty.

#Day_07 - Midnight Glow

A sonic journey filled with mystery, introspection, and pulsating energy.

Ma Aandi Had (Part 2) (ft. Anissa Hassan)

The Bartenders – “He Took the Oath”
Rare are the moments when Stephaan Rayes puts pen to paper. But when he does, it cuts like thunder in a silent town. “He Took the Oath” is a haunting dark country ballad drawn from dust, guilt, and ghost trails, written and performed solo by Rayes himself. His voice oscillates between a breaking falsetto and a deep, worn-out baritone a man both weeping and warning.
This song marks a defining moment for The Bartenders. Carried by stripped-back arrangements and emotional weight, it’s a spiritual successor to the old American lament yet feels timeless. Part of their upcoming debut album, the track leaves the door wide open for more stories in this vein: raw, true, and unforgettable.
Zachary Tali now behind the drums for good.
The rhythm section just got a heartbeat upgrade. 🥁🔥

LYRICS:

He Took the Oath
[Chorus - Refrain fantomatique] Ride, ride... Ride down that gravel road, The preacher’s gone ahead. Ride, ride... The preacher’s gone ahead, And we’re followin’ him slow, Oh we’re followin’ him slow...

[Verse 1 – The Oath Was Taken] He took the oath from our hands, Swore it in the name of the Lord. He took the oath from our hands, Gave his word, gave his word. Then he slammed his door shut, Kept the world outside. Turned away every neighbor, Left no soul to confide.
(Ride, ride... the preacher’s gone ahead)

[Verse 2 – Brother Turned Stranger] He was one of our own, Brother of blood and bone. But silver caught his eye, And darkness claimed the throne. He felt no weight in his chest, Took what he could and fled. No remorse in that heart — Just green dreams in his head.
(Ride, ride... the preacher’s gone ahead)

He Took the Oath

Looks like the contract is done, but the heat is closing in! Will you escape before you meet your end? (Retrowave/Outrun)

Ma Aandi Had (Part 2) (ft. Anissa Hassan)

pSYKOK

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