Z Rudy Guzowskiej na Mazowszu, zapis Oskara Kolberga (ok. 1850-60). 
Rec. Studio Rogalów 2002.
 Remek Hanaj - skrzypce, 
Katarzyna Andrzejowska - ksylofon, 
Daniel de Latour - wtór, 
Agata Harz - baraban

Pies Szczeka - Żydowski taniec turecki / Jewish Turkish Dance

Kiren

Ore No Umi

Young bands from Warsaw Dance House plays the music from the old masters.
Bartosz Niedźwiecki/Emilia Okołotowicz/Remigiusz Hanaj

CD02 Muzyka z Domu Tańca | Bartosz Niedźwiecki Band - Oberek from Bogusławki (Rawskie region)

The following musical composition was written on the third week of war in Ukraine, in the apartments of my new friend in Lviv. 
This is a thought about the fight within ourselves, where the most important thing is to accept yourself and the situation. Little by little, by curing ourselves from melancholy, we embrace the fight, as the call, and our Spirit plays the major role in it. Our Spirit is the movement! The movement towards the end, towards the victory!

Cover: Roman Pashkovskiy 
Mastering: Nikita Mekalin

Duma

Ju'Hoansi Bushmen - Les Femmes (2003)

Earth Beat

27 10 12 idblips

LUNG DART - HEALTHY FUNCTIONAL TISSUE

Котік

in recent years, the turkish drone-pop composer ekin fil (born ekin üzeltüzenci) has been refining her talents in the realm of the film score. since her first recordings that were published by root strata and students of decay, she has always exhibited a preternatural ability to express the saddest of emotions through sound. once channeled through the lens of a gauzy shoegazing smear of guitars and voice, she has peeling away layers of her ephemeral songs to reveal their emotional core. that compositional process that works so well for her award winning film scores informs the soft-focus tenebrous pieces of her 2020 album coda. 

it’s true that any number of these pieces on this album could announce the finale to an emotionally draining movie, but ekin sculpts the entire album as a whole, dissolving one perfectly tempered piano motif, an impressionist ambient plume or a sibilant vocal melody into another. just at the threshold of perception, she occasionally invokes cascades of distant noise that easily can be interpreted as the ominous premonitions for natural disasters - incoming storms, earthquakes, or tidal waves. this subtle disquiet amidst the introspective melancholy furthers the emotional weightiness of coda.

her somber, blissful compositions have considerable gravity of their own in the constellation of grouper, felicia atkinson, and harold budd.

Coda

Ekin Fil // On Sand

Polish traditional and experimental music

Pies Szczeka - Żydowski taniec turecki / Jewish Turkish Dance

Remek Hanaj

Related tracks